Hannah Külling

from Wikipedia, the free encyclopedia

Hannah Külling (born June 26, 1965 in Biel , Switzerland) is a Swiss visual artist, performer and scenographer. She also works under the pseudonym Hannah Goll .

Life

After an internship in 1985 as a model maker at the Stadttheater Basel, she studied set design with Erich Wonder in Vienna from 1986 to 1991 at the Academy of Fine Arts (MA). During her studies she assisted Mathias Fischer-Dieskau at the Grips-Theater and in the independent theater scene in Berlin . After completing her studies, she returned to Biel, where she has lived and worked ever since. In 2002 she was awarded the City of Biel's Culture Prize for her artistic work and commitment to culture.

Working method

Hannah Külling works autobiographically, installatively and performatively, since 1985 she has been realizing works outdoors and indoors. In her artistic work she relates her own experiences to historical, political and social events of the present and deals with topics that go beyond personal experiences and thoughts, these touch universal experiences, such as the relationship with the father, feminism or sexual liberation . In works like Erotic club soon (1999) or In Public Interest (1998), she uses public space as a stage on which a field of tension between reality and fiction emerges. Since 2002, works have been created that can be assigned to Appropriation Art , in The Bride Unveils the Bachelors and Considering its Form, even (2005), she refers to the large glass by Marcel Duchamp , for which she received the CHF 30,000.00 in 2005. received the main prize of the Aeschlimann-Corti grant. In Ophélia (2007) she refers to the work Ophelia by John Everett Millais and in Koan Vallaton to the work Olympia by Édouard Manet . At the vernissage of the international themed exhibition Aurum 2008 in the CentrePasquArt, Biel, she appeared for the first time as a performer with The Deception .

architectural art

  • 1999 Evaluation of the x- and y-axes , Cantonal Food Control Bern
  • 2008 A place above all , signal box base at Pieterlen station
  • 2010 Take 50 pebbles in your hand before you act , Raiffeisenbank Lyss

Intervention in public space

  • 1998 In the public interest , City of Biel
  • 1999 Erotic Club soon , Theater de Poche, Biel
  • 2001 Goldnugget , espace libre, Biel
  • 2007 Burn out , Lokal-int, Biel

performance

  • 2008 The Deception , Kunsthaus CentrePasquArt, Biel

Projects at national group exhibitions

  • 1996 Body Identity Irritation , Kunsthaus Glarus
  • 1999 Chambresvilles , Solothurn consumer bakery
  • 2003 The Mondopunkt , Künstlerhaus Bethanien, Berlin
  • 2007 Art en plein Air , Môtier
  • 2008 National Art Exhibition Kaufdorf

Projects at international group exhibitions

  • 2003 During these times , Kunsthaus CentrePasquArt, Biel
  • 2006 The return of physiognomy , Biel Photo Days
  • 2008 Aurum , CentrePasquArt, Biel

Awards

  • 1993 grant from the Jubilee Foundation of the Swiss Bank Corporation
  • 1997 Main Prize Anderfuhren Scholarship Biel
  • 2002 Culture Prize of the City of Biel
  • 2005 main prize Aeschlimann-Corti scholarship

Web links

Individual evidence

  1. ↑ Christoph Lichtin, Bieler Jahrbuch 2002
  2. ↑ Annelise Zwez, Bieler Tagblatt, December 3, 1998, Christmas campaign
  3. ↑ Dominik Imhof Bern Art Communication No. 347 (2005)
  4. ↑ Annelise Zwez, Bieler Tagblatt, June 25, 2007, Môtiers 2007 - the great pleasure of art
  5. ^ Annelise Zwez, Bieler Tagblatt, September 17, 2008, Aurum - gold in contemporary art
  6. ^ Catalog Chambresville, Konsumbäckerei Solothurn ISBN 3-906086-30-5
  7. ^ Konrad Tobler, Autofriedhof, National Art Exhibition Kaufdorf Gürbetal ISBN 3-906562-38-7
  8. ↑ Hélène Cagnard, In these times c'est le moment, edition fink publishing house for contemporary art ISBN 3-906086-51-8
  9. ^ Catalog The Return of Physiognomy, Biel Photo Days 2006
  10. ^ Caroline Nicod, Aurum. Gold in contemporary art, Verlag für Moderne Kunst Nürnberg ISBN 978-3-940748-62-1
  11. ↑ Beatrice Schmidt, Bieler Tagblatt, November 22, 1997, Christmas retrospective still in the old house
  12. ^ Pia Zeugin, Bieler Tagblatt, March 13, 2008, A Biel Art Museum on the Internet
personal data
SURNAME Külling, Hannah
ALTERNATIVE NAMES Goll, Hannah (pseudonym)
BRIEF DESCRIPTION Swiss visual artist, performer and scenographer
DATE OF BIRTH June 26, 1965
PLACE OF BIRTH Biel , Switzerland