n'Socialist sound system

from Wikipedia, the free encyclopedia
n'Socialist sound system
General information
origin Ludwigshafen
Genre (s) Hip-hop , Nazi rap
founding 2010
Website enesess.befehlston.com
Current occupation
Henry8
Production, beats
 Blastbeatkönig from Thule ("Blasty")

n'Socialist sound system (abbreviated NSS ), also known as Enessess known, an extreme right-wing hip-hop - Duo from Ludwigshafen , which the genre Rechtsrap is assigned.

Band history

n'Socialist Soundsystem was founded in spring 2010 as a project by the right-wing rock band Häretiker . The duo consists of two people with the pseudonyms "Blastbeatkönig aus Thule" and "Henry8". Henry8 appears in various videos and live with an ice hockey mask reminiscent of the film character Jason Voorhees . In 2010 the duo published a total of four songs for the student CD Youth in the Movement of Autonomous Nationalists . They were also featured on the NPD CDs Gegen den Strom (2011) and The Future in Sight (2012/2013).

In 2011, both a demo with live recordings on CD-R and the debut album Volk ans Microphone appeared on the right-wing rap label LNR Records. "LNR" stands for "Legion N-Rap", a loose network of nationalist rappers. In 2012 and 2013, Henry8 published one solo work each.

Music style and rating

n'Socialist sound systems are an expression of a new trend reversal in Germany's right-wing music scene. While the majority of right-wing youths continue to practice the Oi! and listening to right-wing rock, a rethink began in the mid-1990s. NSBM and Hatecore were added by the mid-2000s, and for some years now, hip-hop has also been increasing with national and, in some cases, National Socialist texts. According to Martin Langebach, one cause is the emergence of the autonomous nationalists in the scene, which consciously takes up and reinterprets left or left- autonomous stylistic devices. Since 2011, the band has been observed by the Federal Office for the Protection of the Constitution together with similar right-wing hip-hop groups such as Naturally and Sprachgesang zum Untergang (SZU) .

In particular, n'Socialist Soundsystem tries to differentiate itself from the hip-hop scene. Rather, they see themselves primarily as “national socialists” and as a “national alternative to the system rap”. In the right-wing magazine “Der Aktivist” henry8 said: “We use this style of music because there is incredible potential in its audience.” The texts propagate a racist national community and a state based on National Socialist ideas.

For the right-wing extremist music scene, they are considered the first serious Nazi hip-hop project. However, there are still reservations about this type of music. Outside the right-wing music scene, the duo tends to be ridiculed for their relatively awkward rhymes. The hip-hop scene, in particular, does not give a damn about the musical qualities of the two musicians.

Discography

n'Socialist sound system

  • 2010: Youth must answer the microphone (download EP with the tracks from the schoolyard CD Youth in Motion )
  • 2011: 11 in the bunker ... with encore ... (CD-R, in-house production)
  • 2011: People to the microphone (LNR Records)

Henry's solo albums 8

  • 2012: No Sex with Hip-Hop (MCD, CD-R)
  • 2013: Germanness and spoken language (Onnohatnenkleinenpenis-Records)
  • 2013: Nurmaso ... ( Collab EP with Mic Revolt, in-house production)

Projects

  • 2012: Legion N-Rap: Ein.Stand (project with MC Derrick, Mic Revolt, Ricky R., Riot Lutz and SZU)

Web links

Individual evidence

  1. ↑ a b c d Neo-Nazis discover rap music for their propaganda. Die Welt , July 21, 2011, accessed October 29, 2015 .
  2. ↑ Jana Schröder: The »schoolyard CD« of the NPD youth . In: The right margin . No. 141 (March / April), 2013, pp. 14 .
  3. ↑ Michael Barthel, David Anbich , Jan Raabe: argumentation aid against the "school yard CD" of the NPD Saxony-Anhalt for the 2011 state election . Ed .: Work center for right-wing extremism at Mit Another eV / Arguments & Culture Against Right eV Bitterfeld 2011 ( sachsen-anhalt.de [PDF]).
  4. ↑ a b c Jan Raabe : Braune Töne - an overview of eleven right-wing bands. Federal Office for Civic Education, accessed on October 29, 2015 .
  5. ↑ a b NS-HipHop: n'Socialist Soundsystem. Netz gegen Nazis , June 10, 2011, accessed October 29, 2015 .
  6. ^ Ralf Theil / Daniel Schieferdecker: Right wing. Patriotism and German Nazi rap . In: Juice . No. 170 , October 2015, p. 107 .
  7. ↑ Anna Groß: "I am a racist, day after day" - Nazi rap using the example of MaKss Damage . In: TickTickBoom (Ed.): Deutschrap the Germans? German nationalism in rap - an intermediate result . No. 1 , 2015, p. 22 .