Bernard Addison

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Bernard Addison (born April 15, 1905 in Annapolis , Maryland , † December 22, 1990 in Rockville Center , New York ) was an American jazz guitarist and banjo player.

Live and act

Addison played the mandolin and violin as a child ; In 1920 his family moved to Washington, DC , where Claude Hopkins was a classmate. Worked with him in the 1920s, as well as with Rex Stewart and the Mills Blue Rhythm Band . He then moved to New York, played in Small's Paradise as a sideman and also headed his own bands; In 1928 he switched from banjo to guitar and played with Art Tatum in the Milton Senior Band .

In 1930 he accompanied Adelaide Hall and joined Louis Armstrong's band , in which the guitarist's place had become vacant. This brought him into the scene of the jazz greats of the time and played over the years with Sidney Bechet , Jelly Roll Morton , Luis Russell , Sam Wooding and Coleman Hawkins . Addison later worked with Fats Waller , Fletcher Henderson (1933-34), Adrian Rollini 1935, the Mills Brothers from 1936 to 1939 (for example London Rhythm ' 1937, Long About Midnight 1939) and toured Europe with them; In 1939/40 he played with Stuff Smith and led his own formation until he was drafted into the US Army. After World War II he played with Snub Mosley and The Ink Spots , in 1959 with Eubie Blake . At the end of the 1950s he was increasingly active as a classical guitarist. In the last phase of his life, Addison only worked sporadically as a freelance musician, but mostly as a music teacher.

Addison was considered one of the best rhythm guitarists in the 1930s, who, in addition to elegant solos with changing chords, masterfully understood single string playing . A particularly characteristic, brilliant example of his chord solo style interspersed with 'single notes' is 'Toledo Shuffle' (with Ellington trumpeter Freddie Jenkins and clarinetist Albert Nicholas ).

literature

  • Leonard Feather , Ira Gitler : The Biographical Encyclopedia of Jazz. Oxford University Press, New York 1999, ISBN 0-19-532000-X .
  • Richard Lieberson, "The Guitar in Jazz. An Anthology," 1996. (Brief description of Addison's career on p. 109).

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