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==Early life and education==
==Early life and education==


Phyllis Webb was born on April 8, 1928, in [[Victoria, British Columbia]].<ref name="canenc">{{Cite web|last=Thesen|first=Sharon|date=2016-07-29|title=Phyllis Webb|url=https://www.thecanadianencyclopedia.ca/en/article/phyllis-webb|access-date=2021-11-13|website=[[The Canadian Encyclopedia]]}}</ref> She attended the [[University of British Columbia]] and [[McGill University]]. In 1949, aged 22, she ran as a candidate for the [[Co-operative Commonwealth Federation]] in the [[1949 British Columbia general election]].<ref name="geddes1997">{{Cite book|last=Geddes|first=Gary|title=The Oxford Companion to Canadian Literature|publisher=[[Oxford University Press]]|year=1997|isbn=0-19-541167-6|editor-last1=Toye|editor-first1=William|editor-link1=William Toye (author)|edition=2d|pages=[[iarchive:oxfordcompaniont00toye/page/1172/mode/1up|1172–1173]]|chapter=Webb, Phyllis|oclc=39624837|author-link=Gary Geddes|editor-last2=Benson|editor-first2=Eugene|editor-link2=Eugene Benson}}</ref> In 1957 Webb won a grant that allowed her to study theatre in France.<ref name="canenc" />
Phyllis Webb was born on April 8, 1927, in [[Victoria, British Columbia]].<ref name="canenc">{{Cite web|last=Thesen|first=Sharon|date=2016-07-29|title=Phyllis Webb|url=https://www.thecanadianencyclopedia.ca/en/article/phyllis-webb|access-date=2021-11-13|website=[[The Canadian Encyclopedia]]}}</ref> She attended the [[University of British Columbia]], where she received a BA in English and philosophy in 1949, and [[McGill University]].<ref name="woodcockwheatley2001" /> In 1949, aged 22, she ran as a candidate for the [[Co-operative Commonwealth Federation]] in the [[1949 British Columbia general election]].<ref name="geddes1997">{{Cite book|last=Geddes|first=Gary|title=The Oxford Companion to Canadian Literature|publisher=[[Oxford University Press]]|year=1997|isbn=0-19-541167-6|editor-last1=Toye|editor-first1=William|editor-link1=William Toye (author)|edition=2d|pages=[[iarchive:oxfordcompaniont00toye/page/1172/mode/1up|1172–1173]]|chapter=Webb, Phyllis|oclc=39624837|author-link=Gary Geddes|editor-last2=Benson|editor-first2=Eugene|editor-link2=Eugene Benson}}</ref> In 1957 Webb won a grant that allowed her to study theatre in France.<ref name="canenc" />


== Poetry ==
== Poetry ==
Her poetry was published in 1954 in ''Trio'', an anthology of poems by [[Eli Mandel]], [[Gael Turnbull]], and Webb published by [[Raymond Souster]]'s Contact Press.{{Sfn|Butling|1997|p=132}}{{Sfn|Frey|1985|p=390}} In the 1950s, Webb became interested in [[Eastern philosophy]]; critic Pauline Butling suggests that Webb's early work shows the influence of [[neo-Confucianism]]'s metaphysics of time.{{Sfn|Butling|1997|p=12}}
Webb's first poems were published in ''Contemporary Verse'', a magazine run by Alan Crawley.<ref name="woodcockwheatley2001" /> Her first book publication was in ''Trio'', a collection of poems by [[Eli Mandel]], [[Gael Turnbull]], and Webb published by [[Raymond Souster]]'s Contact Press.{{Sfn|Butling|1997|p=132}}{{Sfn|Frey|1985|p=390}} In the 1950s, Webb became interested in [[Eastern philosophy]]; critic Pauline Butling suggests that Webb's early work shows the influence of [[neo-Confucianism]]'s metaphysics of time.{{Sfn|Butling|1997|p=12}}


