Daniela Philippi (musicologist)

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Daniela Philippi (* 1966 in Limburg an der Lahn ) is a German musicologist with a research focus on Christoph Willibald Gluck , Antonín Dvořák and Czech music history and music of the 20th century.

Life

Daniela Philippi studied musicology, journalism and general and comparative literature from 1985 to 1992 at the Johannes Gutenberg University in Mainz . In addition, from 1985 to 1989 she studied at the Episcopal Institute for Church Music of the Diocese of Mainz, which she completed in 1989 with the C church musician examination. In 1992 she did her doctorate with Christoph-Hellmut Mahling at the Musicological Institute of the Johannes Gutenberg University Mainz on the subject of Antonín Dvořák - The Ghost Bride (Svatební košile) op. 69 and The Saint Ludmila (Svatá Ludmila) op. 71. Studies on the "large vowel form" in the 19th century .

Since 1993 she has been a research assistant for the Gluck Complete Edition at the Academy of Sciences and Literature, Mainz . From 1991 to 2000 she was also a lecturer at the Musicological Institute of Johannes Gutenberg University Mainz. In 2000 he received his habilitation and was awarded the Venia legendi for the subject of musicology at the Department of History at Johannes Gutenberg University Mainz. The habilitation thesis dealt with the topic of the new in contemporary organ music since the late 1950s .

From 2000 to 2007 Daniela Philippi was a private lecturer, from 2007 to 2011 she was an adjunct professor at the Musicological Institute of Johannes Gutenberg University Mainz. In 2002 she became a member of the editorial board of the Gluck Complete Edition. From 2002 to 2018 she was a member of the working group for the preparation (2004 to 2018 Editorial Board) of the Neue Dvořák-Gesamtausgabe / New Dvořák Edition (NDE), in 2006 she also became a Research Fellow here. Since 2003 she has been a member of the Editorial Board of the Martinů Complete Edition. From 2003 to 2005 Daniela Philippi also taught musicology at the Robert Schumann University in Düsseldorf. From 2005 to 2018 she was a member of the international editorial board (Mezinárodní redakční rada) of the journal "Hudební věda" published by the Czech Academy of Sciences in Prague.

In the summer semester of 2009 she took on a teaching position at the musicological seminar at the Ruprecht-Karls-Universität Heidelberg. In the 2009/10 academic year she was a professor at the Institute for Musicology at the Johann Wolfgang Goethe University in Frankfurt am Main. In the winter semester 2010/11 she had a teaching position there. Since the summer semester of 2011, Daniela Philippi has been the holder of the academy professorship at the Institute for Musicology at the Johann Wolfgang Goethe University in Frankfurt am Main . Since 2013 she has been the 1st chairwoman of the Frankfurt Musica Judaica Association, and since 2019 also 1st chairwoman of the Frankfurt Telemann Society.

Works (selection)

Monographs

  • Antonín Dvořák - The Ghost Bride / Svatební košile op. 69 and Saint Ludmilla / Svatá Lumila op. 71. Studies on the »great vowel form« in the 19th century (= Mainz Studies on Musicology 30). Hans Schneider, Tutzing 1993.
  • New organ music. Works and composition techniques from the avant-garde to the pluralistic modern age. Bärenreiter, Kassel etc. 2002.
  • "People sing with so much fire ...". The Cäcilienchor Frankfurt am Main 1818 to 2018. Edited by Daniela Philippi and Ralf-Olivier Schwarz. Henrich, Frankfurt am Main 2018.

Scientific editions of notes

  • Christoph Willibald Gluck: Le Cadi dupé / The cheated Cadi, Opéra-comique in one act by Pierre-René Lemonnier / German version by Johann André. In: Christoph Willibald Gluck. Complete works, section IV: French comic operas, vol. 6. Bärenreiter, Kassel, etc. 1999.
  • Christoph Willibald Gluck: La contesa dei Numi , Componimento drammatico, text by Pietro Metastasio, edited by Thomas Clitau. In: Christoph Willibald Gluck. Complete Works, Section III: Italian Opera Series and Opera Serenades, Vol. 13. Bärenreiter, Kassel, etc. 2004.
  • Christoph Willibald Gluck: Odes and songs, edited by Daniela Philippi and Heinrich W. Schwab. In: Christoph Willibald Gluck. Complete Works, Section VI: Vocal Music, Vol. 2. Bärenreiter, Kassel, etc. 2011.
  • Christoph Willibald Gluck: Cythère assiégée , Opéra-ballet in three acts (Paris 1775), edited by Daniela Philippi. In: Christoph Willibald Gluck. Complete works, section IV: French comic operas, vol. 9. Bärenreiter, Kassel etc. 2019.

