Katja Czellnik

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Katja Czellnik (born August 6, 1966 in Hamburg ) is a German music theater director and lecturer at the Berlin University of the Arts .

Life

Czellnik studied music theater directing at the Hamburg State University for Music and Performing Arts under Götz Friedrich from 1986 to 1990 . She completed her studies with Wolfgang Rihms Jakob Lenz in the Opera Stabile of the Hamburg State Opera . In addition to studying directing, she also studied acting.

In 1990 Katja Czellnik became an assistant director and evening director for the music theater at the Braunschweig State Theater . Braunschweig State Theater: one could at the following stores previously staged see her Oldenburgisches State Theater , Theater Bielefeld , Dortmund Theater , Opera House Hannover , Municipal Theater Nuremberg , Theater Basel, Vienna Volksoper and State Theater Darmstadt .

Katja Czellnik was a permanent member of the directors during Kirsten Harms' artistic directorship at the Kiel Opera . With her six works shown here she aroused clear national interest: The Pied Piper ( Wilfried Hiller ), Cristoforo Colombo ( Alberto Franchetti ), Edipo Re and Pagliacci ( Ruggero Leoncavallo ), I capricci di Callot ( Gian Francesco Malipiero ), María de Buenos Aires ( Astor Piazzolla ) and Eduard on the rope (Wilfried Hiller). These productions contributed significantly to the character of the Kiel Opera until 2003.

Czellnik directed Giulietta ( Bohuslav Martinů ) at the Bregenz Festival ; meanwhile she belongs to the directing line of the Komische Oper Berlin , where her interpretations of Peter Grimes , María de Buenos Aires and Paul Dessau's The Condemnation of Lucullus have so far been seen.

Katja Czellnik is a lecturer at the Berlin University of the Arts specializing in the analysis of contemporary drama texts / stage design concepts . She regularly oversees scenic works in alternating collaborations with the Berlin University of the Arts, the Ernst Busch School, the Hans Eissler School and the Hamburg Institute for Directing.

Since 2009 she has also been working in the field of video performance.

Honors

Web links

Individual evidence

  1. Daily mirror
  2. Before the court of the theater. Retrieved July 12, 2014 .
  3. Katja Czellnik's "Condemnation of Lucullus" in Berlin. Retrieved July 12, 2014 .
  4. theaterforschung.de: Otto Kasten Prize. Retrieved July 12, 2014 .