Sonny Clay

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Sonny Clay (born May 15, 1899 in Chapel Hill (Texas) as William Rogers Campbell Clay , † April 13, 1973 in Los Angeles ) was an American jazz musician ( drums , piano ) and band leader.

Life

Sonny Clay moved to Phoenix, Arizona with his family in 1908 . As a teenager he played in local bands; from 1918 he went on tour in the southwest of the USA, played in smaller ensembles in California, Arizona and Tijuana (Mexico). There he was a member of the band Jelly Roll Morton as a drummer . Around 1921 he moved to Los Angeles and played with Reb Spikes' and Kid Ory's Original Creole Jazz Band . The first recordings were made when he accompanied the blues singer Camille Allen; he also recorded two pages of his own for the Sunset Records label. In the mid-1920s he put his own band together and got an engagement in the Plantation Club . Under the band name Sonny Clay's Plantation Orchestra , recordings for Sunset and Vocalion were made from 1925 ; further appearances in the Plantation Club followed until 1927. The band also included the young trombonist Britt Woodman .

In January 1928, Clay went on a tour of Australia with his band, along with an Afro-American vaudeville production called Sonny Clay and the Colored Idea . The troupe included dancers, vocal groups, including the young singer Ivie Anderson , who later became known in the Duke Ellington Orchestra . While on tour, band members got into trouble when they were charged with relationships with Australian women; the tour's outstanding appearances were canceled and various members of Clay's group were detained. He then returned to Los Angeles and formed a ten-piece ensemble called The Dixie Serenaders , with whom he performed in the Los Angeles area until he disbanded them in the early 1930s. Until the beginning of the Second World War , Clay then appeared as a soloist in clubs in the city. During the war he was a band leader in a special services division . After the war he continued his club appearances as a pianist; In the late 1940s he left the music business to work for the post office. It was not until the end of the 1950s that he appeared again as a soloist; The last recordings were made in 1960.

Discographic notes

  • West Coast Jazz (1922–1932, ed. 2003)

Web links