Limits of the mind

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Limits of the mind
Paul Klee , 1927
Oil, watercolor and pencil on canvas primed with white
56.3 x 41.5 cm
Pinakothek der Moderne , Munich

Link to the picture
(please note copyrights )

Limits of understanding is a panel painting by Paul Klee (1879–1940) from 1927 from the Pinakothek der Moderne in Munich.

The painting Limits of the Mind was originally in the gallery Neue Kunst Fides by Rudolf Probst in Dresden. In 1928 it was added to the private collection of the gallery owner Alfred Flechtheim . He knew how to market it skillfully. After showing it twice in his Berlin gallery in 1928 and 1929, he loaned it to the New York Museum of Modern Art in 1931 . In 1958 it passed into the provenance of Theodor and Woty Werner . In 1971 it was acquired as a legacy of the couple and has since been in the holdings of the Bayerische Staatsgemäldesammlungen - Modern Art Collection in the Pinakothek der Moderne in Munich.

What you can see is a complex, fine network of lines that leads up to a circular curve. The picture expresses a contrast between finite existence and the extremely great imagination of man. Initially perceived as a surrealist work, Klee's Bauhaus period in Dessau moved more and more into the foreground. The creative means were based on constructivism . Comparisons were made with the works of Malevich , Gabo and Tatlin . There are also similarities to individual Klee works, such as the Seilaenzer from 1923.

In the year 2006/07, the Austrian composer created Andor Losonczy (1932-2018) as part of a comprehensive Clover project, a play of the same, which in the concert series on 11 March 2008 musica aperta in the Kunstmuseum Winterthur by the Leipzig ensemble Sortisatio premiered was.

literature

Web links

Individual evidence

  1. ^ Complete programs of musica aperta , www.musica-aperta.ch, accessed on February 18, 2018.