Herbert Biehle

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Herbert Johannes Richard Biehle (born February 16, 1901 in Dresden , † 1968 ) was a German musicologist .

Life

Biehle came from a middle-class Bautzen family. He was the son of the Bautzen church music director Johannes Biehle (1870–1941) and was born in 1901 in the Saxon residence city of Dresden, where his father worked for six years at the Physics Institute of the Technical University and later began his academic career.

Herbert Biehle attended grammar school in Bautzen and then the university and the master class for composition at the Academy of Arts in Berlin , where he studied piano and composition. He received his doctorate in 1924 in Berlin as Dr. phil. The subject of his dissertation was the history of music from Bautzen to the beginning of the 19th century . He then worked as a musicologist in Berlin. After the Second World War he worked as a lecturer in voice training and rhetoric.

Herbert Biele became known as the author of writings on the music history of the city of Bautzen and on Georg Schumann as well as through several works on voice studies.

Herbert Biehle lived in Berlin NW 87, Franklinstrasse 29. After the division of Berlin by the occupying powers in 1945, he lived in West Berlin .

Fonts (selection)

  • Outline of the musical history of Bautzen up to 1800, dedicated to the Bautzener Geschichtsverein (Society for Anthropology, Prehistory and History) . In: Bautzener Nachrichten of December 30, 1922
  • Music history from Bautzen to the beginning of the 19th century (= publications by the Princely Institute for Musicological Research in Bückeburg: Series 4. Source studies on the music history of German landscapes and cities, Vol. 3). Ms. Kistner & CFW Siegel, Leipzig 1924.
  • The development of musical life in Bautzen up to the beginning of the 19th century. Buchdr. Gebr. Müller, Bautzen undated [1924].
  • Georg Schumann. A biography . E. Bisping, Munster i. W. 1925.
  • Heads in profile. Ludwig Wüllner . In: The music. Organ of the Music Office with the Führer’s commissioner for the supervision of the entire spiritual and ideological training and education of the NSDAP. Berlin, Vol. 19 (1926), H. 5, pp. 337-340.
  • Schubert's songs in criticism and literature . Wölbing-Verlag, Berlin 1928.
  • Back up healthy! Voice healing through voice crisis . Carl Merseburger, Leipzig 1929.
  • Schubert's songs as a singing problem (= Musikalisches Magazin , H. 74). H. Beyer & Sons, Langensalza 1929.
  • Berlin in the life of famous composers. Compiled from biographical documents . In: Mitteilungen des Verein für die Geschichte Berlins, 1929, no. 1, pp. 1–12. Digitized by the Central and State Library Berlin, 2006. https://digital.zlb.de/viewer/image/14688141_1929/5/
  • Introduction to Richard Wetz : Requiem in B minor. For soprano u. Baritone solo, mixed choir a. Orchestra. Latin and German text . Ms. Kistner & CFW Siegel, Leipzig undated [1930].
  • Johannes Biehle. A picture of my father's life and work. In: Erich Hermann Müller (Ed.): Festschrift presented to Johannes Biehle for his 60th birthday. Leipzig 1930, pp. 82-100.
  • Les éléments estétiques de l'art vocal de l'antique . In: Revue de musicologie, Paris, Vol. 11 (1930), H. 33/36, pp. 22-35.
  • The art of voice. Vol. 1 Historical Basics . Kistner & Siegel, Leipzig 1931.
  • The art of voice. Vol. 2 Aesthetic Basics . Kistner & Siegel, Leipzig 1931.
  • Goethe and the art of voice . Goethe Society in Weimar. Yearbook of the Goethe Society. Goethe-Gesellschaft, Weimar, 17 [51] (1931), pp. 201-208.
  • Liturgical chanting as a voice problem. From the institute for church music, organ building, bells and church building at the University of Berlin (= supplements to the monthly for worship and church art, 15). Vandenhoeck & Ruprecht, Göttingen 1935.
  • Johannes Biehle: Practitioner and Researcher. In: Neue Zeitschrift für Musik 112 (1951), p. 27.
  • George Armin, the controversial one. In: Neue Zeitschrift für Musik 121 (1951), p. 529.
  • Speech technique. Introduction to rhetoric (= Göschen Collection , Vol. 61). Walter de Gruyter & Co., Berlin 1954.
  • Voice studies for work, art and healing purposes (= Göschen Collection , Vol. 60). Verlag Walter de Gruyter & Co., Berlin 1955.
  • Promotional rhetoric. Voice and speech in business life . Girardet, Essen 1957.
  • The speaking voice in singing literature. In: Neue Zeitschrift für Musik 121 (1960), p. 337.
  • Speech technique. Introduction to rhetoric . 2., ext. Ed., De Gruyter, Berlin 1961.
  • Georg Schumann - On the 100th birthday of the conductor and composer . In: Neue Zeitschrift für Musik 127 (1966), pp. 395–396.
  • Speech technique. Introduction to rhetoric . 3., rework. Ed., Verlag Walter de Gruyter & Co., Berlin 1968.
  • Voice studies for speakers, actors, singers and those with a voice disorder . 2., rework. Ed., Verlag Walter de Gruyter & Co., Berlin 1970.
  • Speech technique. Introduction to rhetoric . 4th, extended edition, Verlag Walter de Gruyter & Co., Berlin, New York 1974.

literature

Individual proof

  1. ↑ Alfongs Perlick: Richard Wetz (1875-1935) as a person and artist in his time. A documentation with contemporary representations and personal testimonies to the 100th birthday of the master . Extradition, Research Center East Central Europe, 1975, p. 16.
personal data
SURNAME Biehle, Herbert
ALTERNATIVE NAMES Biehle, Herbert Johannes Richard (full name)
BRIEF DESCRIPTION German musicologist
DATE OF BIRTH February 16, 1901
PLACE OF BIRTH Dresden
DATE OF DEATH 1968