Mabel Mambretti

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Mabel Mambretti (born November 29, 1942 ) is an Argentine composer and musicologist.

Mambretti received her first musical training with Helvecia Braga and Elizabeth Bagnes , attended the Conservatorio Nacional Carlos López Buchardo and studied until 1968 at the Music Faculty of the Universidad Católica Argentina . Her teachers included the composers Alberto Ginastera , Luis Gianneo , Roberto Camaño , Juan Carlos Paz , Gerardo Gandini , Yannis Ioannidis , and Antonio Estévez and the musicologists Carlos Vega , Isabel Arets , Juan Francisco Giacobbe , Carlos Suffern , Mario García Acevedo , Luis Felipe Ramón y Rivera and Lauro Ayestarán . She also attended musicology courses with Robert Stevenson and F. Curt Lange .

From 1969 to 1983 Mambretti lived in Venezuela, where she worked at the Instituto Latinoamericano de Etnomusicología and at the Instituto Nacional de Folklore de Venezuela . She also taught composition at the Conservatorio Nacional de Música Juan José Landaeta and music history and aesthetics at the Escuela de Música Prudencio Esaá . Since 1991 she has been professor of music history at the Conservatorio Nacional de Música Carlos López Buchardo in Buenos Aires.

Mambretti has written essays, music reviews and reports for various magazines in Argentina and Venezuela. She wrote an article for the Swedish Sohlmans Lexicon on music in Venezuela from the beginning of the 19th century to the present day. Between 1975 and 1980 she worked on, produced and directed several music didactic radio series in Venezuela. a. Música del Romanticismo and Compositores venezolanos del siglo XX .

Works

  • for piano solo:
    • suite
    • Sonata Nº 1
    • Sonata cosmogónica
  • for piano and voice:
  • for violin and piano:
    • Cuatro astrofonías
    • Diálogos socegados
    • Erofonía I
  • for cello and piano:
    • Sonatina
    • Espacios euclideos
    • Middlemist
  • for violin, cello and piano:
    • Soledades áureas
    • Cuatro piezas para trio
    • Trio crepuscular
  • for violin, viola, cello and piano:
    • Adventus
    • Erofonla II
  • for string quartet:
    • Cuarteto para cuerdas Nº 1
    • Cuarteto para cuerdas Nº 2
    • Travesía ("Desde la heterogeneidad", "Por la búsqueda", "Hasta la Integración!")
  • for string orchestra
    • Concertino
    • Secuencias libres
    • Secuencias integrales
    • Divertimento
  • for choir:
    • Nocturno
    • Coralium meatin
    • Iqbaliana I
    • Iqbaliana II
    • Invocation final
    • Nocturnal