Webb's approach shifted in the 1960s toward a model of poetry influenced by the field theory of composition developed by [[Charles Olson]] and the [[Black Mountain poets]].{{Sfn|Butling|1997|p=21}} The field theory was a jumping-off point for ''Naked Poems'', which she started in 1963 and published in 1965.{{Sfn|Butling|1997|p=22}}<ref name="bowering2013" /> [[George Bowering]] describes ''Naked Poems'' as a "key text in contemporary Canadian literature".<ref name="bowering2013">{{Cite book|last=Bowering|first=George|title=The Oxford Companion to Modern Poetry|publisher=Oxford University Press|year=2013|isbn=978-0-19-964025-6|editor-last1=Noel-Tod|editor-first1=Jeremy|edition=2d|page=[[iarchive:oxfordcompaniont0000unse_d2l7/page/645/mode/1up|645]]|chapter=Webb, Phyllis|oclc=825557412|author-link=George Bowering|editor-last2=Hamilton|editor-first2=Ian}}</ref> ''Wilson's Bowl'' (1980) adopts a new [[poetics]] centred on a critique of political and interpersonal power, drawing from [[Haida people|Haida]] stories "to undermine the binary structures of Western thought".{{Sfn|Butling|1997|pp=29–30}} Webb composed the poems in ''Hanging Fire'' (1990) by waiting for words to arrive in her mind. She said in an interview that adopting this passive stance allowed her to focus more on the external world.{{Sfn|Butling|1997|pp=|p=32}}
Webb's approach shifted in the 1960s toward a model of poetry influenced by the field theory of composition developed by [[Charles Olson]] and the [[Black Mountain poets]].{{Sfn|Butling|1997|p=21}} The field theory was a jumping-off point for ''Naked Poems'', which she started in 1963 and published in 1965.{{Sfn|Butling|1997|p=22}}<ref name="bowering2013" /> [[George Bowering]] describes ''Naked Poems'' as a "key text in contemporary Canadian literature".<ref name="bowering2013">{{Cite book|last=Bowering|first=George|title=The Oxford Companion to Modern Poetry|publisher=Oxford University Press|year=2013|isbn=978-0-19-964025-6|editor-last1=Noel-Tod|editor-first1=Jeremy|edition=2d|page=[[iarchive:oxfordcompaniont0000unse_d2l7/page/645/mode/1up|645]]|chapter=Webb, Phyllis|oclc=825557412|author-link=George Bowering|editor-last2=Hamilton|editor-first2=Ian}}</ref> ''Wilson's Bowl'' (1980) adopts a new [[poetics]] centred on a critique of political and interpersonal power, drawing from [[Haida people|Haida]] stories "to undermine the binary structures of Western thought".{{Sfn|Butling|1997|pp=29–30}} Critic [[Northrop Frye]] called it a "landmark".<ref name="woodcockwheatley2001" /> Webb composed the poems in ''Hanging Fire'' (1990) by waiting for words to arrive in her mind. She said in an interview that adopting this passive stance allowed her to focus more on the external world.{{Sfn|Butling|1997|pp=|p=32}}


Webb taught creative writing at the [[University of British Columbia]], the [[University of Victoria]], and the Banff Centre, and was writer-in-residence at the [[University of Alberta]] from 1980 to 1981.<ref name="woodcockwheatley2001" />
Webb taught creative writing at the [[University of British Columbia]], the [[University of Victoria]], and the Banff Centre, and was writer-in-residence at the [[University of Alberta]] from 1980 to 1981.<ref name="woodcockwheatley2001" />

Revision as of 05:20, 13 November 2021

Phyllis Webb
Born(1927-04-08)April 8, 1927
Victoria, British Columbia, Canada
DiedNovember 11, 2021(2021-11-11) (aged 94)
Salt Spring Island, British Columbia, Canada
Occupationpoet and radio broadcaster
LanguageEnglish
NationalityCanadian
Genrepoetry
Notable worksThe Vision Tree
Notable awardsGovernor General's Award
Officer of the Order of Canada

Phyllis Webb OC (April 8, 1927 – November 11, 2021) was a Canadian poet and radio broadcaster.

Early life and education

Phyllis Webb was born on April 8, 1927, in Victoria, British Columbia.[1] She attended the University of British Columbia, where she received a BA in English and philosophy in 1949, and McGill University.[2] In 1949, aged 22, she ran as a candidate for the Co-operative Commonwealth Federation in the 1949 British Columbia general election.[3] In 1957 Webb won a grant that allowed her to study theatre in France.[1]

Poetry

Webb's first poems were published in Contemporary Verse, a magazine run by Alan Crawley.[2] Her first book publication was in Trio, a collection of poems by Eli Mandel, Gael Turnbull, and Webb published by Raymond Souster's Contact Press.[4][5] In the 1950s, Webb became interested in Eastern philosophy; critic Pauline Butling suggests that Webb's early work shows the influence of neo-Confucianism's metaphysics of time.[6]

