Helge Bathelt

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Helge Joachim Bathelt (* 27. May 1948 in Sindelfingen ) is a German art historian , humanities and social scientists , former head of the Adult Education Center Herrenberg and urban gallery Herrenberg, and Chairman of the European Cultural Community Association

Career

Bathelt was born the son of the lawyer Ernst Bathelt and the natural scientist Lydia Bathelt (née Grimm). From 1958 to 1966, Bathelt attended the Zeppelin-Gymnasium Stuttgart. After graduating from high school and completing his military service, he studied political science, history and German at the University of Tübingen and art history in Vienna from 1967 to 1975 . At the same time he worked as a tutor at the Institute for Political Science from 1972 to 1975 and as a freelancer at the Franco-German Institute in Ludwigsburg. Bathelt wrote his master's thesis in 1973 in Tübingen. The theme of the work was the Vormärz , an epoch that describes the period before the March Revolution of 1848/49. Bathelt examined the pre-March period taking into account art and culture. At the same time, Bathelt married the neurologist and medical director Monika Roth.

Early years

In 1975 he received his doctorate on the subject of scientific methodology, application of social science methods to historical research . At the same time, Bathelt directed the Herrenberg Adult Education Center.

From 1978 to 1985 Bathelt was chairman of the adult education center in the Middle Neckar West region. As a member of the jury for the first Jerg Ratgeb Prize , Bathelt accepted HAP Grieshaber's invitation. The Jerg-Ratgeb-Prize "for freedom of art and for non-violence in the struggle for more humanity" was founded by HAP Grieshaber and Rolf Szymanski and was the first to be awarded in 1977 to the sculptor Rudolf Hoflehner .

In 1978 Bathelt began to teach at the University of Tübingen and at the University of Social Sciences in Esslingen.

From 1987 to 1993 he was chairman of the Association of the Free Academy for Art and Design Baden-Württemberg. In 1988 Bathelt began working with MBArt Stuttgart and their owner Marlis Breitling. In 1993/94 he was chairman of the Association of Freelance Sculptors Württemberg. In 1994 he was awarded the title of professor by Science Minister Klaus von Trotha.

From 1994 to 2000 Bathelt was the curator of the national and international art exhibition at Volksbank Herrenberg. 1997 to 1999 he held the chairmanship of the Free Art School Stuttgart (FKS) eV, the Academy for Art and Design and organized a. a. the 50th anniversary of the FKS in the Kunstverein building in Stuttgart in the department for art, science and economy (keynote speaker Ernst Fuchs / Vienna). In 2000 Bathelt started working with the ALGalerie Stuttgart / Budapest. Subsequently, from 2001 to 2003 he was curator of the EigenArt sculpture show in the district of Böblingen and accompanied exhibition projects at the same time. In 2003 Bathelt was curator of the sculpture symposium in Ehningen.

Late years

In 2007 Bathelt founded the Europäische Kulturgemeinschaft e. V., which he is chairman to this day. In 2011 he was chairman of the Kunsthöfle gallery in Bad Cannstatt. In 2014 Bathelt founded the Institute for Communal Cultural Management and began working with the Cornelia Walter Gallery in Munich. In 2015, the inauguration of the Jerg-Ratgeb Sculpture Trail in Herrenberg followed.

Bathelt is still active as a tour guide with a focus on Tuscany, Umbria, Piedmont, Andalusia, Budapest, Prague and gives laudations all over Germany. His wife Monika Bathelt-Roth died in 2015 after a twenty-three year illness. The couple has two grown children.

Publications (selection)

1972 to 1980

  • Aspects of the Interpretation of the Vienna October Revolution of 1848 , Historical Seminar of the Univ. Tübingen, Department of Modern History, Master's thesis, WS 1972/73
  • Considerations and materials on the question of tutors and the design of the introductory events , Inst. F. Political Science from Univ. Tübingen, WS 1973/74, 145 pages
  • Historicism, Future History and “Sociohistory”. Dimensions of a discussion and the system of "situational multidimensionalism" to clarify causally defined processes in the historical area of ​​the socio-political system using the approach of "political culture" , dissertation in the department of social and behavioral sciences, pedagogy of the Eberhard - Karls - University zu Tübingen, 1975, 436 pages
  • Basic problems of political adult education: on the situation at the adult education centers in Baden-Württemberg , Frankfurt am Main, 1979, 103 pages

