Jean-Joseph Merlin

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Jean-Joseph Merlin in a painting by Thomas Gainsborough

Jean-Joseph Merlin (born September 17, 1735 in Huy , † May 4, 1803 in London ), also called John Joseph Merlin in the English-speaking world , was a Belgian designer . He is generally considered to be the inventor of the first historically documented roller skate , although reports of attaching wheels or rollers to shoes are known from before its development. It is said that he was seriously injured while demonstrating his invention during a ball of the English royal family in 1760 , because he drove into a large mirror due to a lack of suitable braking devices .

Apart from the development of the roller-skate, he mainly occupied himself with the design and construction of mechanical musical instruments , clocks and other fine mechanical devices , while he was also living in Paris at a young age . In 1760 he settled in London. His most important development in the field of musical was from him in 1774 patented mechanism by which the harpsichord , a keyboard instrument with tone by plucking of strings , could be extended to the in pianofortes used string striking. With this invention it was possible to use both techniques in the same instrument.

In the area of ​​watchmaking, he was involved in the development of the first atmospheric watch , known as the Cox watch , together with the English watchmaker James Cox . He also developed the mechanics for the Silver Swan made by James Cox , an automaton that is now in the English Bowes Museum . His other inventions included a tea table in which the tea was automatically rotated from a samovar in the middle of the table into twelve cups in a circle , a scale for checking the gold content of coins and a steerable wheelchair .

He exhibited some of his developments in London in Merlin's Mechanical Museum , which existed from around 1783 to 1808.

literature

  • Merlin, John Joseph. In: Robert Palmieri, Margaret W. Palmieri: Piano: An Encyclopedia. Routledge, New York 2003, ISBN 0-415-93796-5 , pp. 236/237
  • Merlin the very ingenious Mechanic. In: Edward L. Kottick: A History of the Harpsichord. Indiana University Press, Bloomington 2003, ISBN 0-253-34166-3 , p. 379
  • Rebecca Wolf: Notation Transfer. Translation options for a Merlin grand piano . In: Kyung-Ho Cha, Markus Rautzenberg (Hrsg.): The distorted view. Anamorphoses in art, literature and philosophy. Fink, Munich 2008, ISBN 978-3-7705-4611-4 , pp. 140-156