Gabriele Heider

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Gabriele Heider (* 1956 in Troisdorf ) is a German visual artist .

Life

Gabriele Heider studied from 1978 to 1984 at the University of Applied Sciences for Art and Design in Cologne, formerly Kölner Werkschulen , free art with Daniel Spoerri and stage design with Rolf Glittenberg . At the same time she worked from 1982 to 1983 as a set designer and assistant director at the stages of the city of Cologne . She lives and works in Cologne and on Gut Friedrichstein in Sankt Augustin .

plant

In 1986 Gabriele Heider opened her studio on her parents' estate Friedrichstein in Sankt Augustin, where her father ran a large cattle farm. Heider became known for abstract, large-format, black-and-white “cow pictures” in which she further developed the principle of fur notes, as it is known from herd books , in painting. In 1995 she won the art competition for the design of the library in the new building of the Deutsche Telekom AG headquarters in Bonn. In addition to AR Penck and Markus Lüpertz , u. a. and Daniel Buren and Mario Merz participated in the artistic design of the new building. "The master student of Daniel Spoerri enlarged her paintings, which repeatedly work with the ornamentation of cowhide drawings, to the monumental: The work with its immanent change of view of series and individual, ornament and mass is definitely one of the better achievements for the new house of the large company." For other works, especially the "Herd books" (1992–1996), Heider has used canvases since the late 1980s to a large extent, as well as sheets, pillows and tablecloths from the inherited trousseau of her ancestors, which she had previously spread out in the cow stalls the cattle leave their tracks of dung and dirt on it. In the mid-90s, Gabriele Heider began a new creative phase with the so-called "circle pictures" with a strong turn to color, which continued from 2001 in the field of action painting . The composed underground structures are still there, even if mostly only sketchily indicated or painted over. In the most recent works, the original rectangular structure has been replaced by prints of old enlarged engravings such as B. Cologne Cathedral or temple complexes from antiquity as a background and contrast for the paint that drips, bursts or pours on the canvas.

Awards

  • 1987 Art Prize Scholarship from the City of Bonn
  • 1990 grant from the state of North Rhine-Westphalia for an artist residency in Civitella d'Agliano , Italy
  • 1995 First prize in the artist competition for the design of the library in the new building of the Deutsche Telekom AG headquarters in Bonn
  • 1995 Design of the Renault Twingo as an " Art Car ", limited edition production and exhibition of the object at the Art Multiple in Düsseldorf
  • 1998 Commissioned work for the large-format painting “Idol” for the council chamber in the town hall of Sankt Augustin
  • 1999 work grant from the state of Brandenburg

Exhibitions

Solo exhibitions (selection)

  • 1989 Konrad Adenauer Foundation Sankt Augustin, Wärme-Felder
  • 1992 Art Pavilion Cologne-Deutz, trousseau
  • 1994 Stadtmuseum Siegburg, Gabriele Heider - works 1988–1993
  • 1996 Europ. Kulturzentrum Galerie Villa Rolandseck, Gabriele Heider - painting, graphics
  • 1997 Galerie Libro Azul, Santa Gertrudis, Ibiza, Gabriele Heider
  • 1997 Kunstverein Emsdetten, Gabriele Heider - works 1992–1997
  • 1998 Kunstverein Nord eV Bremen-Vegesack, Gabriele Heider - painting
  • 1999 City Gallery Alter Turm, Niederkassel, Gabriele Heider
  • 1999 Gallery Dagmar Peveling, Olpe, Gabriele Heider
  • 2000 Museum of Industrial Culture Osnabrück / EXPO 2000, Gabriele Heider
  • 2010 Bonn District and Regional Court, Justice
  • 2011 Galerie Kunstraum 21, Cologne, movement, color, architecture

Participation in exhibitions (selection)

  • 1987 Kunstmuseum Bonn , art prize grant from the city of Bonn
  • 1988 Women's Museum Bonn, scripturale
  • 1989 Museum of Modern Art Oxford, Links / Connections
  • 1992 Provinciaal Museum Hasselt, Euregionale 1992
  • 1992 Manege St. Petersburg, Bonn artist in St. Petersburg
  • 1994 Fellbach town hall, La Vache Qui Rit
  • 1995 Deutsches Hygiene-Museum Dresden, Herz: the human heart - the warm person
  • 1997 Kunsthaus Langenberg, close contact 1
  • 1998 Bonn, Osnabrück, Erfurt, Gabriele Münter Prize 1997
  • 2000 Kunsthaus Langenberg, close contact 2
  • 2000 Heart and Diabetes Center NRW Bad Oeynhausen / EXPO 2000, Journey (s) into the heart
  • 2005 Kulturtage Eitorf, art in the historical workshop of Schoeller Eitorf AG
  • 2011 Art Fair, Cologne
  • 2013 Galerie Kunstraum 21, Bonn, INBONN IV