Articles in compilations and journals

  • Dvořák and the development of oratorical forms in the 19th century. In: Dvořák studies, ed. by Klaus Döge and Peter Jost, Mainz, etc. 1994, pp. 147–155. (Published in English under the title: Dvořák and the Development of Oratorio in the Nineteenth Century, in: Czech Music 18/1, 1993, pp. 45–57).
  • Andreas Romberg's setting “The Song of the Bell”. In: Festschrift Christoph-Hellmut Mahling on the occasion of his 65th birthday (= Mainz Studies for Musicology 37), ed. by Axel Beer , Kristina Pfarr and Wolfgang Ruf , Tutzing 1997, pp. 1077-1093.
  • New music for wind instruments and organ - with and without drums. In: Congress report Mainz 1996 (= Alta Musica 20), ed. by Eugen Brixel, Tutzing 1998, pp. 293-306.
  • Theo Brandmüller's “Missa” in the language of our pluralistic times. In: Musica Sacra 118, 1998/1, pp. 57-63.
  • On the sources of Gluck's Opéras-comiques. A work and research report. In: Colloquium report of the Gluck Complete Edition. Tanzdramen / Opéra-comique (= Gluck Studies 2), ed. by Gabriele Buschmeier and Klaus Hortschansky, Kassel etc. 2000, pp. 101–113.
  • Neither citizens nor clergy fright. On the current situation of contemporary organ music. In: Organ 3/99, pp. 10-18.
  • Arias by Christoph Willibald Gluck used in concert for the canon. In: Mozart-Jahrbuch 2000, pp. 215–224.
  • Gallant style - a phenomenon beyond national idioms in the music of the first half of the 18th century? (Revised version of the habilitation lecture from November 15, 2000). In: The Galante Discourse. Communication and epoch threshold (= work on modern German literature 6), ed. by Thomas Borgstedt and Andreas Solbach, Dresden 2001, pp. 355–368.
  • Instrumentation patterns in music history in contemporary chamber music. In: Chamber music in “mixed” ensembles (= Engers Castle Colloquia for Chamber Music 3), Mainz 2002, pp. 159–179.
  • Stories without words or poetic piano pieces? 19th century piano ballads. In: Musikwissenschaft aktuell. Lectures and presentations at the conference of the Society for Music Research, Mainz 1997, ed. by Christoph-Hellmut Mahling and Kristina Pfarr, Mainz 2002, pp. 297-313.
  • Chopin's compositions in choreographies of the 20th century. In: Chopin 1849/1999. Aspects of the history of reception and interpretation, ed. by Andreas Ballstaedt, Schliengen 2003, pp. 126–137.
  • Between music for use and autonomy. Structure and timing of minimal music in film. In: Film und Musik (= Blick-Blick - Marburger and Mainzer Hefte zur Medienwissenschaft 35), Schüren 2004, pp. 88–100.
  • Traditional patterns as a material. On the conception of Krzysztof Penderecki's 3rd symphony. In: Krzysztof Penderecki - Music in Context. Conference report Leipzig 2003, ed. by Helmut Loos and Stefan Keym, Leipzig 2006, pp. 167–181.
  • Could there be a concerted Gluck nursing? - Results of the source research. In: Chamber music on the Rhine and Main. Contributions to the history of the string quartet (= Colloquia for Chamber Music IV), ed. by Kristina Pfarr and Karl Böhmer, Mainz 2007, pp. 75–86.
  • Departure for new music in the church or the call for truth. The aesthetic positions of the series new music in the church / weeks for contemporary sacred music 1965–1983. In: Rebellious Music. Social protest and cultural change around 1968 (= musicolonia 1), ed. by Arnold Jacobshagen and Markus Leniger, Cologne 2007, pp. 275–289.
  • On the variance of the musical form "Air" in Christoph Willibald Gluck's Cythère assiégée II. In: Aria. A Festschrift for Wolfgang Ruf (= Studies and Materials for Musicology 65), ed. by Wolfgang Hirschmann , Hildesheim - Zurich - New York 2011, pp. 473–487.
  • Continuation of the tradition and church music training today. In: The Church Musician: Professions - Institutions - Fields of Activity, ed. by Franz Körndle and Joachim Kremer (= Encyclopedia of Church Music, Vol. 3), Laaber 2015, pp. 373–390.
  • Christoph Willibald Gluck - Complete Works. In: Music editions in the course of history, ed. by Reinmar Emans and Ulrich Krämer (= modules for the history of the edition, 5), Berlin / Boston 2015, pp. 261–287.

Web links

personal data
SURNAME Philippi, Daniela
BRIEF DESCRIPTION German musicologist
DATE OF BIRTH 1966
PLACE OF BIRTH Limburg ad Lahn , Germany