Eve Beglarian

Eve Beglarian (born July 22, 1958 in Ann Arbor ) is an American composer, performance artist and audio producer.

The daughter of the composer Grant Beglarian studied at Princeton University and Columbia University . She received composition commissions for chamber music, choral and orchestral works a. a. by The Los Angeles Master Chorale , the American Composers Orchestra , the Bang on a Can All-Stars , the Chamber Music Society of Lincoln Center, the California EAR Unit , the Orchestra of St. Luke's , the Paul Dresher Ensemble, and by musicians like Maya Beiser , Lauren Flanigan , Sarah Cahill and Marya Martin .

In the field of music theater she worked with Lee Breuer ( Mabou Mines ' Dollhouse , Animal Magnetism , Ecco Porco and Choephorai ), Grethe Barret Holby (Hildegurls' Ordo Virtutum), Kathleen Supové and Chen Shi-Zheng . With the latter she realized Forgiveness (with the no-master Akira Matsui ) and the performance of The Bacchae at the Chinese National Opera in Beijing .

In the field of dance theater her partners were Victoria Marks , Ann Carlson , Susan Marshall and David Neumann , in the field of visual and video art Shirin Neshat , Cory Arcangel , Kevork Mourad , Vittoria Chierici , Barbara Hammer and Judson Wright . Furthermore she works u. a. an opera based on Stephen King's The Man in the Black Suit (with Grethe Barret Holby), a song cycle CD with Phil Kline and the A Book of Days , a project with 365 audiovisual pieces for live performance and the Internet.

