Joseph Imorde

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Joseph Imorde (born September 14, 1963 in Emsdetten ) is a German art historian , university professor and publisher .

Imorde studied art history , musicology and philosophy at the Ruhr University Bochum and the Free University of Berlin , where he received his doctorate in 1997 with a study on ephemeral festival architecture of the Roman Baroque . From 1997 to 2001 he was first assistant, then senior assistant at the Institute for the History and Theory of Architecture at ETH Zurich . After teaching at the Universities of Aachen, Berlin and Zurich, he has been Professor of Modern and Modern Art History at the University of Siegen since 2008 . In the same year he received the venia legendi at the Technical University of Dresden for his habilitation thesis Michelangelo Deutsch! . Imorde has received numerous academic awards and research grants at home and abroad, including a 2005–2006 research grant at the Max Planck Institute for Art History Bibliotheca Hertziana , Rome; 2008–2011 Feodor Lynen Fellow of the Alexander von Humboldt Foundation at the University of Michigan , Ann Arbor; 2011 Research Fellow at the Art History Institute in Florence - Max Planck Institute , Florence, and 2012 Scholar at the Getty Research Institute , Los Angeles.

In 1996 he founded the art book publisher  " Edition Imorde ".

Publications

  • Presence and representation. Or: the art of exhibiting the body of Christ. The forty-hour prayer from its beginnings to the pontificate of Innocenz X. , Edition Imorde, Emsdetten / Berlin 1997.
  • (Ed.) Baroque Staging , Edition Imorde, Emsdetten / Zurich 1999.
  • Affect transmission , Gebr. Mann Verlag, Berlin 2004.
  • (Ed.) The Grand Tour in Modernism and Postmodernism , Max Niemeyer Verlag, Tübingen 2008 (files from Villa Vigoni 20).
  • Michelangelo German! , Deutscher Kunstverlag, Berlin / Munich 2009.
  • (Ed. With Jörg Scheller ) Superheroes. On the aestheticization and politicization of human extraordinaryness , critical reports 1/2011.
  • (Ed. With Jens Eder and Maike Reinerth) Mediality and the image of man , de Gruyter, Berlin 2012.
  • (Ed. With Jens Eder and Stefan Zahlmann) Images of people in popular culture. Art, image, media studies , critical reports 1/2013.
  • (Ed. With Andreas Zeising) Participation in beauty. Art history and popular education between the empire and dictatorship , publishing house and database for the humanities, Weimar 2013.
  • (Ed. With Andreas Zeising) Madness and effect. Perspectives on Richard Wagner , Universi Verlag, Siegen 2014.

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