Marie Goyette

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Marie Goyette (left) with DagmarKrause (1997)

Marie Goyette (* 1959 in Montréal ) is a Canadian musician ( piano , theremin , accordion , voice ) who works both in the field of improvisation music and as an actress / musician and radio play maker. She is considered a specialist in human sampling .

Act

Goyette studied classical piano and singing at McGill University and then in London with Albert Ferber and Radu Lupu . In 1989 she moved to Berlin and shifted her artistic work from the role of classical music interpreter to the areas of performance and radio art . Stays at ST.EIM in Amsterdam and at the Center for Art and Media Berlin led to skills in sampling and personal electronics. She worked with artists such as Joan Jonas , Christian Boltanski and Gerhard Bohner ; she realized radio plays with Laetitia Sonami and Frieder Butzmann ("Manananggal", "Transatlantique", "Sugar Is Not a Vegetable"), which were broadcast by SFB 3 , New American Radio, Radio Canada and the BBC . Chris Cutler brought her to his band P53 in 1995 with Otomo Yoshihide , Lutz Glandien and Zygmunt Krauze , in which she improvised classical music on the piano. With the singer Dagmar Krause Goyette recorded the album A Scientific Dream and a French Kiss in 1998 ; she also worked with Mike Patton . In the field of music theater, she appeared worldwide as a pianist and actress in the productions Die Repetition (1995) and Hashirigaki (2000) by Heiner Goebbels , where, together with Goebbels and the other actresses, she performed one of the most fascinating musical theater works of the 20th century. Century "developed. She can be heard as a vocalist on Antje Vowinckel's CD Call Me Yesterday .

In recent years she has worked repeatedly with the director David Marton in theater productions such as "The Fairy Queen", "The Fiery Angel" or "Don Giovanni. No break". She has also appeared as an actress in the film field.

Web links

Individual evidence

  1. ↑ Brief portrait
  2. C. Brüstle interpreters in contemporary music: body, voices, media , in: A. Ellmeier, D. Ingrisch, C. Walkensteiner-Preschl (eds.) Body / thinking: knowledge and gender in music, theater, film. Vienna: Böhlau 2016, p. 120