Patrick Timm

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Patrick Timm (born October 12, 1979 in Pinneberg , Germany ) is a German visual artist. He lives and works on a nomadic journey.

Life

Patrick Timm began his apprenticeship as a carpenter. In the course of his apprenticeship, the mythology of the journeyman also aroused his own wanderlust. Out of curiosity, Timm traveled to India in 2000 ; there his aesthetic will unfolded. This led him to Berlin in 2001 to study free art / sculpture at the Berlin-Weißensee School of Art .

During his studies, he was again gripped by wanderlust. In 2005 he studied as a guest in the Public Space Design department at the State Academy for Art and Design in St. Petersburg .

Between 2005 and 2006, Timm curated and initiated several exhibition projects in which Russian and German artists worked together, e. B. “Babylonian Dream” in the Anna Achmatova Museum St. Petersburg.

In 2007 Timm got his diploma with the campaign series “lazy WORK” with Pauline Boudry (film), Rainer W. Ernst (architecture) and Berndt Wilde (sculptor). The lazy WORK is an immaterial thought space, which formally consists of a white pillow with the imprint “WORK”.

From 2007 to the present day Timm has been involved with happenings in public spaces. It emerged u. a. the campaign series “Orange Elephants” (Helsinki), “Golden Stones” (Vilnius), “Thermalsee Utopie” (Bad Gastein) and “Überseehafen Transdanubien” (Vienna).

In 2009 he increasingly dealt with the topic of mass phenomena, which can initially be found graphically in endless repetitions of individual patterns such as circles, triangles, rectangles and found company stamps. He describes these work processes as atomization and intensifies this issue of mass phenomena through performances such as “A Question of Freedom of Movement” (Torstrasse 111, Berlin), “Sculpture learns to walk” (M Moma, Moscow) and “Volume Change” (Masterskaja Gallery, St. Petersburg) ).

2011–2012 Timm was artistic director of the temporary Masterskaya gallery in St. Petersburg.

Being world

2007 to today: Being the world is a process based on the wanderings of craftsmen. Timm wants to use his travel years artistically. The core of WELT-SEIN is research beyond cultural boundaries. It embodies the universal perception of understanding the earth as a whole. Over the years, four series were formed with a focus on cultural-space studies:

  • Thermal images
  • Cultural textures
  • City routes
  • All people in the world drawing.

Thermal images

These images are created by interviewing passers-by in public space. The color of the city is asked, and passers-by can choose from 12 colored pencils and put hatching on an index card themselves. The maps are digitized and overlaid so that an emotional color image of the respective city is created. (see Fig. "Project thermal images")

Cultural textures

On his wanderings, Timm prefers to travel to countries with their own writing systems, such as Georgian, Japanese etc. On site, he gets mechanical typewriters and repeats every letter on a sheet of paper so that a texture of the character is created. He does this with the entire respective alphabet. To date, around 600 sheets have been created that make cultural drawing spaces visually tangible.

City routes

This is a series of drawings created using a drawing machine designed and built by Timm himself. The starting material is city maps on which every street is followed by moving a pointer. The machine creates a distorted pencil drawing of the public space in each city.

All people in the world drawing

Drawing is an organic process. Timm asks people to make their names available for the drawing and then writes them one after the other in standard font. So all names together form a world texture. The individual sheets (panels) have a format of 70 × 100 cm and contain around 3500 names. In order to win everyone in the world for this process, 2.2 million such tables would theoretically be necessary.

Current

For many years, Timm considered his artistic work on the one hand and the craft expertise on the other hand separately. The two worlds came together on a larger scale for the first time in the “Flechten” exhibition in Salzburg in 2015 . Timm developed the exhibition architecture and a lighting system, and designed and built a stone pine furniture collection. His framed artistic works were given presentation furniture and thus became objects. Space and objects entered into a symbiosis and became a walk-in installation.

At the moment, Timm is mainly moving between Hamburg, Berlin, Vienna and Iden, where he has set up his base camp and where his work archive and country studio are located.