Webb's approach shifted in the 1960s toward a model of poetry influenced by the field theory of composition developed by Charles Olson and the Black Mountain poets.[7] The field theory was a jumping-off point for Naked Poems, which she started in 1963 and published in 1965.[8][9] George Bowering describes Naked Poems as a "key text in contemporary Canadian literature".[9] Wilson's Bowl (1980) adopts a new poetics centred on a critique of political and interpersonal power, drawing from Haida stories "to undermine the binary structures of Western thought".[10] Critic Northrop Frye called it a "landmark".[2] Webb composed the poems in Hanging Fire (1990) by waiting for words to arrive in her mind. She said in an interview that adopting this passive stance allowed her to focus more on the external world.[11]

Webb taught creative writing at the University of British Columbia, the University of Victoria, and the Banff Centre, and was writer-in-residence at the University of Alberta from 1980 to 1981.[2]

Webb's poems often concern death, particularly suicide.[9]

Broadcasting

Beginning in 1964, Webb worked as a writer and broadcaster for the Canadian Broadcasting Corporation (CBC).[12] In 1965 she created, with William A. Young, the radio program Ideas.[13] From 1967 to 1969, Webb was its executive producer.[13] In 1967, she travelled to the Soviet Union, carrying out research on the anarchist Peter Kropotkin;[14] she later proposed, but did not complete, a cycle of poems called "The Kropotkin Poems".[15][16] Also in 1967, Webb created the CBC television program Extension, a series about Canadian poetry.[17]

Honours

In 1980 Webb was awarded a prize of CA$2,300 by fellow Canadian poets in recognition of her book Wilson's Bowl, which was overlooked for a Governor General's Award nomination that year. The award citation said, in part, "this gesture is a response to your whole body of work as well as to your presence as a touchstone of true good writing in Canada, which we all know is beyond awards and prizes".[18]

Webb won the Governor General's Literary Award for Poetry, 1982, for The Vision Tree.[18]

She won Canada Council awards in 1981 and 1987.[2]

She became an officer of the Order of Canada in 1992.[19]

Personal life

Soon after Extension finished, McLeod moved from Toronto to Salt Spring Island, British Columbia,[17] where she lived for much of her life.[20] Webb died at Lady Minto Hospital on Salt Spring Island on November 11, 2021.[20]

Bibliography

Poetry

  • Trio: First Poems by Gael Turnbull, Phyllis Webb, and Eli Mandel. Toronto: Contact Press, 1954.[4][5]
  • Even Your Right Eye. Toronto: McClelland & Stewart, 1956.[21][5]
  • In a Garden of the Pitti Palace; A Pang Cantata: 2 New Poems. Vancouver: Pica Press, 1961.[22]
  • The Sea is Also a Garden: Poems. Toronto: Ryerson Press, 1962.[23]
  • Naked Poems. Vancouver: Periwinkle Press, 1965.[21][23]
  • For Fyodor. Toronto: Mongrel, 1973.[22]
  • Wilson's Bowl. Toronto: Coach House Press, 1980.[24]
  • The Bowl. Lantzville, BC: Island Magazine, 1981.[21]
  • Talking. Montreal: Quadrant Editions, 1982.[22]
  • Sunday Water: Thirteen Anti-Ghazals. Lantzville, BC: Island Writing Series, 1982.[25]
  • Prison Report. Vancouver: Slug Press, 1982.[22]
  • Water and Light: Ghazals and Anti-Ghazals: Poems. Toronto: Coach House Press, 1984.[26]
  • Hanging Fire. Toronto: Coach House Press, 1990.[27]
  • Hulcoop, John, ed. Selected Poems, 1954–1965. Vancouver: Talonbooks, 1971.[23]
  • Thesen, Sharon, ed. Selected Poems: The Vision Tree. Vancouver: Talonbooks, 1982.[24]
  • Hulcoop, John, ed. Peacock Blue: The Collected Poems. Vancouver: Talonbooks, 2014.[28]

Prose

  • Nothing but Brush Strokes: Selected Prose. Edmonton, AB: NeWest, 1995.[29]

