Félix Marten

from Wikipedia, the free encyclopedia

Félix Paul Gabriel Marten (born October 29, 1919 in Remagen , Germany , † November 20, 1992 in La Celle-Saint-Cloud , France ) was a German-born, French actor and singer .

Live and act

Marten, who came from the Rhineland , left Germany with his parents at the time of National Socialism because he was considered a half-Jew according to the Nazi ideology and from then on lived in Cachan near Paris . In order to support the family financially, he started working at the age of 15 and became a seller. Later Marten also worked as a dock worker and carpet dealer. Eventually he enrolled in an acting class from Charles Dullin .

In World War II Félix Marten began his artistic career as a singer in the Cabaret. In 1944 he was arrested by the Gestapo and had to work as a slave laborer in his old homeland, Germany . In February 1945 he was the only one of a group of French men to survive the air raids on Dresden . Marten tried to leave for France, but was intercepted shortly before the Swiss border and again interrogated by the Gestapo.

“The subsequent interrogation took a surprising turn - Marten remembered the following wording: Gestapo:“ Profession? ”, Marten:“ Artist ”, Gestapo:“ Prove it! ”. Thereupon the singer gave a taste of his singing skills and improvised with the following lines of text, "Ça descend, puis ça remonte, c'est comme un mouvement incessant ..." that describe his unsteady, dramatic and dangerous life. Impressed by that, the local Gestapo chief finally let him go. "

- Quoted from Kay Less 2008

In liberated Paris, Marten, advised and supported by Édith Piaf , continued his singing. His interpretations of songs such as La mer and La vie en rose made him known and popular . A series of film offers were added a little later. Marten played alongside 50s stars like Martine Carol , Viviane Romance , Michèle Morgan and Jean Gabin in virtually all of the popular film genres of the time, but without making too much of an impression. His main field of activity remained the chanson until the end; Tours have taken him all over the world, u. a. to Bombay and New York City . At the age of 70 Marten withdrew into private life, Marten gave his farewell performance in 1989 in the famous Casino de Paris.

Filmography

  • 1946: Dreams of Love (Rêves d'amour)
  • 1950: Hôtel des Artistes (short film)
  • 1953: L'œil en coulisses
  • 1953: Versailles - Kings and Women (Si Versailles m'était conté)
  • 1955: love under hot skies (Goubbiah)
  • 1956: Women who will never be forgotten (Pitié pour les vamps)
  • 1957: Escaping the Swamp (Escapade)
  • 1957: Elevator to the scaffold (L'ascenseur pour l'échafaud)
  • 1958: The affairs of Madame M (Maxime)
  • 1958: Trapped (Délit de fuite)
  • 1959: Nathalie plays a secret agent (Nathalie agent secret)
  • 1959: Le huitième jour
  • 1959: Le Saint mène la danse
  • 1960: Dans la gueule du loup
  • 1961: Inspector Kent hits the drum (En plein cirage)
  • 1962: The Gypsy Baron
  • 1963: The easy money of love (La bonne soupe)
  • 1963: Voleur de femmes
  • 1963: Fredo the Bluffer (Le bluffeur)
  • 1964: La vedovella
  • 1965: La corde au cou
  • 1965: is Paris on fire? (Paris brûle-t-il?)
  • 1967: The Bull (Le pacha)
  • 1967: Ray Master, l'inafferabile
  • 1969: Shots from the coat pocket (Le temps des loups)
  • 1970: The Merciless (La horse)
  • 1970: Count Yoster gives himself the honor (an episode of the German television series)
  • 1970: The Marquise von B. (German multi-part TV series)
  • 1971: Bastos, ma sœur préfère le colt 45
  • 1971: The Killer and the Commissioner (Le tueur)
  • 1972: Alexander Zwo (multi-part German television production)
  • 1974: Mort au Jury (TV movie)
  • 1977: Torture mill of the captured women (Les raisins de la mort)
  • 1978: Coco la fleur, candidat
  • 1980: Vivre libre ou mourir
  • 1983: Adieu foulards
  • 1983: Baby Cat (Baby Cat)
  • 1986: La rumba
  • 1989: So are the days and the moon (Il ya des jours ... et des lunes)
  • 1992: The Seznec Affair (L'affaire Seznec) (TV movie)

annotation

  1. Kay Less : Between the stage and the barracks. Lexicon of persecuted theater, film and music artists from 1933 to 1945 . With a foreword by Paul Spiegel . Metropol, Berlin 2008, ISBN 978-3-938690-10-9 , p. 238.

literature

  • Kay Less : Between the stage and the barracks. Lexicon of persecuted theater, film and music artists from 1933 to 1945 . With a foreword by Paul Spiegel . Metropol, Berlin 2008, ISBN 978-3-938690-10-9 , p. 238.

Web links