Charles de Groux

from Wikipedia, the free encyclopedia
Charles de Groux , Portrait by Auguste Danse (1829–1929), 1871

Charles Corneille Auguste de Groux , also spelled Degroux (born August 25, 1825 in Comines , French Flanders , † March 30, 1870 in Sint-Joost-ten-Node , Belgium ), was a Belgian painter and illustrator .

Life

De Groux was born as the son of Jean Baptiste Joseph de Groux (1794–1846) and his wife Marie Constance Sophie, b. Vandewynckele (1794-1862), born. The couple had eight sons and three daughters. In 1849 de Groux married Jeanne Geyssens (1824-1887), who bore him three sons and two daughters, among them the later painter Henry de Groux . After initial training at the Academy of Fine Arts in Brussels with François-Joseph Navez and Jean-Baptiste van Eycken, Charles de Groux took private lessons in Düsseldorf in 1851/1852 . There he was influenced by the tendency painting of socially critical painters. His picture The Drunkard shows the influences of Ludwig Knaus ' Die Faschplayers , his picture Die Armenbank shows parallels to Wilhelm Joseph Heine's service in the prison church .

Works (selection)

The Drunkard , 1853
The Gleaners , 1856/1857

While de Groux based his painting style on the group of the Vlaamsen Primitieven , he received impetus from the socially critical representatives of the Düsseldorf School on the subject of pauperism . As a “poor people painter” he is one of the founders of Belgian realism and socialist realism .

  • The Drunkard , 1853
  • The poor bank , 1854
  • The Gleaners , 1856/1857
  • Le Bénédicté , 1861
  • The separation , 1869
  • L'Ivronge , 1870

literature

Web links

Commons : Charles de Groux  - collection of images, videos and audio files

Individual evidence

  1. ^ Charles Corneille Auguste de Groux , data sheet in the portal gw.genanet.org , accessed on July 27, 2015.
  2. Bettina Baumgärtel, Sabine Schroyen, Lydia Immerheiser, Sabine Teichgröb: Directory of foreign artists. Nationality, residence and studies in Düsseldorf . In: Bettina Baumgärtel (Hrsg.): The Düsseldorf School of Painting and its international impact 1819–1918. Michael Imhof Verlag, Petersberg 2011, ISBN 978-3-86568-702-9 , Volume 1, p. 429.
  3. Wolfgang Cortjaens: Between institutionalization and individual exchange. German-Belgian cultural transfer using the example of the Düsseldorf School of Painting from 1831 to 1865 . In: Bettina Baumgärtel (Ed.), Volume 1, p. 165.