Literature (selection)

  • Helge Achenbach , From Saul to Paul - Art and Architecture Consulting , Regensburg 1995, ISBN 3-929970-20-1
  • Wibke von Bonin, film contribution, artist portrait Gabriele Heider, broadcast on July 7, 1994 on WDR 3, cultural series Line K
  • Andreas Denk, art in the house of the bearer of hope. Telecom and art: a new building in Bonn and its equipment, in: Kunstforum international , Vol. 132, November – January 1996, p. 452, ISSN  0177-3674
  • Deutsches Hygiene-Museum Dresden (Ed.) Do you know your heart? Questions and answers - not only for children, Munich / Berlin 1995, ISBN 3-87405-237-0
  • Gert Fischer (Ed.), Gabriele Heider - Work 1988–1993, Siegburg 1994, ISBN 3-925551-62-X
  • Frauenmuseum Bonn , Gabriele Münter Preis '97, Bonn 1997, ISBN 3-928239-35-X
  • Eckhard Fuhr, In search of the lust for the flesh. A visit to the World Meat Congress: Art comforts in the Estrel in Berlin, Welt Online, May 29, 2002
  • Susanne Hahn (Ed.) On behalf of the German Hygiene Museum Dresden, And death will not be anymore, Darmstadt 1997, ISBN 3-7985-1088-1
  • Heart and Diabetes Center NRW (ed.), Reise (n) ins Herz, Lemgo 2000, ISBN 3-9806933-2-5
  • Hartmut Jahn, "The cow is coming - the Kuhltur-Magazin", TV report with Gabriele Heider in the arte theme evening "Not stupid, the cow", broadcast on January 24, 1999, cf. ARTE magazine , 4/1999, 23.-29. January 1999, p. 51 ff., ISSN  1288-3263
  • Marlies Kamps, crossing borders. Correspondence with Gabriele Heider, in "Ab 40", issue 4/97, October, November, December 1997, pp. 94-103, ISSN  0937-6887
  • Kulturamt Stadt Fellbach (ed.), La Vache Qui Rit. Europe, the bull and the cow in sculpture and photography of the 20th century, Fellbach 1994, p. 64, ISBN 3-9802150-3-2
  • Sylvia Lott, Dirk Reinartz (photos), Kuh-Kunst, in: “Country”, issue 6/93, pp. 88–95
  • Manfred Langlotz, Painting & Artworks. GH, Body Memory Paintings, in: "2A Architecture & Art", Quarterly, Autumn 2006, Issue No. 3, pp 114-115, ISSN 1735-5192
  • Jürgen Raap, in Gert Fischer (Ed.), Gabriele Heider - Work 1988–1993, Siegburg 1994, ISBN 3-925551-62-X
  • Jürgen Raap, Kunstverein shows Heider works, in: Emsdettener Volkszeitung, May 3, 1997
  • Annette Schoeder, Red Clouds of Color above the Cathedral, in: Kölnische Rundschau, October 8, 2011
  • Ro Willaschek, Art Column: Women's Art and an Example, in: Der Mediziner, IAV Verbandsjournal, AGIDO-Verlag, Cologne 1986, p. 29, ISSN  0930-9357

Web links

Individual evidence

  1. ^ Helge Achenbach , Vom Saulus zum Paulus - Art and Architecture Consulting, Regensburg 1995, pp. 74–75, ISBN 3-929970-20-1
  2. ↑ Andreas Denk, Art in the House of the Bearer of Hope. Telecom and art: a new building in Bonn and its equipment, in: Kunstforum international , vol. 132, November-January 1996, p. 452, ISSN  0177-3674
  3. ↑ Jürgen Raap, in Gert Fischer (Ed.), Gabriele Heider - Arbeit 1988-1993, Siegburg 1994, ISBN 3-925551-62-X
  4. ↑ Jürgen Raap, Kunstverein shows Heider-Werke, in: Emsdettener Volkszeitung, May 3, 1997
  5. ↑ Annette Schoeder, Rote Farbwolken über dem Dom, in: Kölnische Rundschau, October 8, 2011, p. 45
personal data
SURNAME Heider, Gabriele
BRIEF DESCRIPTION German visual artist
DATE OF BIRTH 1956
PLACE OF BIRTH Troisdorf