Barbara Hunfeld

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Barbara Hunfeld (* in the 20th century in Wilhelmshaven ) is a German literary scholar and edition philologist .

Life

After studying German and history, Hunfeld received his doctorate from the Julius Maximilians University of Würzburg in 2001 under Helmut Pfotenhauer in the subject of modern German literary history on the connection between heavenly view and poetology in Brockes, Jean Paul, Goethe and Stifter. She has been working there in research and teaching since 1999, since 2011 as a civil servant, currently as an academic senior councilor. In addition to editorial studies, her publications deal primarily with questions of the history of aesthetics, semiotics and auto-poetology.

With the edition of the three versions of Jean Paul's novel " Hesperus or 45 Hundposttage " (1795, 1798 and 1819), she presented the model for the text-genetically oriented historical-critical edition of Jean Paul works. Since 2010, Hunfeld has headed the Jean-Paul-Edition department at the Institute for German Philology. She is President of the Jean Paul Society and a member of the Project Advisory Board for Modern German Literature at the Bavarian Academy of Sciences .

Fonts (selection)

as an author

  • The view into space. Reflections on the cosmos of signs in Brockes, Jean Paul, Goethe and Stifter. Tübingen 2004 (Reprint 2013).
  • On the 'hieroglyph' of art around 1800. Considerations on a metaphor in Diderot, Goethe, Schubert and Schlegel. In: hieroglyphics. Stations in a different occidental grammatology. Archeology of literary communication VIII. Ed. By Aleida Assmann and Jan Assmann. Munich 2003, pp. 281-296.
  • Signs as things in Stifter, Keller and Raabe . Ironization of representation as a self-criticism of realism. In: The things and the signs. Dimensions of the realistic in nineteenth-century narrative literature. Edited by Sabine Schneider and Barbara Hunfeld. Würzburg 2008, pp. 123-141.
  • A new edition of Jean Paul works. In: Geschichte der Germanistik 31/32 (2007), pp. 111–116 as well as in: Akten des XI. International Congress of Germanists Paris 2005. Edited by Jean-Marie Valentin. Vol. 5. Bern et al. 2008, pp. 285–291.
  • "Jean Paul: Works." On the history and concept of a new historical-critical edition . In: editio 22 (2008), pp. 157-173.
  • The told list. Enumerating and narrating with Jean Paul. In: Yearbook of the Jean Paul Society 47 (2012), pp. 5–30.
  • The bucket wheel of literature. Jean Paul in the context of the aesthetics of autonomy around 1800 . In: The creation of the world - old and new creation myths. Edited by Dorothea Klein. Würzburg 2012, pp. 101–114.
  • The "transparent and opaque veil" of the text. Seeing and not seeing in Goethe's elective affinities . In: Sabine Eickenrodt: Blindness in literature and aesthetics (1750-1850). Würzburg 2012. pp. 199–215.
  • The rocaille of storytelling. Jean Paul's untimely literature between 'baroque' and 'modern' . In: Yearbook of the Jean Paul Society 50 (2015), pp. 31–56.
  • On the threshold. Signs, things and subjects at the beginning of the 19th century (Eichendorff, Stifter, Keller, Fontane, Hofmannsthal). In: The Art of Storytelling. Edited by Michael Erler and Dorothea Klein. Würzburg 2017, pp. 165-183.
  • Collection of things - collection of the viewer: Pieter Claesz '"Stilleben mit Römer" (1640) . In: Collect. An (in) contemporary passion. Edited by Martina Wernli. Würzburg 2017, pp. 141–154.
  • The language of loneliness and the loneliness of language. From Gryphius' "Solitude" to Celan's "Crystal" . In: Cultures of Solitude. Edited by Ina Bergmann and Dorothea Klein. Würzburg 2020, pp. 147–172.
  • Evidence in Text - Evidence as Text. Or: A language for the eye. Evidence within the text and evidence as text in German physico-theological literature. In: Physico-theology in England and on the European Continent (1650-1750). Edited by Anne Blair and Kaspar von Greyerz. Boston 2020 (p.p.).

as editor

  • Jean Paul, Hesperus or 45 dog post days. Edition of the printed versions from 1795, 1798 and 1819 in synoptic representation. Edited by Barbara Hunfeld. In: Jean Paul, Works. Edited by Helmut Pfotenhauer and Barbara Hunfeld. 3 vol. I, 1-3. Tübingen 2009.
  • Jean Paul, Life of Quintus Fixlein, pulled out of fifteen boxes of paper, along with a mustheil and a few jus de tablette. History of my preface to the second edition of Quintus Fixlein. Edition of the printed versions from 1796/1801 and 1797/1826. Text. Edited by Sabine Straub and Barbara Hunfeld. In: Jean Paul, Works. Edited by Helmut Pfotenhauer and Barbara Hunfeld. VI, 1. Berlin / Boston 2013.
  • Jean Paul: Works . Historical-critical edition. Edited together with Helmut Pfotenhauer . (Including, for example, the preschool of aesthetics edited by Florian Bambeck, along with some lectures in Leipzig on the parties of the time. Edition of the printed versions from 1804 and 1813 in synoptic representation. Small after-school for aesthetic preschool. Edition of the printed version from 1825. Text. 3 vols. Berlin / Munich / Boston 2015.)
  • Yearbook of the Jean Paul Society . Published together with Jörg Paulus , Monika Schmitz-Emans , Ralf Simon and formerly Elsbeth Dangel-Pelloquin .
  • The things and the signs. Dimensions of the realistic in nineteenth-century narrative literature . Edited together with Sabine Schneider. Wuerzburg 2008.

Web links

Individual evidence

  1. ^ Workplace Jean-Paul-Edition
personal data
SURNAME Hunfeld, Barbara
BRIEF DESCRIPTION German literary scholar and edition philologist
DATE OF BIRTH 20th century
PLACE OF BIRTH Wilhelmshaven