Jump to content

Maria Friesenhausen: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Line 19: Line 19:
She was the soprano soloist in several [[Bach cantata]]s in the series conducted by [[Max Thurn]] with the [[NDR Chor]],<ref name="BC" /> such as in 1960 [[Jesu, der du meine Seele, BWV 78|''Jesu, der du meine Seele'', BWV 78]], alongside [[Ursula Zollenkopf]], [[Johannes Feyerabend]] and [[Erich Wenk]].<ref name="BWV 78" /> She recorded [[Dieterich Buxtehude]]'s ''Lauda Sion Salvatorem'', BuxWV 68, with [[Helmut Kahlhöfer]].<ref name="Green" /> In 1972 she was the soloist in a recording of Bach's ''[[Christmas Oratorio]]'' conducted by [[Hans Grischkat]], alongside [[Hildegard Laurich]], [[Peter Wetzler]] and [[Bruce Abel]].<ref name="BWV 248" />
She was the soprano soloist in several [[Bach cantata]]s in the series conducted by [[Max Thurn]] with the [[NDR Chor]],<ref name="BC" /> such as in 1960 [[Jesu, der du meine Seele, BWV 78|''Jesu, der du meine Seele'', BWV 78]], alongside [[Ursula Zollenkopf]], [[Johannes Feyerabend]] and [[Erich Wenk]].<ref name="BWV 78" /> She recorded [[Dieterich Buxtehude]]'s ''Lauda Sion Salvatorem'', BuxWV 68, with [[Helmut Kahlhöfer]].<ref name="Green" /> In 1972 she was the soloist in a recording of Bach's ''[[Christmas Oratorio]]'' conducted by [[Hans Grischkat]], alongside [[Hildegard Laurich]], [[Peter Wetzler]] and [[Bruce Abel]].<ref name="BWV 248" />


In Baroque opera, she recorded in 1973 the part of an elegant lady in Lully's ''[[Le Bourgeois gentilhomme]]'', with [[Siegmund Nimsgern]] in the title role, and [[Gustaf Leonhardt]] conducting [[La Petite Bande]] and members of the [[Tölzer Knabenchor]].<ref name="Steiger" /> She performed in church concerts, such as in 1977 in Haydn's ''[[The Creation (Haydn)|Die Schöpfung]]'' at [[St. Patrokli, Soest|St. Patrokli]] in [[Soest]].<ref name="Soest" />
In Baroque opera, she recorded in 1973 the part of an elegant lady in Lully's ''[[Le Bourgeois gentilhomme]]'', with [[Siegmund Nimsgern]] in the title role, and [[Gustaf Leonhardt]] conducting [[La Petite Bande]] and members of the [[Tölzer Knabenchor]].<ref name="Steiger" /> She performed in church concerts, such as in 1977 in Haydn's ''[[The Creation (Haydn)|Die Schöpfung]]'' at [[St. Patrokli, Soest|St. Patrokli]] in [[Soest, Germany|Soest]].<ref name="Soest" />


She worked as a professor of voice<ref name="Folkwang" /> at the University of Dortmund. In 2001 she trained the soloists, including [[Georg Poplutz]] and [[Karin Lindemann]] in the title roles, for a performance of Handel's ''[[Acis and Galatea|Acis und Galatea]]'' with the university choir, in a set and with costumes designed by students.<ref name="Dortmund" />
She worked as a professor of voice<ref name="Folkwang" /> at the University of Dortmund. In 2001 she trained the soloists, including [[Georg Poplutz]] and [[Karin Lindemann]] in the title roles, for a performance of Handel's ''[[Acis and Galatea (Handel)|Acis und Galatea]]'' with the university choir, in a set and with costumes designed by students.<ref name="Dortmund" />


