Max Oscheit

Max Oscheit (born March 22, 1880 in Berlin ; † February 10, 1923 there ) was a German composer and violinist .

Life

He lived in Berlin all his life and after his training he played in various entertainment orchestras. He also wrote numerous works of popular music for various line-ups. His pieces Im Gypsy Camp and Picador March in particular became internationally known .

Works

Orchestra or wind band (alphabetical)

• Alaska-Fox-Trot , op.267 (1919)
• Annemarie march with the song of the same name by Victor Hollaender, op.217 (1915)
• Bandit March
• Bedouin March
• Bivouac pranks
• Bravour March , op.315 (1922)
• Slow march
• Carmen March , op.80
• Drum Schtick for percussion and wind orchestra
• Elsa , Gavotte, op.50
• Fakir March , op.259
• Firmly in the saddle
• Merry-go-lucky march using a motif by Conrad Schulken (1909)
• Germanenmarsch , Gavotte, op.214 (1929)
• Harem Love , Waltz, op.258 (1929)
• Helgoland March based on motifs from the operetta: The Forbidden Bride (1911)
• Hussar attack , march, op.231 (1919)
• I loved you so much , slow waltz, for solo trumpet and wind orchestra
• In the step of the guard , march, op.83
• In the green forest, where the thrush sings for a four-part male choir
• In the Gypsy Camp , March, op.40 (1904)
• Jonny , Shimmy-Intermezzo, op.314 (1922)
• Liebesmärchen , Valse Boston, op.277 (1920)
• My sun , paraphrase on "O Sole mio" by Eduardo Di Capua (1909)
• Maneuver life
• Masurian March
• Minerva March , op.10
• With Leyer and Sword , March, op. 301 (1924)
• Night birds , polka
• Nutcracker Parade
• Olympia , overture
• Ottoman March
• Picador March , op.172 (1912)
• Puppet Parade , Character Piece, op.226
• Horse march and jumbo
• Sounds of fame , march
• Raja , Intermezzo, op.156
• Victory flags
• Sonja , for mandolin orchestra, op.264
• Spielmann's farewell
• Toto march
• Our German Rhine , March (1922)
• Under the banner of freedom , march, op.262
• Desert Train , Intermezzo, op.218 (1919)

Songs with piano

• I loved you so much Song with piano accompaniment, op.270
• Today at quarter to eight I'm having a rendezvous , Lied
• I cannot forget it , op. 35, text by Heinrich Heine from "Rereaded poems 1812-1827", no. 43
• What teases himself who loves himself ,

piano

• At the goldfish pond
• From the neighbor's house
• At the edge of the forest in the meadow slope
• The first lilac
• The Sanssouci Mill
• Dagger dance
• A kiss in honor of a love song to sing along to
• Peace on earth , op.174
• Jugglers' games
• Gnome Dance , op.86 (1922)
• Harem love
• harlequin
• Yes, you only live once!
• flirtation
• Love tale
• With leyer and sword , march
• Nutcracker Parade , (four hands)
• Olympia , overture
• Paraphrase on two rose songs by Philipp zu Eulenburg , op.209 Bote & Bock, Berlin (1913)
• Poland's Awakening , Fantasy on Polish Songs, op.228 Berlin (1916)
• Rita
• Shiraz
• Victory flags
• Sonja , op. 264
• Gypsy ruse

literature

• Tobias Wildmaier, Max Matter: Song and Popular Culture - Song and Popular Culture , Münster: Waxmann Verlag. 2005/2006. 297 p., ISBN 978-3-8309-1624-6
• Michael J. Budds: Jazz and the Germans: essays on the influence of "hot" American idioms on the 20th-century German music , Pendragon Press, 2002. 213 p., ISBN 978-1-57647-072-5
• Wolfgang Suppan, Armin Suppan : The New Lexicon of Brass Music , 4th Edition, Freiburg-Tiengen, Blasmusikverlag Schulz GmbH, 1994, ISBN 3-923058-07-1
• Paul E. Bierley, William H. Rehrig: The heritage encyclopedia of band music: composers and their music , Westerville, Ohio: Integrity Press, 1991, ISBN 0-918048-08-7
• Norman E. Smith: March music notes , Lake Charles, La .: Program Note Press, 1986, ISBN 978-0-9617346-1-9
• Paul Frank, Wilhelm Altmann : Kurzgefasstes Tonkünstler Lexikon: for musicians and friends of music , Regensburg: Gustave Bosse, 1936, 730 p.
• Friedrich Jansa: German sound artists and musicians in words and pictures , Leipzig: Friedrich Jansa, 1911, 835 p.

Web links

• Sheet music and audio files by Max Oscheit in the International Music Score Library Project