1980 to 1990

  • Andras Markos. Design for a new Herrenberger Altar , in: Heilige Kunst. Membership gift of the Art Association of the Diocese of Rottenburg - Stuttgart 1982 - 83, 21st year, Ed. Josef Anselm Adelmann von Adelmannsfelden, pp. 90–92
  • Introduction, in: VHS Herrenberg (Hrsg.), HJ Kaeppeler / HJ Bathelt. Photography in adult education, Herrenberger Schriften zur Adultbildung, Vol. 1, Herrenberg, 1984, 90 pages, pp. 7-13
  • From commerce to content. The artists' association “Die Gruppe” and their understanding of the present. in: Stiftung Ostdeutscher Kulturrat (Ed.), Kulturpolitische Korrespondenzen. Reports - Opinions - Documents, No. 615, Bonn, April 25, 1986, pp. 19ff
  • Dialogical picture thinking , sponsorship award for the Lovis Corinth Prize 1987 from the artist guild to Andreas Makros, catalog for the exhibition of the award winners in the Museum Ostdeutsche Galerie December 5, 1987 to January 31, 1988, sponsored by the Ostdeutscher Kulturrat Bonn, Regensburg 1987, o. P .
  • Ferruccio Marchetti , in: Galleria delle Ore (ed.), Ferruccio Marchetti, Mio / Tuo, opere recenti (in Italian), Milano, 1988, o. P.
  • The artists' association "The Group" , in: Buba, Bunsen, Fabritius, Markos, Mendler, Leonberg 1989, o. P.

1991 to 2000

  • “ Young man walking”. Notes on the work and reception of the work by Professor Emil Brüllmann , in: Eds. Lotte Schütz, Emil Brüllmann, Sculptures - Drawings - Painting, Concept Helge Bathelt, Stuttgart 1991, pp. 11-25
  • Pilot project “Aesthetic Early Education” , in the city of Herrenberg (ed.), Helge Bathelt / Nadja Christo, “Aesthetic Early Education. The Herrenberger Modell “, supported by the LG Foundation, Herrenberg 1992, p. 2 f
  • Pictures of Germany 1976 - 1992, in: Gallery Schönewald and Beuse, Bernd Schwarzer, Pictures of Germany 1976 - 1992. Krefeld 1993, oS
  • From drawing. Notes on the work of Michael Hoffmann and outlook . in: Michael Hoffmann (ed.), drawings from 1986 to 1993, Neustädten 1993, oS
  • Bernd Schwarzer, German - European pictures, blue - gold - red - black, in: AL Galerie Gerlinde Walz (ed.), Bernd Schwarzer. German - European images. Blue - Gold - Red - Black, 1976 - 1994 (German and English), Stuttgart 1993, oS
  • Biographical notes - New working techniques - Hagohian painting - Repro painting - Painting hammered glass tempera - The development ., In: Stadt Rennwagen (Hrsg.), Exhibition Karl Wilhelm Hagenlocher. Retrospective, Renningen and Tübingen, 1994, pp. 5-45
  • Alice Herold, dance and pictures , with the support of the Ministry for Families, Women, Further Education and Art of the State of Baden-Württemberg, Stuttgart 1995, 157 pages
  • Werner Schriefers or the ability to differentiate. Essay about a piece of art history of this republic , in: Al Galerie Gerlinde Walz (Ed.), On the 70th birthday. Werner Schriefers, Stuttgart 1996, pp. 15-18
  • "Snow is white". A consideration of the art of Egbert Patzig , in: Egbert Patzig (1909 - 1988): painter of expressive realism, ed. Elga Patzig, conception Prof. Dr. Helge Bathelt, Reutlingen and Tübingen, 1997, pp. 12-16
  • Free Art School Stuttgart, Academy for Art and Design. Performance - commitment - perspective . in: Freie Kunstschule Stuttgart (Ed.), 1948 - 1998. Documentation - work results. Festschrift. Stuttgart 1998, pp. 2-7
  • Preliminary remarks, in: SDR. Süddeutscher Rundfunk (Ed.), Karl Wägele. Contributions to world and stage design, 1946 - 1998, Stuttgart, oS
  • Bernd Schwarzer. Observe - label - preserve. People, nature, technology in the work of Bernd Schwarzer (German and English), in: Edition Gallas (Ed.), Bernd Schwarzer. Pictures, graphics, installations, objects, photographs, sculptures and drawings, Expo 2000 Hannover, oS