==References==
==References==
Line 68: Line 68:
<ref name="BWV 248">{{cite web
<ref name="BWV 248">{{cite web
| url = http://www.bach-cantatas.com/Performers/Grischkat-Rec2.htm
| url = http://www.bach-cantatas.com/Performers/Grischkat-Rec2.htm
| title = Hans Grischkat & Stuttgart Choral Society & Bach Orchestra / Bach Cantatas & Other Vocal Works / Recordings - Part 2
| title = Hans Grischkat & Stuttgart Choral Society & Bach Orchestra / Bach Cantatas & Other Vocal Works / Recordings Part 2
| publisher = Bach-Cantatas
| publisher = Bach-Cantatas
| year = 2016
| year = 2016
Line 76: Line 76:
<ref name="Dortmund">{{cite web
<ref name="Dortmund">{{cite web
| url = http://www.unichor.tu-dortmund.de/unichoralt/press_acis.html
| url = http://www.unichor.tu-dortmund.de/unichoralt/press_acis.html
| title = Tenor steckt im Schafspelz / Textil-Studenten nähen Kostüme für Unichor-Aufführungen von "Acis und Galatea"
| title = Tenor steckt im Schafspelz / Textil-Studenten nähen Kostüme für Unichor-Aufführungen von ''Acis und Galatea''
| work = [[Ruhr Nachrichten]]
| work = [[Ruhr Nachrichten]]
| publisher = [[University of Dortmund]]
| publisher = [[University of Dortmund]]

Revision as of 06:13, 15 May 2017

Maria Friesenhausen
Born (1922-03-23) 23 March 1922 (age 102)
EducationFolkwangschule
Occupations
OrganizationsUniversity of Dortmund

Maria Friesenhausen (born 23 March 1922) is a German classical soprano who appeared in Europe. She is known for recordings of Baroque music on record and with broadcasters. She was also a professor of voice at the University of Dortmund.

Career

Born in Altendorf, now Burgaltendorf, a part of Essen, Friesenhausen studied at the Folkwangschule in Essen,[1] with Hilde Wesselmann, among others. She finished with a degree in both voice teaching and operatic singing in 1957. She focused on concert singing and recording, especially of works by Johann Sebastian Bach and other Baroque composers.[2]

She was the soprano soloist in several Bach cantatas in the series conducted by Max Thurn with the NDR Chor,[2] such as in 1960 Jesu, der du meine Seele, BWV 78, alongside Ursula Zollenkopf, Johannes Feyerabend and Erich Wenk.[3] She recorded Dieterich Buxtehude's Lauda Sion Salvatorem, BuxWV 68, with Helmut Kahlhöfer.[4] In 1972 she was the soloist in a recording of Bach's Christmas Oratorio conducted by Hans Grischkat, alongside Hildegard Laurich, Peter Wetzler and Bruce Abel.[5]

In Baroque opera, she recorded in 1973 the part of an elegant lady in Lully's Le Bourgeois gentilhomme, with Siegmund Nimsgern in the title role, and Gustaf Leonhardt conducting La Petite Bande and members of the Tölzer Knabenchor.[6] She performed in church concerts, such as in 1977 in Haydn's Die Schöpfung at St. Patrokli in Soest.[7]

She worked as a professor of voice[1] at the University of Dortmund. In 2001 she trained the soloists, including Georg Poplutz and Karin Lindemann in the title roles, for a performance of Handel's Acis und Galatea with the university choir, in a set and with costumes designed by students.[8]

References

  1. ^ a b "Wir sind alumni!". Folkwang University of the Arts. Retrieved 12 May 2017.
  2. ^ a b "Maria Friesenhausen (Soprano)". Bach-Cantatas. 2001. Retrieved 12 May 2017.
  3. ^ "Cantata BWV 78 / Jesu, der du meine Seele". Bach-Cantatas. 2016. Retrieved 12 May 2017.
  4. ^ Green, Jonathan D. (2013). A Conductor's Guide to Selected Baroque Choral-Orchestral Works. Scarecrow Press. p. 62. ISBN 9780810886506. Retrieved 12 May 2017.
  5. ^ "Hans Grischkat & Stuttgart Choral Society & Bach Orchestra / Bach Cantatas & Other Vocal Works / Recordings – Part 2". Bach-Cantatas. 2016. Retrieved 12 May 2017.
  6. ^ Steiger, Karsten (2008). Opern-Diskographie: Verzeichnis aller Audio- und Video-Gesamtaufnahmen. Walter de Gruyter. p. 237. ISBN 9783110955965.
  7. ^ "Städtischer Musikverein Soest e. V. / Unser Konzertarchiv" (in German). Musikverein Soest. Retrieved 12 May 2017.
  8. ^ "Tenor steckt im Schafspelz / Textil-Studenten nähen Kostüme für Unichor-Aufführungen von Acis und Galatea". Ruhr Nachrichten (in German). University of Dortmund. 3 April 2001. Retrieved 12 May 2017.

External links