Albert Talhoff

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Albert Talhoff , actually Ludwig Albert Meyer (born July 31, 1888 in Solothurn , † May 10, 1956 in Lucerne ), was a Swiss writer and director .

Talhoff's major dramatic work Totenmal premiered in Munich in 1930. The dramatic-chorical vision for word, dance, light dealt with the theme of death from the First World War in a late expressionist view and with speaking and movement choirs. The choreography was created by Mary Wigman , who alternated as a solo dancer with Vera Skoronel . Alexander Kamaroff danced the role of the (war) demon . The wood-carved masks, which in contrast to the costumes burned in a Munich theater fund during World War II, still exist today (in three public collections in Switzerland and Germany), were made by Bruno Goldschmitt .

In 1930 he took part in a meeting of the Oxford group in the house of Fritz Andreae in order to prepare a world religion conference at the world exhibition in Chicago.

Albert Talhoff was married in his first marriage to Viktoria, the daughter of Count von Alvensleben auf Neugattersleben , who had married against the will of her father Talhoff and was therefore no longer allowed to enter her parents' house. - There is a portrait bust of Talhoff by Renée Sintenis .

Works

  • Death mark. Dramatic-choral vision for word, dance, light. German publishing house, Stuttgart 1930.

literature

  • Hermann Bahr : Diary. February 26th. Neues Wiener Journal, 38 (1930) # 13038, 16. (March 9, 1929) (Review Totenmal )
  • Degeners who is it? Degener, Berlin 1935, p. 1590.

Web links

Individual evidence

  1. Ursula von Mangoldt , "On the threshold between yesterday and tomorrow - encounters and experiences", Weilheim 1963, p. 93