The twelve chairs (1962)

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The twelve chairs is a Cuban film. It is based on the novel of the same name by Ilya Ilf and Jewgeni Petrow . It is the first film adaptation of the novel, the starting point of which and the names of the characters are based on the original novel, even if the plot takes place in Cuba in modern times.

Movie
German title The twelve chairs
Original title Las doce sillas
Country of production Cuba
Publishing year 1962
length 93 minutes
Rod
Director Tomás Gutiérrez Alea
script Tomás Gutiérrez Alea,
Ugo Olive
music Juan Blanco
camera Pablo Martínez
cut Mario González
occupation

action

The expropriated landowner Hipólito learns from his dying mother-in-law that diamonds are hidden in one of twelve chairs that were in her former manor house. There is now a retirement home in the house. Hipólito meets his former servant Óscar here. Together they go looking for the chairs. The search becomes a race against time, because the mother-in-law's confessor is also after the diamonds. In the search, Óscar's ingenuity soon becomes the dominant part. The search leads to several private households, a hospital and a circus. They find the right chair too late. The jewels hidden in it were discovered by chance and used to build a library.

criticism

“The technical imperfections of the film - Cuban film production is still young - are carried away by the spirited direction and the comedic play of the leading actors. Echoes of the silent film grotesque style and a wide-ranging comedy situation are quite enjoyable. "

- Helmut Ullrich in “ Neue Zeit ”. Berlin, April 24, 1964

"It is a thoroughly amusing film that is well worth seeing, a satire on those parasites who, even after the revolution, would rather live from the money they stole than from their hands."

- Stefan Otto in “ Junge Welt ”. Berlin, April 11, 1964

"In this Cuban flick, the whole thing takes on a clearly critical direction, because under popular rule the treasure hunt of a decrepit rich man and his former servant, who has become a determining personality, is anachronistic and therefore already cheerful."

- Hans Braunseis in “ The Morning ”. Berlin, April 10, 1964

Individual evidence

  1. Masterpieces of Cuban Film. Berlin, 2006

Web links