Schuricke trio

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The Schuricke Terzett was a German singing group around the entertainment singer Rudi Schuricke .

history

Schuricke made his first experiences in ensemble singing with the Kardosch singers of his singing teacher István Kardos . When in October 1933 a member of the group dropped out during a live broadcast on Königsberger Rundfunk, Schuricke was allowed to step in for the first tenor, who was surprisingly ill, and was thus able to prove his talent. Kardos then took him over to his group.

From February 1936 to March 1937 he sang first tenor with the Spree Revellers, founded in 1934 by the pianist Werner Doege .

When István Kardos emigrated in 1936 and the Kardosch singers disbanded, Schuricke built his own singing group with former members of this ensemble. This initially included the baritone players Helmut Krebs and Karl Golgowsky . When Krebs left, he was replaced by Horst Rosenberg . In this line-up - Schuricke himself sang tenor - the Schuricke trio was then constituted.

The greatest success of the trio, which is currently performing in a modern style, resulted from its art of being able to imitate almost all instruments. The radio and the record industry expressed their interest in the ensemble, which received engagements in the most important variety theaters in Berlin - such as the Wintergarten , the Scala and the Plaza .

The Schuricke trio performed with German orchestras from the 1930s and 1940s, e. B. with Willy Berking , Will Glahé , Michael Jary , Oscar Joost .

The Schuricke trio took part in a total of four feature film productions:

  • Game on Board (1936)
  • Adventure in Love (1938)
  • People, animals, sensations (1938)
  • Kitty and the World Conference (1939)

The group can only be seen briefly in the two films produced in 1938.

In 1939 Schuricke was called up for military service. After that, his trio dissolved. Rosenberg and Golgowsky continued to sing, but each for himself, at Imperial or Odeon and Decca for the record.

Sound documents (selection)

  • Love cannot be forced . Lied ad Harry-Piel sound film people, animals, sensations (music: Fritz Wenneis) Schuricke-Terzett. Grammophon 10 987 B (mx. 80 887) - 1938 (online)
  • Little mom, how is your baby? Foxtrot ad Tonfilm The stars shine (Leo Leux, text: Hannes and Balz) Orchestra Will Glahe. Singing: Schuricke trio. Electrola EG 6244 (mx. ORA 2642-1). Year of recording: 1938 (online)
  • That can't shake a sailor! Marsch-Fox ad sound film Paradies der Junggesellen (Jary / Balz) Orchestra Oskar Joost. Singing: Schuricke trio. Gramophone 11 279 (mx. 8354 1/2 GD9), recording year: 1939 (online)
  • Platform 4 . Chanson (W. Kleine) Orchestra Will Glahé. Singing: Schuricke trio. Electrola EG 6855 (die number: ORA 3973-1). Year of recording: 1939 (online)
  • Small house in the home . Foxtrot (Reinfeld / Bennefeld) Michael Jary Chamber Dance Orchestra, vocals: Schuricke-Terzett. Odeon O-31 622 b (Be 12 672) - 1940 (online)
  • Big city melody . Symphonic Foxtrot (Kötscher / Siegel) dance orchestra Edmund Kötscher , vocals: Schuricke-Terzett. Imperial 17 269 (mx. KC 27 761) (online)
  • I'm free tonight! Foxtrot from the operetta Frauen im Metropol (music: Ludwig Schmidseder, text: Günther Schwenn) Willy Berking with his soloists, vocals: Schuricke-Terzett. Imperial 17 316 (mx. KC 28 423) - 1940 (online)

literature

  • Berthold Leimbach: audio documents of cabaret and their interpreters 1898-1945. Göttingen, self-published in 1991, unpaginated.
  • Karlheinz Wendtland: Beloved Kintopp. All German feature films from 1929–1945; with numerous artist biographies. Volume 6 born in 1937 and 1938. Medium Film Wendtland publishing house, 1987, ISBN 3-926945-02-8 .
  • Knud Wolffram: Dance floors and amusement palaces: Berlin nightlife in the thirties and forties. From Friedrichstrasse to Berlin W., from Moka Efti to Delphi. Edition Hentrich, 1995, ISBN 3-89468-169-1 .

Web links

Individual evidence

  1. ↑ cf. Rudi Schuricke
  2. ↑ a b c Rudi Schuricke on steffi-line.de, accessed on July 21, 2017.
  3. ↑ a b c Berthold Leimbach: Sound documents of the cabaret and their interpreters 1898–1945. Göttingen, self-published in 1991, unpaginated.
  4. ↑ Recordings at Grammophon / Polydor, Electrola, Kristall / Imperial, Telefunken
  5. ↑ z. B. Imperial 019 057 Cross section through the operetta Gasparone , Carla Spletter (soprano), Franz Klarwein (tenor), Horst Rosenberg (baritone), members of the orchestra and choir of the Reichsoper Berlin [1] Post-war publications : Imperial 19 150: nocturnal guitars, tango -Ballade / Alo-ahé, sailor song. Horst Rosenberg, baritone, with orchestral accompaniment, conductor: Helmut Koch, [2]  ( page no longer available , search in web archives )  Info: The link was automatically marked as defective. Please check the link according to the instructions and then remove this notice. Imperial 19 096: Donkey Serenade, with orchestral accompaniment / homesickness for Virginia . Horst Rosenberg, baritone, with duet singing and Hawaiian concert orchestra, conductor: Helmut Koch, around 1948. [3]@1@ 2Template: Toter Link / www.schellack-plattenshop.net  
  6. ↑ z. B. Odeon O-26 908 Operetta cross-section through Das Schwarzwaldmädel and the same color film (Léon Jessel) Sonja Ziemann , Ilse Hülper , Karl Golgowsky with soloists, choir and large sound film orchestra, directed by Egon Kaiser. Around 1950 youtube trailer
  7. ↑ z. B. Decca F 49 353 A white rose . Along. Foxtrot (Martino-Kühn) Käthe Hoffmann and Karl Golgowsky, with instrumental accompaniment. Heinrich Riethmüller at the Wurlitzer organ . Post-war photo (mx. D 3008). [4]
  8. ↑ Golgowsky, also: Golgowski, founded his own quartet under his name after 1950, which existed until mid-1960, see → http://www.fuenfzigerjahresaenger.de/Lexikon/Gesangsgruppen.htm%23G ( Memento vom 1. August 2012 in the web archive archive.today )