2001 to 2010

  • Walking is life, standing is knowing. , in: Galerie Hell (ed.), Franz Meckl - moved into the picture - painting, Munich 2001, oS 867 Z
  • The silence of color - marginalia on the work of Frederick Bunsen, in: Frederick Bunsen (Ed.), The silence of color. On the rhythm of a dialogue, Winnenden 2002, pp. 16-17
  • The specific and the attainable , in: Landkreis Böblingen (Hrsg.), Eigenart,. Art and nature on Venusberg, funded by the Boeblingen district, 50 years of Baden-Württemberg, Foundation Art, Culture and Education of KSK Boeblingen (organization and editing Prof. Dr. Helge Bathelt, MA and Silvia Walz), Boeblingen 2002/03, p. 6 f
  • Barbara Hunter. Painter, in: Barbara Jäger (Ed.), Barbara Jäger, Karlsruhe 2004
  • Simplicity, intention and communication. Comments on the work of Franziska Status , in: Franziska Statkus, pictures 1985 - 2003, funded by the ZF Friedrichshafen AG Cultural Foundation, 2003, oS
  • Gerhard Messner - color change - not only. (German and English), in: Gerard Messner (Hrsg.): Gerhard Messner - color change. Trossingen 2005, p. 72 -
  • The will to form, in: Carmen Stallbaumer. Rhythm - between shadow and light. Paintings, drawings, objects . Supported by the Galerie der Stadt Herrenberg, Druckhaus Waiblingen, Galerie Blaues Haus. Aidlingen 2006, pp. 6-10
  • Gernot Kissel. He himself. Notes on an important artist , in: artwork medienagentur (ed.): Gernot Kissel. Women - Landscapes - Still Life, (German and English), Speyer 2007, pp. 4–11
  • Bathelt, Helge (Ed.), Emotionen, Ingrid Ritterbusch, Herrenberg 2007, 80 pages
  • Another material justice. On the sculptural work of Dieter Kränzlein . in: edition beck (ed.), sculptures & wall works. Dieter Kränzlein. funded by Flex-Elektrowerkzeuge, LBBW Foundation, Sleska master bookbinder, reprotechnik herzog, Schildbach Druck, oO, 2007, p. 2 f
  • Guido Messer - razor sharp. A tour along reality , in: Stadt Herrenberg (Ed.), Guido Messer - Sculptures from 40 Years, Herrenberg, 2008, pp. 6–11
  • On the way to us and to oneself. Notes on the work of Dominika Block , in: Dominika Block (Ed.), Exhaustor. Dominika Block 2007/2008. Öhringen - Cappel, 2008, oS
  • A clever dog. Notes on the art of Joachim Lehrers , in: Ed .: VBKW, Joachim Lehrer. Pictures - 2000 to today, Stuttgart and Tübingen, 2009, p. 42.
  • About the purity of form. Notes on the work of Bernd Zimmer , in: Bernd Zimmer, sculptures, ed. VBKW, Stuttgart 2009, p. 3 f
  • Barbara Schroeder von Buttlar, Danielle Zimmermann, Sigrid Vogt - Ladner , in: Vernissage. Stuttgart. 12/09 174, pp. 50-53
  • Michael Krähmer - Could be and then it is. Notes on the intention and effect of his art . in: Michael Krähmer. Magical landscapes. Oil paintings. Edited by VBKW, Tübingen and Stuttgart, 2010, p. 3

2011 to 2016

  • Annerose Lechner - sought and found. Images from your own forensics. in: Annerose Lechner (ed.), Annerose Lechner. Detection of evidence, Ludwigsburg 2011, p. 2 f
  • Unobjective introduction and thus the really important part. Everything has to go in, Roland Bentz and his material pressure. A descriptive arsenal. in: Roland Bentz (ed.), From stylus to laser. My way of printing. Etchings -
  • Unsplendid isolation. Hans Peter Dolecki observed, in: Galerie Kunsthöfle Bad Cannstatt (ed.), Hans - Peter Dolecki, Grenzpunkte. foto - Grafik - digital art., funded by the City of Stuttgart, Bad Cannstatt, 2014, p. 5 f
  • Gudrun Sämann, elements. Approaches , published by Galerie Kunsthöfle Bad Cannstatt, funded by the City of Stuttgart, 2015, 82 pages
  • Joachim teacher. Art in dissonant perception , in: Bernhard C. Wintzek (Ed.), MUT. Forum for Culture, Politics and History, N. 579, vol. 51, June 2016, pp. 84–92

Web links

Individual evidence

  1. ↑ Helge Bathelt: Aspects for the interpretation of the Vienna October Revolution of 1848 . Ed .: Historical seminar of the Univ. Tübingen, Dept. of Modern History. Master thesis. Tübingen, S. 145 .
  2. ↑ Who's Who in Visual Art .: Helge Joachim Bathelt . Ed .: Art Domain Whois Verlag. Art Domain Whois Verlag, Hamburg 2006.
  3. ↑ Günter Scheinpflug: The collector and hunter resigns. Stuttgarter Zeitung, December 8, 2013, accessed on August 22, 2016 .
  4. ^ Gerhard Habarta: Lexicon of the fantastic artists. Retrieved November 30, 2016 .
personal data
SURNAME Bathelt, Helge
ALTERNATIVE NAMES Bathelt, Helge Joachim
BRIEF DESCRIPTION German art historian
DATE OF BIRTH May 27, 1948
PLACE OF BIRTH Sindelfingen