Oskar Jerochnik

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Oskar Wilhelm Jerochnik (born December 26, 1901 in Unterliederbach near Frankfurt am Main, † July 14, 1983 in Berlin ) was a German entertainment musician ( piano ), arranger , composer and band leader .

Live and act

Jerochnik wrote the song “Kiss Me Blues” in 1926 (with Max Schulmann); in the late 1930s he worked with the violinist Georges Boulanger (“Chant Hindu / Pizzicato”, Odeon O-25949), for whom he also arranged (“Africa”). In 1939 he recorded titles such as “Lüg 'nicht Baby” (A2945, with Eric Helgar ) under his own name ( Oskar Jerochnik with his rhythmic musicians) for Telefunken , as well as an English hit potpourri ( you are listening to London!, A2881). During this time he also wrote hits and popular music such as "Sicilian Rhapsody" and "Annelies: No girl kisses so sweetly".

In 1939/40 he accompanied the singer Helga Wille on titles such as “You go through all my dreams” and “You hear New York” (Telefunken A2916); also the singer Werner Schöne ("Three times a day and three times at night", with Heinrich Riethmüller, Odeon O-31888). He also had a string dance orchestra and a piano duo with Heinrich Riethmüller in Berlin.

In the post-war years he worked as the musical director of theater productions and as a hit and cabaret composer; he wrote numbers like "Mr. Rhythm and Mrs. Melody" and "Hurray, humor is planned"). He also wrote music for plays and radio plays such as Berta Waterstradt's During the Power Lock (1947) and Das Glück Macht nur 'ne Pause (with René Camillo ).

Individual evidence

  1. Pier Paolo Sancin: C. Schmidl & Co: l'editoria musicale e negozi di musica nel Friuli Venezia Giulia con integrazioni (sino al 1945) riguardanti Istria e Dalmazia USCI . Friuli-Venezia Giulia, 2005
  2. Catalog of Copyright Entries: Musical compositions, Part 3, 1937, p. 931
  3. ^ Library of Congress Catalog: Music and phonorecords, Volume 27 . Library of Congress., 1953
  4. Handbook of Musical Literature, Volume 19 . F. Hofmeister, 1943, p. 367
  5. Tom Lord: Jazz discography (online)
  6. ^ Herbert Jüttemann: The Tefifon . Freundlieb, Verlag Historischer Technikliteratur, 1995, p. 144
  7. Harald Banter: tone sequences - a life with right and wrong notes. Conbrio Verlagsges.Mbh, 2002, p. 203
  8. r Marlene Dietrich : Write. No, don't write: Correspondence 1946–1979 Vienna Library in the City Hall, 2008, p. 257
  9. ^ The jazz records of the AMIGA label from 1947 to 1990 , ed. by Mathias Brüll, Amiga. Pro Business, 2003, p. 19
  10. ^ Nicolai Riedel: International Günter Kunert Bibliography 1947–2011 . 2012, p. 393
  11. Susanne Höschel: Radio Play 1945–1949: a Documentation, Volume 1 . Publishing house for Berlin-Brandenburg, 1997
  12. Performed on October 24, 1947 (directed by Paul Ceblin , in the Central-Theater (Städtische Bühne Reinickendorf). See series of publications on contemporary history in Berlin, Volume 7. Heinz Spitzing Verlag, 1972, p. 394.