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Benedict was born in [[Silver City, New Mexico]], the son of Alma Marie ([[married and maiden names|née]] Loring), a journalist, and Mitchell M. Benedict, a doctor.<ref>[http://www.filmreference.com/film/5/Paul-Benedict.html Paul Benedict Biography (1938-)<!-- Bot generated title -->]</ref> As a young man, he suffered from [[acromegaly]], a [[pituitary]] disorder that affects the [[extremities]] and face, which accounts for his slightly oversized jaw and nose.
Benedict was born in [[Silver City, New Mexico]], the son of Alma Marie ([[married and maiden names|née]] Loring), a journalist, and Mitchell M. Benedict, a doctor.<ref>[http://www.filmreference.com/film/5/Paul-Benedict.html Paul Benedict Biography (1938-)<!-- Bot generated title -->]</ref> As a young man, he suffered from [[acromegaly]], a [[pituitary]] disorder that affects the [[extremities]] and face, which accounts for his slightly oversized jaw and nose.
As one can hear in his other film and TV roles, he has a slight English accent even when not in character as Bentley. Benedict played the director of the ''[[Richard III (play)|Richard III]]'' production in the movie ''[[The Goodbye Girl]]'' starring [[Richard Dreyfuss]], in which play Richard was to be portrayed as a stereotypical gay man. He was in a short scene in the [[mockumentary]] film ''[[This is Spinal Tap]]''. He also made a memorable appearance as the incorrectly assumed title character in the [[1996 in film|1996]] film ''[[Waiting for Guffman]]'', another mockumentary involving many of the same writers and actors.
As one can hear in his other film and TV roles, he has a slight English accent even when not in character as Bentley. Benedict played the director of the ''[[Richard III (play)|Richard III]]'' production in the movie ''[[The Goodbye Girl]]'' starring [[Richard Dreyfuss]], in which play Richard was to be portrayed as a stereotypical gay man. He was in a short scene in the [[mockumentary]] film ''[[This is Spinal Tap]]'', playing the awkward desk clerk who checks in the band. He also made a memorable appearance as the incorrectly assumed title character in the [[1996 in film|1996]] film ''[[Waiting for Guffman]]'', another mockumentary involving many of the same writers and actors.


Benedict also played the role of a slave trader in [[Dino De Laurentiis]]' ''[[Mandingo]]'' opposite James Mason and Perry King. Perhaps his best known movie role was of the reverend Lundquist in the [[Sidney Pollack]] film ''[[Jeremiah Johnson]]''.
Benedict also played the role of a slave trader in [[Dino De Laurentiis]]' ''[[Mandingo]]'' opposite James Mason and Perry King. Perhaps his best known movie role was of the reverend Lundquist in the [[Sidney Pollack]] film ''[[Jeremiah Johnson]]''. He also appeared as Professor Fleeber in the 1990 film ''[[The Freshman (1990 film)|The Freshman]]'' with [[Matthew Broderick]] and [[Marlon Brando]].[http://www.imdb.com/title/tt0099615/]

==Theater==
In addition to his varied film and television roles, Benedict is an accomplished theater actor as well, having appeared on Broadway multiple times, notably in Eugene O'Neill's 2-character play ''[[Hughie]]'' in 1996 (performing with Al Pacino) at Circle in the Square, and more recently in ''[[The Music Man]]'' in 2000 - 2001.

In 2007, Benedict performed as "Hirst" in [[Harold Pinter]]'s [[No Man's Land (play)|No Man's Land]] at the [[American Repertory Theatre]] in Cambridge, MA. [http://www.amrep.org/noman/]

As a director, Benedict directed Frank Conroy's ''Any Given Day'' on Broadway. Off-Broadway, he directed the original production of [[Terrence McNally]]'s ''[[Frankie and Johnny in the Claire de Lune]]'', and [[Kathy Najimy]] and [[Mo Gaffney]]'s ''The Cathy and Mo Show'', which won an Obie award.[http://www.variety.com/profiles/people/AwardsByCategory/Performance/OBIE%20Award/46015/Swoosie+Kurtz.html?dataSet=1]


==References==
==References==

Revision as of 07:35, 3 December 2008

Paul Benedict
Occupation(s)Film, television actor
Years active1960s - Present

Paul Benedict (born September 17, 1938) is an American character actor who has made several appearances in television and movies from the 1960s on. He is probably best recognized for his roles as The Number Painter on the PBS children's show Sesame Street, and as the quirky English neighbor "Harry Bentley" on the CBS sitcom The Jeffersons.

Biography

Benedict was born in Silver City, New Mexico, the son of Alma Marie (née Loring), a journalist, and Mitchell M. Benedict, a doctor.[1] As a young man, he suffered from acromegaly, a pituitary disorder that affects the extremities and face, which accounts for his slightly oversized jaw and nose.

As one can hear in his other film and TV roles, he has a slight English accent even when not in character as Bentley. Benedict played the director of the Richard III production in the movie The Goodbye Girl starring Richard Dreyfuss, in which play Richard was to be portrayed as a stereotypical gay man. He was in a short scene in the mockumentary film This is Spinal Tap, playing the awkward desk clerk who checks in the band. He also made a memorable appearance as the incorrectly assumed title character in the 1996 film Waiting for Guffman, another mockumentary involving many of the same writers and actors.

Benedict also played the role of a slave trader in Dino De Laurentiis' Mandingo opposite James Mason and Perry King. Perhaps his best known movie role was of the reverend Lundquist in the Sidney Pollack film Jeremiah Johnson. He also appeared as Professor Fleeber in the 1990 film The Freshman with Matthew Broderick and Marlon Brando.[1]

Theater

In addition to his varied film and television roles, Benedict is an accomplished theater actor as well, having appeared on Broadway multiple times, notably in Eugene O'Neill's 2-character play Hughie in 1996 (performing with Al Pacino) at Circle in the Square, and more recently in The Music Man in 2000 - 2001.

In 2007, Benedict performed as "Hirst" in Harold Pinter's No Man's Land at the American Repertory Theatre in Cambridge, MA. [2]

As a director, Benedict directed Frank Conroy's Any Given Day on Broadway. Off-Broadway, he directed the original production of Terrence McNally's Frankie and Johnny in the Claire de Lune, and Kathy Najimy and Mo Gaffney's The Cathy and Mo Show, which won an Obie award.[3]

References

External links

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| #default = 1938 births

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| UNKNOWN  = 
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