Katelijne Schiltz

Katelijne Schiltz (* 1974 ) is a Belgian musicologist . Her main research interests are music in the Cinquecento of Venice, music theory from the 15th to the 17th centuries, musical riddles, performance practice for early music, music and death from the Middle Ages to the present, and the reception of early music in the 20th and 21st centuries.

Life

She studied musicology at the KU Leuven and early vocal music at the Fontys Conservatorium . In 2001 she was in Leuven with a thesis on the motets Adrian Willaert doctorate . After postdoctoral fellowships in Leuven (Fonds voor Wetenschappelijk Onderzoek Vlaanderen, 2001–2007) and at the LMU Munich (LMU-excellent-Ideenfonds, 2008–2010) she qualified as a professor in 2012 with a thesis Music and Riddle Culture in the Renaissance . After teaching positions in Munich and Augsburg and a substitute professor at the University of Münster , she has been a professor at the Institute for Musicology at the University of Regensburg since the 2013/14 winter semester . Since the summer semester of 2019, she has also represented the chair of musicology at the University of Regensburg after the chair holder Wolfgang Horn passed away unexpectedly.

Fonts (selection)

• Vulgari orecchie - purgate orecchie. De relatie tussen publiek en muziek in het Venetiaanse motetoeuvre van Adriaan Willaert . Leuven 2003, ISBN 90-5867-328-6 .
• Music and Riddle Culture in the Renaissance . Cambridge 2015, ISBN 978-1-107-08229-8 .
• as editor: A Companion to Music in Sixteenth-Century Venice . Leiden 2018, ISBN 978-90-04-35829-4 .
• as editor: Musical treasures in Regensburg libraries . Regensburg 2019, ISBN 3-940768-82-0 .

Web links

• Prof. Dr. Katelijne Schiltz
• academia.edu