Ingeborg Engelmann

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Ingeborg Engelmann , also Ingeburg Engelmann (born December 18, 1925 in Leipzig , German Empire , † January 3, 1999 ), was a German actress on stage and television.

Live and act

Born in Leipzig, she received her artistic training during the Second World War and began her theater career in Lodz in the late phase of the Second World War. From 1945 to 1949 the blonde artist worked at the theater in Wuppertal, then at stages in Stuttgart (State Theater), Krefeld, Augsburg, Essen and again in Wuppertal. After that she only worked as a freelancer.

Her best-known stage roles were Thekla in Wallenstein , Amalia in Die Räuber , Natalie in Der Prinz von Homburg , Lady Stutfield in A Woman Without Meaning , Canina in Volpone , Lucile in Dantons Tod and Viktoria in Sturm im Wasserglas . Ingeborg Engelmann has also worked extensively for radio as a radio play speaker (175 radio plays 1951–1993), and only since 1968 has she occasionally appeared in television plays. Her last role was Celia Peachum in a production of the Weill opera Die Dreigroschenoper .

Filmography

  • 1969: The fight for the dance
  • 1969: Marija
  • 1969: Live and let live
  • 1970: The model student
  • 1971: This story of them
  • 1973: Victor or The Children in Power
  • 1983: Amphitryon
  • 1984: Chapiteau
  • 1995: The Threepenny Opera

Radio plays (selection)

  • 1951: Jean Giraudoux : The Apollo Bellac (Agnes) - Director: Paul Land ( SDR )
  • 1993: Christina Calvo: Finale Kalypso or Die Reise durch die Zeiten (woman) - Director: Sylvia Molzer ( HR / Deutschlandradio Kultur )

literature

  • Herbert A. Frenzel , Hans Joachim Moser (ed.): Kürschner's biographical theater manual. Drama, opera, film, radio. Germany, Austria, Switzerland. De Gruyter, Berlin 1956, DNB 010075518 , p. 151.
  • Johann Caspar Glenzdorf: Glenzdorf's international film lexicon. Biographical manual for the entire film industry. Volume 1: A-Heck. Prominent-Filmverlag, Bad Münder 1960, DNB 451560736 , p. 361.

Web links