Johann Carl Friedrich Trieste

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Johann Carl Friedrich Triest (born June 16, 1764 in Stettin ; † August 11, 1810 there ) was a German Evangelical Lutheran clergyman and music writer.

Life

Johann Carl Friedrich Triest was a son of the royal Prussian inspector at the Obersteuerkasse and later royal salt rent master Johann Heinrich Triest and his wife Ehregott Hanna, geb. Clericus. The Prussian building officer August Ludwig Ferdinand Triest (1768–1831) was his younger brother. From 1782 to 1785 he studied Protestant theology at the University of Halle .

On May 11, 1787 he was appointed pastor to St. Gertrud in Stettin-Lastadie. In 1810 he came to the Jakobikirche as archdeacon (2nd pastor) in exchange with the preacher Schorfe , but died in the summer of the same year.

Trieste participated as a singer and instrumentalist in the chamber concerts organized by the music director Friedrich Wilhelm Haack (1760-1827) in the musical life of Szczecin and was the most notable personality in the musical life of Szczecin before Loewe .

He was married to Friederike Dorothea, b. Ludendorff, a daughter of the Szczecin silk merchant Karl Otto Ludendorff. Of the couple's sons, Carl Ferdinand became senior councilor; Heinrich (1811–1885) became music director in Stettin.

plant

Triests aftermath is not based on his theological works, but on an eleven-part series of articles written by the music lover in 1801 in the third year of the Leipziger Allgemeine Musical Zeitung from January 1st to March 25th under the heading ` ` Remarks on the Training of Music in Germany in the Eighteenth '' Published in the 19th century . His assessments have been quoted again and again and were groundbreaking for the emergence of the romantic Bach interpretation in the 19th century.

Fonts

  • Remarks on the Formation of Music in Germany in the Eighteenth Century. In: Allgemeine Musikische Zeitung 3 (1801), pp. 225-235, 241-249, 257-264, 273-286, 297-308, 321-331, 369-379, 389-401, 405-410, 421– 432, 437–445 (newly published by Robert Schmitt Scheubel under the title Abhandlungen zur Musik des 18. Jahrhundert . Consassis.de, Berlin 2005, ISBN 3-937416-00-5 ).
  • Citizenship represented in a sermon given at the instigation of the Szczecin citizens' elections. 1809.

literature

  • Hans Moderow : The evangelical clergy of Pomerania from the Reformation to the present. Volume 1, Stettin: Paul Rietkammer 1903, p. 471 ( digitized version )

Individual evidence

  1. Werner Schwarz: Pomeranian Music History. Volume 1: Historical overview (Publications of the Historical Commission for Pomerania 5: Research on Pomeranian History 21) Cologne: Böhlau 1988 ISBN 3-412-04382-6 , p. 111
  2. Hans Rothe: East German historical and cultural landscapes 3: Pomerania. () Cologne: Böhlau 1988 ISBN 3-412-00988-1 , p. 111
  3. See for example Bernd Sponheuer : Reconstructing Ideal Types of the "German" in Music. In: Celia Applegate and Pamela Potter (eds.): Music and German National Identity. Chicago and London: University of Chicago Press 2002 ISBN 9780226021317 , pp. 36-58, especially pp. 52f
  4. ^ Carl Dahlhaus : On the origin of the romantic interpretation of Bach. In: Bach-Jahrbuch 64 (1978), pp. 192–210