Edited

Notes

  1. ^ a b Thesen, Sharon (July 29, 2016). "Phyllis Webb". The Canadian Encyclopedia. Retrieved November 13, 2021.
  2. ^ a b c d e Woodcock, George; Wheatley, Patience (2001). "Webb, Phyllis". In Riggs, Thomas (ed.). Contemporary Poets (7th ed.). St. James Press. pp. 1260–1262. ISBN 1-55862-349-3. ISSN 1531-2240. OCLC 45148536.
  3. ^ Geddes, Gary (1997). "Webb, Phyllis". In Toye, William; Benson, Eugene (eds.). The Oxford Companion to Canadian Literature (2d ed.). Oxford University Press. pp. 1172–1173. ISBN 0-19-541167-6. OCLC 39624837.
  4. ^ a b Butling 1997, p. 132.
  5. ^ a b c Frey 1985, p. 390.
  6. ^ Butling 1997, p. 12.
  7. ^ Butling 1997, p. 21.
  8. ^ Butling 1997, p. 22.
  9. ^ a b c Bowering, George (2013). "Webb, Phyllis". In Noel-Tod, Jeremy; Hamilton, Ian (eds.). The Oxford Companion to Modern Poetry (2d ed.). Oxford University Press. p. 645. ISBN 978-0-19-964025-6. OCLC 825557412.
  10. ^ Butling 1997, pp. 29–30.
  11. ^ Butling 1997, p. 32.
  12. ^ Butling 2009, p. 237.
  13. ^ a b Butling 2009, p. 238.
  14. ^ Butling 1997, p. 150.
  15. ^ Collis 2007, p. 122.
  16. ^ Collis, Stephen (2015). "The Kropotkin Poems". Canadian Literature. 225: 165–166.
  17. ^ a b McLeod 2019, p. 72.
  18. ^ a b Butling 1997, p. 160.
  19. ^ "Ms. Phyllis Webb". Governor General of Canada. Retrieved November 13, 2021.
  20. ^ a b "Canadian poet and broadcaster Phyllis Webb dead at 94". CBC Books. Retrieved November 12, 2021.
  21. ^ a b c Cox, Michael (2001). A Dictionary of Writers and Their Works. Oxford University Press. p. 291. ISBN 0-19-866249-1. OCLC 45648515.
  22. ^ a b c d Frey 1985, p. 394.
  23. ^ a b c Frey 1985, p. 391.
  24. ^ a b Frey 1985, p. 392.
  25. ^ Frey 1985, p. 393.
  26. ^ Murray, Heather (September 1986). "Water and Light: Ghazals and Anti Ghazals, Phyllis Webb". Canadian Woman Studies. ISSN 0713-3235.
  27. ^ Collis 2007, pp. 22–23.
  28. ^ Whiteman, Bruce (February 3, 2016). "Phyllis Webb's Peacock Blue: The Collected Poems". Canadian Notes & Queries. Retrieved November 13, 2021.{{cite web}}: CS1 maint: url-status (link)
  29. ^ Sullivan, Rosemary (1997). "Nothing But Brush Strokes: Selected Prose". University of Toronto Quarterly. 67 (1): 328–330. ProQuest 224046019.
  30. ^ Butler, Marian, ed. (2005). Canadian Books in Print: Author and Title Index: 2005. University of Toronto Press. p. 995. ISSN 0068-8398.

Sources

Further reading

  • Cash, Gwen. “Portrait of a Poet: Victoria's Phyllis Webb.” B.C. Magazine 6 April 1957: 17.
  • Fagan, Cary. “The Articulate Anger of Phyllis Webb.” Books In Canada 20.1 (1991): 21-23.
  • Frey, Cecelia. “Phyllis Webb: An Annotated Bibliography.” The Annotated Bibliography of Canada's Major Authors. Eds. Robert Lecker and Jack David. Vol.6. Toronto: ECW, 1985. 489-98.
  • Hulcoop, John. “Phyllis Webb and the Priestess of Motion.” Canadian Literature 32 (1967): 29-39.
  • Kamboureli, Smaro. “Seeking Shape, Seeking Meaning: An interview with Phyllis Webb.” West Coast Line 25.3 (1991): 21-41.
  • Knight, Lorna. “Oh for the Carp of a Critic: Research in the Phyllis Webb Papers.” West Coast Line 26.2 (1992): 120-127.
  • Macfarlane, Julian. Rev. of Selected Poems, by Phyllis Webb. The Capilano Review 1 (1972): 53-58.
  • Munton, Ann. “Excerpt from an Interview with Phyllis Webb.” West Coast Line 25.3 (1991): 81-85.
  • Potvin, Liza. "Phyllis Webb: The Voice That Breaks"
  • Sujir, Leila. “Addressing a Presence: An Interview with Phyllis Webb.” Prairie Fire 9.1 (1988): 30-43.

External links

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