Panoramic apperception

As panoramatic apperception refers to a visual perception which the frame Look beyond, to the immersion aims, ie the "entry of the observer into the picture" .

The development towards a panoramic apperception goes hand in hand with the replacement of the classic central perspective of the Quattrocento ; the motto "I see myself" ( Paul Valéry ) has been replaced by "I want to be in the action myself" .

History and Development

Precursor media panoramatic apperception were the theater , the circular frescoes , the trompe l'oeil - painting and the panopticon .

The first mass medium that enabled panoramic apperception was the panorama and the diorama ( "The panorama is a framed picture" , Albrecht Koschorke ), followed by film and the cyberspace of so-called virtual reality (cf. tele immersion ).

See also

• Cybernetic space
• Anthony Vidler
• Johnathan Crary
• interaction

literature

Non-fiction

• Norbert W. Bolz : At the end of the Gutenberg galaxy. The new communication relationships . 3. Edition. Wilhelm Fink, Munich 2008, ISBN 978-3-7705-2871-4 (EA Munich 1993)
• Norbert W. Bolz : Who is afraid of cyberspace? In: Detlev Schöttker (Ed.): From the voice to the Internet. Texts from the history of media analysis ( UTB for science ; Volume 2109). Vandenhoeck & Ruprecht, Göttingen 1999, ISBN 3-8252-2109-1 .
• Paul Virilio : Bunker archeology . Édition du Demi-Cercle, Paris 1994, ISBN 2-907757-49-2 .
  • German: bunker archeology . Passagen-Verlag, Vienna 2011, ISBN 978-3-85165-960-3 (EA Munich 1994).

Fiction

• William Gibson : Neuromancer . Harper Collins, London 2000, ISBN 0-586-06645-4 .
  • German: Neuromancer. Novel . 11th edition. Heyne, Munich 2001, ISBN 3-453-05665-5 .

Web links

• Being-to-picture; Be (n) -im-Bild (by Markus Huemer) ( Memento from September 28, 2007 in the Internet Archive )
• Kunst_Newsletter February 97. Documenta X, Ulrike Rosenbach, Jeffrey Shaw u. a., February 10, 1997 (by Markus Huemer in Telepolis.de)
• Immersion and interaction. From circular frescoes to interactive pictorial space (by Oliver Grau)

Individual evidence

1. ↑ cf. Marcus Huemer: Being-to-Picture; Be (n) -in-picture ( Memento from September 28, 2007 in the Internet Archive )
2. ↑ Kunst_Newsletter February 97 of February 10, 1997 , accessed on October 18, 2018