Ben F. Reynolds

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Ben Franklin Reynolds (born July 21, 1890 , in Woodville, Michigan ; † February 14, 1948 in Los Angeles ) was an American cameraman who was responsible for the masterful image creation of various pretentious silent film productions by Erich von Stroheim .

Career

Benjamin Franklin Reynolds had received a photography education before joining film in 1914. In the next three years he worked in various departments at Universal Studios and worked his way up from assistant to simple camera operator to chief cameraman. Reynolds created his first independent picture arrangements in 1917 for rather primitive, short westerns by the newcomer John Ford .

At the end of 1918 an extremely fruitful and successful collaboration began with the perfectionist Erich von Stroheim , whose monumental, sometimes epic and extremely costly and time-consuming dramas Reynolds was able to congenially transform into gripping and breathtaking images with great technical effort and sophistication. In the film " Gier nach Geld " ( Greed for Money ), which was shot on the original locations and renamed Gier after 1945 , Reynolds used the landscape as a dramatic design principle, in the tradition of Swedish filmmakers.

With Stroheim's decline as a director at the beginning of the sound film era, Reynolds' career was de facto ended. Although he still photographed a number of (mostly cheap) productions, including several for the director Henry Hathaway , they were all low-cost, cheap productions, not even close to the talent of a Ben Reynolds. After 1935 he did not receive a single feature film commission.

Filmography (selection)

  • 1917: The Scrapper (short film)
  • 1917: The Soul Herder (short film)
  • 1917: The Secret Man
  • 1918: The Scarlet Drop
  • 1918: The man without nerves ( Hell Bent )
  • 1918: A Woman's Fool
  • 1918 blind Husbands ( Blind Husbands )
  • 1919: The Devil's Passkey
  • 1922: Foolish Women / Foolish women ( Foolish wifes )
  • 1922: Fairground of Life ( Merry-Go-Round ),
  • 1922: The Long Chance
  • 1923: The Ghost Patrol
  • 1923: The Prisoner
  • 1923: greed / lust for money ( Greed )
  • 1924: The fight for the man ( Butterfly )
  • 1924: The Signal Tower
  • 1925: The Merry Widow ( The Merry Widow )
  • 1925: The little impostor ( A Slave of Fashion )
  • 1926: The Devil's Circus ( The Devil's Circus )
  • 1926: Tin Hats
  • 1926: The weaker sex strong ( The Waning Sex )
  • 1926-27: The Wedding March ( The Wedding March )
  • 1927 silk stockings ( Silk Stockings )
  • 1927: The 13 jurors ( The 13th Juror )
  • 1928: The Way of the Strong ( The Way of the Strong )
  • 1928: The Little Wildcat
  • 1928: Sonny Boy
  • 1928/29: Queen Kelly (unfinished)
  • 1929: Kid Gloves
  • 1929: Honky Tonk
  • 1929: Stolen Kisses
  • 1929/30: Vengeance
  • 1933: Shots in the Grenzwald ( Man of the Forest )
  • 1933: To the Last Man
  • 1933: Tillie and Gus
  • 1933: The Thundering Herd
  • 1934: Come On Marines!
  • 1934: The Witching Hour
  • 1934: Menace
  • 1934: The good old days ( The Old-Fashioned Way )
  • 1935: men without names ( Men Without Names )
  • 1935: One Hour Late
  • 1935: The Valley of Death ( Wanderer of the Wasteland )
  • 1935: It's a Great Life

literature

  • Kay Less : The film's great personal dictionary . The actors, directors, cameramen, producers, composers, screenwriters, film architects, outfitters, costume designers, editors, sound engineers, make-up artists and special effects designers of the 20th century. Volume 6: N - R. Mary Nolan - Meg Ryan. Schwarzkopf & Schwarzkopf, Berlin 2001, ISBN 3-89602-340-3 , p. 497 f.

Individual evidence

  1. a b The mostly fragmentary life data circulating in all Anglo-American sources (e.g. in the IMDb) are inaccurate. See note or source in versions / authors

Web links