Works

Early in the Morning for violin, guitar, trombone quartet, piano and electronics, 2010
Waiting for Billy Floyd for flute, clarinet, violin, cello, piano, percussion and electronics, 2010
I'm Worried Now, but I won't be Worried Long for violin and electronics, 2010
Kaimos for voice , electronics and violin, 2010
I am Really a Very Simple Person for mixed choir, 2010
Night Psalm for piano, 2009
From Within and Outside a Bright Room for voices, percussion and electronics, 2009
Machaut in the Machine Age VI: Liement Me Deport for choir and harmonica, 2009
The Man in the Black Suit , Opera-in-progress, 1999, 2000, 2002, 2005, 2006, 2008
Sang for mixed choir, santur and percussion, 2007
Osculati Fourniture for Voice and Excellent Setars, 2007
It Happens Like This for speaker and cello, 2006
I will not be sad in this world for flute and electronics, 2006
Music for Choephorai by Aeschylus for voices, bass flute and duduk, 2006
Making Hey for speaker, bass, piano and percussion, 2006
Atque Semper for flute, horn, guitar, bass and piano, 2006
I am writing to you from a far-off Country for cello, electronics and video, 2005
My Heart is Trembling for voice and electronics, 2005
Untitled Interior for Voice and Electronics, 2005
Machaut in the age of Motown for soprano saxophone, clarinet, violin, bass, bells, vibraphone, piano and drums, 2005
Flamingo for three ensembles, 1995, 2004
The Story of B for voices, flute, keyboards, bass and electronics, 2001-04
Take your Joy for mixed choir and electronics, 2004
'Music for Autodelete by Honor Kane for voices, electric guitar, sampler and electronics, 2004
We Two for voices, guitar and drums, 2004
Dust for voice and electronics, 2003
Music for Mabou Mines' Dollhouse for voices, piano and electronics, 2002-03
Robin Redbreast for voice, piccolo and electronics (Text: Stanley Kunitz ), 2003
Be / Hold for electronics, 2003
All U Got 2 Do for organ and electronics, 2003
Lullaby for female voice, piano and vibraphone, 2002
The Bus Driver Didn't Change His Mind for clarinet, guitar, cello, double bass, percussion, piano and playback, 2002
Music for Ecco Porco by Lee Breuer for voice and pipa, 2001
Five Things for speaker, flute and bassoon or saxophone, 2001
Fireside for piano and speaker (text: Ruth Crawford ), 2001
Until it blazes for piano or guitar, 2001 (interpreted in 2008 on The Stroke that kills by Seth Josel)
Cave for speaker, flute, clarinet, violin, cello, percussion, piano and tape (text: Eileen Myles ), 2001
All Ways for voice and piano (text: Stephen King), 2001
Do not be concerned for speaker and keyboard, 2001
A Book of Days , from 2001
The Continuous Life for orchestra and recorded sound, 2000
Music for the film History Lessons by Barbara Hammer, 2000
Music for the piece Animal Magnetism by Terry O'Reilly for voices, violin, wind instruments and electronics, 1997–2000
Just a little more for voice, two keyboards and tape, 2000
Music for Forgiveness for voices, pipa, piri, percussion and electronics, 1998–2000
Not Worth for voice, two bass clarinets, viola, cello and bass, 1999
Written on the Body for voice, keyboards and electronics (Text: Jeannette Winterson ), 1999
Open Secrets for architectural space, self-made instruments and toy pianos (with Malcolm Holzman ), 1998
To Elk Revolt for electronics, 1998
Hildegurls, or The Order of the Virtues for four singers and electronics (with Lisa Bielawa , Kitty Brazelton and Elaine Kaplinsky ), 1996
Non-Jew for two speakers (Text: Ezra Pound ), 1998
Elf Again , 1998
Father / Daughter Dance for accordion and electronics (choreography: Victoria Marks ), 1998
Boy Toy / Toy Boy for two keyboards and electronics, 1997
Play Nice for harp and vibraphone or children's piano, 1997
Creating the World for violin, bassoon, guitar, electronic keyboard and percussion, 1996
My Feelings Now for voice and piano, 1996
Wonder Counselor for Organ and Electronics, 1996
Music for The Bacchae for male choir and Chinese instrumental ensemble, 1996
Landscaping for Privacy for Speakers and Keyboards, 1995
Wolf Chaser for violin, cymbals and tape, 1995
Machaut in the Machine Age: Ay Mi! , 1995
How I Like That Time for violin, two Mbiras and tape, 1995
No Man's Land for voice, drum and two electronic keyboards, 1995
No, you are not alone (with Ben Rubin and Mary Rodríguez ) for voices, keyboards, guitar, bass, drums and electronics, 1994
typOpera (with Arthur Jarvinen and Jim Rohrig ) for voices and electronics, 1994
The Marriage of Heaven & Hell for voice, flute, saxophone, oboe, bassoon, viola, harpsichord, piano and percussion, 1994
Enough for soprano, piano and bass, 1993
Disappearance Act for Percussion and Electronics (Choreography: Hilary Easton ), 1993
Machaut in the Machine Age II for bass and percussion, 1993
Lupie Montana's Shooting Script , radio film (with Denise Lanctot ), 1993
Dive marker for percussion and electronics, 1992
Under My Skin for percussion and sounds, 1992
Preciosilla for flute and tape, 1992
Eloise Extensions for electronic cello and cello sounds, 1991
Machaut a Go Go for voice, alto saxophone, horn, trombone, electric guitar, cello, electric bass, harp and drum, 1991
Overstepping for voices and electronics (choreography: Monica Lévy ), 1991
Eloise for electronic cello and cello sounds, 1990
Machaut in the Machine Age I for flute, clarinet, violin, cello, piano and percussion, 1990
Gizmo for voice and electronics (for Cadney Wilkes ), 1989
Born Dancin ' for electric cello, drum machine and actor, 1989
Miranda's Kiss for piano, 1989
Your Face Here for alto saxophone, piano, voices and tape, 1988
Making Sense of it for flute, clarinet, violin, cello, piano, percussion and tape, 1987
Maiden Songs: Sappho & Alkman for voices, barbitos and clarinet, 1987
The Garden of Cyros , electronic music, 1984-86T
Escape to the Stars , electronic music,
Machaut in the Machine Age I for piano and percussion, 1986
Getting to Know the Weather for baritone saxophone, 1986
Medea , seven choral odes, 1985
Spherical Music for twelve marimbas, 1985
A big enough Umbrella for viola and tape, 1984
Michael's Spoon for two horns and tape, 1984
Fresh Air for saxophone quartet and tape, 1983
Clarinet Quartet , 1983
Psalm 133 for mixed choir, 1983
Five for Clarinet , 1982
Music for Orchestra , 1981-82
Three Love Songs for mezzo-soprano, clarinet, viola and piano, 1981-82
Quartet movement for string quartet, 1981
Making Hay for two pianos, 1980
Uncle Wiggly for viola and tape, 1980

Web link

Homepage of Eve Beglarian

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personal data
SURNAME	Beglarian, Eve
BRIEF DESCRIPTION	American composer, performance artist, and audio producer
DATE OF BIRTH	July 22, 1958
PLACE OF BIRTH	Ann Arbor