The guarantee (Schubert)

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Opera dates
Title: The guarantee
Title page of the score, Leipzig 1893

Title page of the score, Leipzig 1893

Shape: Opera in three acts (fragment)
Original language: German
Music: Franz Schubert
Libretto : unknown student
Literary source: Friedrich Schiller :
The guarantee
Premiere: March 7, 1908 (concert version)
Place of premiere: Vienna
people
  • Dionys ( bass )
  • Möros ( baritone )
  • Theages (baritone)
  • Anna, his wife ( soprano )
  • Ismene, whose child (soprano)
  • Julus, whose child (soprano)
  • Philostratus ( tenor )
  • four robbers (2 tenors, 2 basses)
  • People, guard ( choir )

The guarantee is an opera fragment in three acts by Franz Schubert ( D 435, librettist: unknown), whose composition he began in 1816. It remained unfinished: for an unknown reason, the manuscript breaks off in the third act after only two pieces of music have been worked out. The fragment was performed once in concert in Vienna on March 7, 1908 . As part of the Schiller Year 2005, the Friedrich Schiller University of Jena presented a staged performance for the first time in which the fragment was supplemented with music by Schubert based on Schiller texts.

The opera has little in common with Schubert's song Die Bürgschaft (D 246, duration about 16 minutes), composed in 1815, based on the ballad Die Bürgschaft by Friedrich Schiller .

Music numbers

The fragment contains the following music numbers:

first act

  • No. 1. Choir (mixed choir): “Help! Rescue"
  • No. 2. Aria (baritone): "Do I have to feel deep in my chest"
  • No. 3. Choir (mixed choir): "How thirsty the Aetna"
  • No. 4. Choir (mixed choir): "Long live, long live the mutric fool"
  • No. 5. Aria (baritone): "I thank you for this grace"
  • No. 6. Aria (bass): "Will he return?"
  • No. 7. Romance (soprano): "The mother is looking for her dearest child"
  • No. 8. Duet (two sopranos): "We bring you the chain"
  • No. 9. Finale (three sopranos, baritone, male choir): "You are going to dungeon, you?"

Second act

  • No. 10. Entreakt and aria (baritone): “O gods! O thank you "
  • No. 11. Aria (soprano): "What night did I experience"
  • No. 12. Ensemble (three sopranos, tenor): "Hear the sighs of our mother"
  • No. 13. Quartet (male quartet without accompaniment): "Behind bushes, behind the leaves"
  • No. 14. Scene and aria (baritone): "O divine calm"

Third act

  • No. 15. De-react
  • No. 16. Ensemble (baritone and male choir): "The evening is approaching" (unfinished)

literature

  • C. Martin: Schubert's "Bürgschaften": Epic and dramatic tone poem in the song (D 245) and in the opera fragment (D 435). In: Schubert yearbook. 2003–2005 (= report on the Schubert Symposium Weimar 2005 ), ed. by M. Kube, Duisburg 2007, pp. 69-84.
  • Tobias Lund: Enthusiasm, Contemplation, and Romantic Longing: Reconsidering Schubert's Sectional Songs in the Light of Historical Context . Lund Univ., Department of Arts and Cultural Sciences, 2009, ISBN 978-91-976670-2-9 .

Web links

Individual evidence

  1. ^ Liane Speidel: Franz Schubert - an opera composer? Using the example of the “Fierrabras” (= Viennese writings on stylistics and performance practice 6). Böhlau, Cologne / Vienna 2012, ISBN 978-3-205-79189-8 , p. 254.
  2. ^ Title page of the score edition. Breitkopf & Härtel, Leipzig 1893, Plate F. S.192.