Exhibitions

  • 2002–2005: End of school, a process at Kastanienallee 82 (Berlin / Germany)
  • 2004: Land recycling, Explosio competition TVF (Lübbenau, Germany)
  • 2005: 720raum-hopping, Galerie Nord (Berlin / Germany)
  • 2005: Event hall of the German-Russian exchange (St. Petersburg / Russia)
  • 2005: 3 position, Ikarus Gallery (Berlin / Germany)
  • 2005: zoom out, film festival (Berlin / Germany)
  • 2006: Art-Sobec, Anna Achmatova Museum (St. Petersburg / Russia)
  • 2006: KLAK!, Art Temple Gallery (Kassel / Germany)
  • 2006: one-minute , film festival (Aarau / Switzerland)
  • 2006: ContraVision, Film Festival Brotfabrik (Berlin / Germany)
  • 2007: AUTOMATIC, Galerie Ackerstrasse 18 (Berlin / Germany)
  • 2007: Hermannschlachten, Wagenhallen, cooperation team-odradek (Stuttgart / Germany)
  • 2007: READY ?? STEADY? GO !!, diploma exhibition Umspannwerk (Berlin / Germany)
  • 2007: 111 vs Kling & Bang, Torstrasse 111 (Berlin / Germany)
  • 2007: Leerlauf, ORTLOFF Gallery (Leipzig, Germany)
  • 2007: nomad, UNA Gallery (Bucharest / Romania)
  • 2008: Session of jung art, Manege (St. Petersburg / Russia)
  • 2008: Meeting point Golgotha, cooperation team-odradek (Munich, Germany)
  • 2008: Kling og Bang vs Tor 111, Kling og Bang Gallery (Reykjavik / Iceland)
  • 2009: Summer of the Embrace, solo exhibition, Galerie Torstrasse 111 (Berlin / Germany)
  • 2010: Show I, group exhibition, MMX gallery (Berlin / Germany)
  • 2010: Männchen, group exhibition, Galerie Torstrasse 111 (Berlin / Germany)
  • 2011: m Kreis, solo exhibition, Masterskaja Gallery (St. Petersburg / Russia)
  • 2011: cover, group exhibition, nachtspeicher23 eV (Hamburg / Germany)
  • 2011: Patterns of action for value creation, group exhibition, studio in the high-rise building (Berlin / Germany)
  • 2012: Parable of the crowd, solo exhibition, Masterskaya Gallery (St. Petersburg / Russia)
  • 2012: Good life, group exhibition, 53rd October Salon (Belgrade / Serbia)
  • 2013: Wodkalese, Open Atelier Day, Studio NKD (Brandenburg / Germany)
  • 2013: three points, double exhibition, gallery in the Vorwerkstift (Hamburg / Germany)
  • 2013: Action pattern, double exhibition, Scotty Enterprises (Berlin / Germany)
  • 2014: Being world, solo exhibition Haus Hirt (Bad Gastein / Austria)
  • 2014: Action archive, Open Studio Day, Studio NKD (Brandenburg / Germany)
  • 2015: Lichen, solo exhibition Madero CollectorsRoom (Salzburg / Austria)
  • 2016: Structural analysis, solo exhibition Private Spaces (Vienna / Austria)
  • 2016: Structural coincidence, double exhibition Scotty Enterprises (Berlin / Germany)
  • 2016: Double exhibition with Markus Hofer curated by Christine Bruckbauer Atelier33 (Vienna / Austria)
  • 2017: All the names of the world drawing at 48 hours Neukölln (Berlin / Germany)
  • 2018: prater * hours KFS Hafenmeister, exhibition with 3 other artists curated by Christine Bruckbauer philomena plus (Vienna / Austria)

Working in public space

  • 2005: Remigratio (St. Petersburg / Russia)
  • 2005: untitled, temporary use (Antwerp / Belgium)
  • 2005: Local, work in public space / shops at the Kunsthochschule-Weissensee (Schwerin / Germany)
  • 2006: permanently moving, working in public space & DGB-Haus (Berlin / Germany)
  • 2007: Thesis lazy work III, performance on May 1st (Berlin, Germany)
  • 2007: Laru 07, Orange Elephants (Helsinki / Finland)
  • 2008: LARU 08, Orange Elephants (Helsinki / Finland)
  • 2009: LARU 09 (Helsinki / Finland)
  • 2013: Migrant workers, Krause project, public space (Hong Kong / China :)

Happenings / performance

  • 2005: work, work, AREIT, Gallery Nord (Berlin / Germany)
  • 2006: Urban Stories, public space (Görlitz / Germany)
  • 2007: Mutant, Dunes summer kiosk (St. Petersburg / Russia)
  • 2007: art night, Public Space (Helsinki / Finland)
  • 2008: Building Blocks Yoga, Dunes Summer Kiosk (St. Petersburg / Russia)
  • 2013: Dream Machine, Night of Museums, Moscow Moma (Moskow, Russia)

Publications

  • Patrick Timm: Furniture. - Catalog on furniture as a medium. Berlin, 2016
  • Patrick Timm: Substance. - Catalog on works in public space and in galleries. Berlin, 2007

Web links

Individual evidence

  1. Lazy work, the art of snoring . In: Berliner Zeitung (ed.): Feuilleton . February 7, 2007.
  2. Schwerin is rather green. In: SVZ. Retrieved November 20, 2014 .
  3. Цветная география. In: Конкурент. Retrieved January 28, 2013 (Russian).
  4. Why blue and yellow go well with Flensburg . In: Flensburger Nachrichten (Ed.): Daily newspaper . December 27, 2014.
  5. Wolfgang Krause + Peter Müller (eds.): Schulschluss Ein Prozess . 1000th edition. vice versa Verlag, Berlin 2007, ISBN 3-932809-56-4 .
  6. EXPLOSIO, object preparation competition . In: TVF Thyssen-VEAG land recycling GmbH (Hrsg.): Catalog . Lübbenau 2004.
  7. 720 room hopping . In: Raimund Binder, Patrick Timm (Ed.): Catalog . 500th edition. 2005.
  8. [polpolja] . In: German-Russian Exchange St. Petersburg (Ed.): Exhibition catalog . 110th edition. St. Petersburg 2006.
  9. HermannSchlachten_07 . In: Kunstverein Wagenhalle eV (Ed.): Theater and exhibition project . Stuttgart July 2007.
  10. Tina Laske: Enlightenment in mystical forests . In: Salzburger Kronenzeitung (ed.): Daily newspaper . November 29, 2015.
  11. ^ Local / Schwerin . In: Inge Mahn (Ed.): Catalog . Berlin 2005, ISBN 3-9805489-5-3 .