Commando Pernod

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Commando Pernod was an early right-wing rock band from Hamburg. It was founded in 1986 and had its last live appearance in 1992.

Band history

Commando Pernod was founded in 1986. With bands like Kruppstahl (Augsburg), Voll die Guten (Oberhausen) and Sturmtrupp (Neuburg), she belonged to the second generation of right-wing extremist skinhead bands.

She also played live until 1992. She released a number of phonograms, mainly demos and cassette recordings . A large part of the recordings was indexed by the Federal Testing Office for writings harmful to minors . With the album Stand Up (1992) the band tried to distance themselves from the right-wing scene. Similar to the Böhsen Onkelz , they speculated on commercial success and tried to describe the early texts as depictions of everyday youth in Hamburg-Bergedorf . After the album, however, they broke up in 1993/1994.

The album Breslau was not authorized by the band and was released in 1996 on the Danish label NS-Records .

Dominic Burzlaff, the singer of the band, plays with the Hamburg band Abschlach today ! and in the Böhse-Onkelz - Enkelz cover band . Today he distances himself from his previous band and describes his work as an adolescent sin of youth.

ideology

The lyrics of the band are very explicit for the time and incite against the political opponent. They are anti-Semitic and xenophobic and openly call for violence against those who think differently. It is probably thanks to this fact that the band's texts have been printed in many publications on legal rock. For example, Klaus Farin and Henning Flad took texts as an example of the “enemy image of foreigners” in the right-wing rock scene. Erika Funk-Hennings and Johannes Jähger quote the song Asyl in their work Racism, Music and Violence: Causes, Developments, Consequences .

In 1999, the criminologist Rolf Bachem analyzed the texts of the band for the BKA research series. He chose the lyrics Kanake verrecke! , Germany , dirt has to go , parasites and why , and called them songs from which "primitive, raw brutality" speaks. The songs have been selected as examples and are therefore representative of right-wing rock.

Discography

  • 1988: Demo 1998 (demo, in-house production) (indexed)
  • 1988: Studio-Tape 1988 (demo, in-house production) (indexed)
  • 1989: Germany awake (demo, in-house production) (indexed)
  • 1989: Live in Mindelheim '89 (live tape, split with Voll die Guten, in-house production)
  • 1989: Live in Mindelheim '89 (live tape, in-house production) (indexed)
  • 1990: Ü-room + demos 1984–1989 (demo, in-house production)
  • 1992: Get Up (Widder Records)
  • 1996: Breslau (NS-Records) (indexed)
  • 1999: Germany awake (WPM)
  • 2010: get up! - Unreleased songs (EP, unknown label)

Web links

Individual evidence

  1. Christian Dornbusch , Jan Raabe : 20 years of legal rock . In: Christian Dornbusch, Jan Raabe (Ed.): RechtsRock. Inventories and counter-strategies . Unrast Verlag , Münster 2002, ISBN 3-89771-808-1 , p. 42 .
  2. Jens Hohmann: Wild West inclusive. Nazi rock, youth culture and right mainstream . In: Max Annas / Ralph Christoph (eds.): New soundtracks for the Volksempfänger . 3. Edition. Edition ID-Archiv, Berlin 1994, ISBN 3-89408-028-0 , p. 87 .
  3. ^ Christian Gottschalk: The expert dispute . In: Max Annas / Ralph Christoph (eds.): New soundtracks for the Volksempfänger . 3. Edition. Edition ID-Archiv, Berlin 1994, ISBN 3-89408-028-0 , p. 108 .
  4. apabiz e. V .: Directory of right rock bands . In: Christian Dornbusch , Jan Raabe (Ed.): RechtsRock. Inventories and counter-strategies . Unrast Verlag, Münster 2002, ISBN 3-89771-808-1 , p. 437 .
  5. Dominic Burzlaff at Discogs (English)
  6. The miracle of personality - ENKELZ. (No longer available online.) Official Enkelz website, archived from the original on October 5, 2013 ; Retrieved October 4, 2013 . Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.boehse-hemelinger.de
  7. Open letter to the organizers and sponsors of the Enkelz concert in Lissendorf. (PDF) Antifa Euskirchen , June 2011, accessed on October 4, 2013 .
  8. Klaus Farin , Henning Flad: reactionary rebels. Right-wing extremist music in Germany . In: Archive of youth cultures (ed.): Reactionary rebels. Right-wing extremist music in Germany . Archive of Youth Cultures, Berlin 2001, ISBN 3-936068-04-6 , p. 72 f .
  9. Erika Funk-Hennigs, Johannes Jäger: Racism, Music and Violence: Causes, Developments, Consequences . LIT Verlag, Münster 1996, ISBN 3-8258-2443-8 , p. 177 .
  10. Rolf Bachem: Right-wing extremist ideologies - rhetorical text analyzes as a way to open up right-wing radical written material . Ed .: Federal Criminal Police Office Wiesbaden (=  BKA research series . No. 44 ). 1999, ISSN  0174-5433 , p. 201 ff .
  11. BAnz AT 02.26.2018 B4