Adam Christoph student

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Adam Christoph Schüler (born August 8, 1640 in Weißenfels ; † after 1693; also Schüller and Schiller , also read as Schaber , Stüber and Schider ) was a German actor , dramaturge and theater writer.

Adam Christoph Schüler was the son of the Weißenfels city ​​judge Heinrich Schüler. In 1660 he began his studies in Leipzig . Presumably he soon joined a traveling troupe performing at the Leipzig trade fair . He was active as an actor and dramaturge for several important theater principals such as Jakob Kuhlmann , Andreas Elenson and Johannes Velten . From his hand in the Codex Ia 38589 (derived Wienbibliothek Theater manuscripts included) An amorous annoyance (an adaptation of Molière's Le dépit amoureux ) and the illustrious charcoal burners that may date back to an English or Spanish original and also by the theater company of Michael Daniel Trust listed was .

Individual evidence

  1. ^ Leokadia Fürlinger: 14 handwritten dramas of the 17th century touring stage . Dissertation. University of Vienna, Vienna 1948, p. 9 .
  2. ^ Bärbel Rudin: A Leipzig student stage of the 17th century. University and Professional Theater - The End of a Legend . In: Small writings of the society for theater history . tape 28 , 1976, ISSN  0176-8905 , pp. 9 .
  3. ^ Leokadia Fürlinger: 14 handwritten dramas of the 17th century touring stage . Dissertation. University of Vienna, Vienna 1948, p. 61-66 .
  4. Tragico-Comoedia called Lieb and Glückh and Müh and Tückh or: Der translucent (translucent) coal burner , thepis.digital, accessed on November 9, 2018
  5. ^ Leokadia Fürlinger: 14 handwritten dramas of the 17th century touring stage . Dissertation. University of Vienna, Vienna 1948, p. 4 .
  6. Ruth Gstach: "The Desperation of Love" by Laurentius von Schnüffis . A previously unknown tragic comedy from the early touring stage with a list of the game texts that have been preserved (=  sources and research on literary and cultural history . No. 92 ). Walter de Gruyter, 2017, ISBN 978-3-11-054462-6 ( limited preview in Google book search).
  7. a b Mateusz Maselko, Elisabeth Pfluger: Syntactic change from early New High German to New High German using the example of the play "Der Durchlauchtige Kohlenbrenner". In: Anuari de Filologia. Estudis de Lingüística. 3 (2013), pp. 57-105, doi: 10.1344 / AFEL2013.3.3 .
  8. Alexander von Weilen : Die Theaters Wien: History of the Viennese theater industry from the oldest times to the beginnings of the court theater. Volume 1. Society for Reproductive Art, Vienna 1899, p. 120 ( digitized versionhttp: //vorlage_digitalisat.test/1%3D~GB%3D~IA%3Ddietheaterwie00weil~MDZ%3D%0A~SZ%3D120~doppelseiten%3D~LT%3D~PUR%3D ).
  9. Werner Richter: Liebeskampf 1630 and Schaubühne 1670. A contribution to the history of German theater in the seventeenth century. Mayer & Müller, Berlin 1910, pp. 213-216 ( digitized version http: //vorlage_digitalisat.test/1%3D~GB%3D~IA%3Dliebeskampf1630u00richuoft~MDZ%3D%0A~SZ%3D213~ double-sided%3D~LT%3D~PUR%3D).
  10. Alexander von Weilen: The theater. In: Anton Mayer, Heinrich Franz Joseph Zimmermann (ed.): History of the City of Vienna. Volume 6 Adolf Holzhausen, Vienna 1918, pp. 333–446, here p. 415 ( digitized version http: //vorlage_digitalisat.test/1%3D~GB%3D~IA%3DGeschichteDerStadtWienVol6~MDZ%3D%0A~SZ%3Dn462~doppelseiten%3D~LT%3D~PUR%3D).
  11. The Translucent Charcoal Burner, thespis.digital, accessed on November 9, 2018