Sándor Dóró

from Wikipedia, the free encyclopedia
Sándor Dóró in 2010

Sándor Dóró (born May 28, 1950 in Hajdúböszörmény , Hungary ) is a Hungarian painter , graphic artist and performance artist living in Germany . As an adjunct professor, he teaches at the Dresden University of Fine Arts .

Life

Before graduating from high school in 1968, Sándor Dóró attended drawing courses with Lajos Biró, László Félegyházi and János Kapcsa at the Fazekas High School in Debrecen . At the same time he began wrestling, which he operated professionally with interruptions until 1982. In 1978 he began studying painting and graphics at the University of Fine Arts in Dresden, which he completed with a diploma thesis with Günter Horlbeck . After a four-year assistantship with the artist anatomist Gottfried Bammes , he settled in 1985 as a freelance artist in the Künstlerhaus Dresden-Loschwitz .

plant

After the fall of the Wall in 1989, Dóró first gained fame as an artist with his "box paintings", in which, in the tradition of Concept Art and Arte Povera, he created spatial illusions with the involvement of the audience in the work of art itself and thus with the explored conceptual transgression of performing painting. In the early 1990s, Dóró also created a series of installations and sculptures in the spirit of Arte Povera. He has given his installations the name Re-Installations. These dealt with the transfer of objects into a new context, whereby new contexts of meaning should be shown both in the objects and in their new environment, or the objects and their environment should be given a new meaning. These re-installations were essentially inspired by objects that had been produced or used in the GDR.

In the late 1990s, Dóró turned to performances, in which, as in his re-installations, he dealt with the recontextualization of objects, but also with the communication of the inexpressible and inexpressible aspects of things. In his performances he also worked on personal experiences from his childhood and youth, such as wrestling. As a performance artist, he also became part of the Dresden group of performance artists flexible: X. As an artist, Dóró took part in architecture-related art projects, for example the design of the Dresden JVA in 2000.

After this exclusively freelance phase, Dóró was appointed as an artistic assistant at the HfbK Dresden in 2008 to teach artistic anatomy and life drawing. This position follows on from his assistantship with Gottfried Bammes in the mid-1980s. In the years since 2008, Dóró has developed a spatial-perspective approach to artistic anatomy based on his first time at the HfbK, which he elaborated in his book published in 2015. In 2016, Dóró was appointed adjunct professor in the department of artist anatomy.

Sándor Dóró lives with his family in the Künstlerhaus Dresden-Loschwitz .

Publications

  • 2015: Artist Anatomy: Drawing Human Bodies

literature

  • Badstübner-Gröger, Sibylle: Artist for Sibylle Badstübner-Gröger., Berlin 2013.
  • Bodó, Sándor (eds.): Block-Csoport: Sándor Dóró, Katona Zoltán, Nagy Árpád Pika, Nayg István, Palkó Tibor, Sebestyén Zoltán. Látható, vagy Láthatatlan. (Cat.exhibition Museum Kiscelli, Budapest 2004), Budapest 2004.
  • Claußnitzer, Anne / Steude, Martin / Künstlerhäuser GbR (ed.): One hundred and ten years of the artist house. Dresden-Loschwitz 1898–2008., Dresden 2008.
  • Horváth, István: V. Országos Rajzbiennálé. Maracskó Gabriella Kamarakiállitása. (Cat.Exhibition 5th Hungarian Nationwide Drawing Biennial, Salgótarján 1990), Salgótarján 1990.
  • Kunsthaus Dresden (ed.): 100 years of the Künstlerhaus. Dresden-Loschwitz 1898–1998. The presence. (Cat.exhibition Kunsthaus Dresden, Dresden 1998), Dresden 1998.
  • Staatsbetrieb Sächsisches Immobilien- und Baumanagement (Hrsg.): Kunst und Bauen., Dresden 2005.
  • Association of Visual Artists of the GDR (ed.): First Quadriennale. Drawings of the GDR. (Cat.Exhibition Museum of Fine Arts Leipzig, Leipzig 1989), Leipzig 1989.
  • Walther, Sigrid: The Sculptors, in: 100 Years of the Künstlerhaus. Dresden-Loschwitz 1898–1998. (Cat. Exh. Leonhardi-Museum, Dresden 1998), o. O. o. J.
  • Weber, Karin: The power of pictures. Dresden painting and graphics between 1985 and 1995 based on selected examples from the holdings of the Art Fund of the Free State of Saxony., Publications of the Art Fund of the Free State of Saxony Part 3, Dresden 1997.
  • Werkleitz Gesellschaft eV (Ed.): Real [work] Manual (Kat. Werleitz Biennale, Tornitz 2000), Werkleitz 2000.

Web links

Individual evidence

  1. http://www.hfbk-dresden.de/studium/studium/lehrende/theoretische-lehre/sandor-doro/ accessed November 24, 2016
  2. Sándor Dóró ( Memento of the original from March 4, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. Retrieved February 2, 2016 @1@ 2Template: Webachiv / IABot / www.sandor-doro.de
  3. ^ Badstübner-Gröger, Sybille: montages made of metal, stone and wood., In: Veit Hofmann. Objects. Sándor Dóró. Collagen., Lamspringe 1994.
  4. Badstübner-Gröger, Sybille: Kastenbilder., In: Sandor Doro. Box pictures, objects, drawings., O. J. o. O., o. S. and Tannert, Christoph: Painting as touching the non-visible., In: Sandor Doro. Box pictures, objects, drawings., O. O. o. J., o. S. and Lange, Alexander: Speech at the opening of the exhibition on May 2, 1997., in: re-Art. Sculptures made from black scrap. (Cat. Exhibition, Pieschener Alle / Augustusbrücke, Dresden 1997), o. O. o. J., o. P.
  5. ^ Dóró, Sándor: Artist anatomy. Drawing human bodies., Bern 2015.
  6. German National Library Sándor Dóró, 392 pages, with 700 photographs, Haupt Verlag 2015, ISBN 978-3-258-60128-1