Eugenio Arango

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Eugenio Arango , also Totico (born June 2, 1934 in Havana , † January 21, 2011 in the Bronx , New York City ) was a Cuba- born percussionist and singer who was one of the popular musicians on the New York rumba scene .

Live and act

Eugenio Arango grew up in the Los Sitios district of Havana, was initially a dock worker and also played in local rumba bars. In 1959 he left the island as a sailor , came to Boston and then moved to New York City. In 1961 he worked on Max Roach's album Percussion Bitter Sweet ; he could also be heard on recordings by the Cuban flutist / violinist Pupi Legarreta ( Salsa Nova con Pupi Legarreta , 1963). At the end of the decade he recorded rumba music under his own name. As a singer, he recorded the Verve album Patato & Totico in 1968 with Patato Valdes , in which Arsenio Rodríguez and Cachao López played. This album was successful in the 1960s and 1970s in New York rumba subculture ( Nuyorican generation ) venues such as Orchard Beach in the Bronx, Marcus Garvey Park in Harlem, and Central Park .

Arango also played in various night club bands and recorded with the Puerto Rican percussionist Kako Bastar ( Kako y Totico ). He was also active in the Afro-Cuban religious community of Santería and taught percussion, especially the 6/8 rhythms of Güiro . In 1982 his album Totico y sus Rumberos appeared , on which the percussionist Orlando (Puntilla) Rios and a number of younger Latin musicians participated. It also contained a rumba version of the 1962 doo-wop hit What's Your Name .

Discographic notes

  • Patato y Totico (Verve, 1967)
  • Kako, Totico Y El Trabuco - La Maquina Y El Motor (around 1970)
  • Totico y sus Rumberos (Montuno, 1982)
  • Sonido Sólido (Top Ten Records, 1995)

Web links

Individual proof

  1. a b c Obituary by Ben Ratcliff in the New York Times (February 1, 2011)