Heinrich Elkamp

from Wikipedia, the free encyclopedia

Heinrich Elkamp (* 1812 in Itzehoe (according to other information: 1810 in Hamburg ), † 1868 in Hamburg) was a German composer, pianist, music teacher and music critic.

Life

Elkamp studied with Johann Hermann Clasing and Carl Friedrich Zelter . He settled in Hamburg, where he worked as a composition teacher and composer. His Fantasy and Variations, Op. 15 , were reviewed by Robert Schumann in the Neue Zeitschrift für Musik in 1836 , but Schumann barely gave the work a good hair and described it as “a ruin, if you will, for which no critic can lay down a rule can ". He composed an oratorio Paulus , which was performed on November 19, 1835 in the main church Sankt Michaelis and in 1838 by the Sing-Akademie zu Berlin , and was published in print as a piano reduction in 1836. The oratorio The Holy Time followed in 1837 . Elkamp also wrote music reviews in the Hamburger Nachrichten . From 1842 to 1851 he lived in Saint Petersburg , after which he returned to Hamburg.

literature

  • Eduard Bernsdorf: New universal encyclopedia of music art: for artists, art lovers and all educated people. First addendum. André, Offenbach 1865, p. 147 ( digitized in the Google book search).
  • François Joseph Fétis: Biography universelle des musiciens et bibliographie générale de la musique. 2nd Edition. Volume 3. Firmin Didot, Paris 1862, p. 126 ( digitized in the Google book search).
  • Hermann Mendel: Musical Conversations Lexicon: An encyclopedia of the entire musical sciences. Volume 3. R. Oppenheim, Berlin 1873, p. 351 ( digitized in the Google book search).
  • Robert Músiol (Ed.): Julius Schuberth's Musical Conversations Lexicon. 10th edition. Julius Schuberth, Leipzig 1877, p. 124 ( digitized in the Google book search).
  • Elkamp (Enrique). In: Enciclopedia universal ilustrada europeo-americana . Volume 19 (Ech - Enre). Espasa, Barcelona, n.d. [1915], OCLC 73713211 , p. 791.

Web links

Individual evidence

  1. ^ Hermann Mendel: Musikalisches Conversations-Lexikon: An encyclopedia of the entire musical sciences. Volume 3. R. Oppenheim, Berlin 1873, p. 351 ( digitized in the Google book search).
  2. Pierer's year books of the sciences, arts and crafts: supplementary work to all editions of the universal lexicon. Volume 3. Pierer, Altenburg 1873, p. 147 ( limited preview in the Google book search)
  3. Neue Zeitschrift für Musik , 5, No. 17, August 26, 1836, pp. 71–73, here p. 72 ( digitized in the Google book search); printed in: Collected writings on music and musicians . Wiegand, Leipzig 1854, pp. 47-55 ( online at Wikisource ).
  4. Nicholas Marston: Schumann, Fantasy, Op. 17 (= Cambridge Music Handbooks ). Cambridge University Press, Cambridge 1992, ISBN 0-521-39892-4 , pp. 74 f. ( limited preview in Google Book search).
  5. From Berlin. In: Neue Zeitschrift für Musik, Volume 9, No. 50, December 21, 1838, pp. 200–201.
  6. Allgemeine Musical Zeitung, Volume 38, No. 2, January 13, 1836, pp. 29-30.
  7. Neue Zeitschrift für Musik , 5, No. 50, December 20, 1836, p. 199 f. ( Digitized in the Google book search)
  8. Allgemeine Musikalische Zeitung ,, No. 33, August 16, 1837, Sp. 533-541 ( digitized in the Google book search).
  9. Peter Schmitz: A profitable business? On the importance of oratorios in 19th century publishing programs using the example of Louis Spohr. In: Dominik Höink (Ed.): The oratorios Louis Spohrs: Context - Text - Music. Vandenhoeck & Ruprecht, Göttingen 2015, ISBN 978-3-8471-0416-2 , pp. 131–152, here p. 146 f. ( limited preview in Google Book search).
  10. Hamburger Musikische Zeitung , No. 10, November 29, 1837, p. 39 ( digitized in the Google book search).