Antje Vowinckel

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Antje Vowinckel (born December 14, 1964 in Hagen ) is a radio playmaker , sound artist , director , musician and performer .

Life

Vowinckel grew up in Bielefeld and studied literature and music (flute and piano). She did her doctorate on collages in radio plays. The development of a radiophonic art and completed a traineeship at Südwestrundfunk . She then worked there as a dramaturge for a year. Since 1994 she has been writing and producing her own radio plays, radio features and directing . She also creates sound compositions and installations and gives performances. She works for ARD, ZKM, Sophiensäle, Issue Project Room and others. Occasionally she works as a juror, curator and lecturer.

Vowinckel has won numerous international competitions and grants. In 2020 she was nominated for the German Music Author Award , category sound art .

Antje Vowinckel lives in Berlin.

Works

  • 2020 Displacement for two vibrating loudspeakers and objects, Internationales Künstlerhaus Villa Concordia
  • 2019 newsroom. sound aquarium , Klang-Aquarium, State-Studio Berlin
  • 2018 Goethe to go. A speaking landscape. Sound composition DLF / HR
  • 2018 buttermilk , composition with dialect imitations
  • 2017 How many errors do you see in this picture , performance for film fragments, voice and objects
  • 2017 Galapagos cruciform aperture . Multi-channel installation and radio piece, SWR
  • 2016 Melody minus one. A hunt. WDR
  • 2016 Real is the suspected sound piece in modules for TrucktracksRuhr
  • 2014 Goarse things, A spoken landscape , author's production
  • 2014 Roman in a glass , Turkish sound showcases based on motifs by Orhan Pamuk , Hessischer Rundfunk / Südwestrundfunk ,
  • 2014 The goal , sound composition with international football reports
  • 2014: Sink or Swim , five musical rescue measures with xlr-female, Sophiensäle Berlin
  • 2013 If you want to hear more , air broadcasts for Deutschland Radio together with Chris Heenan
  • 2012: Follow me all the time. A speakview , radio composition with automatic speakers, first broadcast on June 8th on DeutschlandRadio
  • 2011: Terra Prosodia , series of sound compositions with European dialects, first broadcast on November 11th, Westdeutscher Rundfunk Köln
  • 2010: Scenic composition for brass trio, world premiere on December 2nd at the Schauspielhaus Berlin
  • 2009 We say hello , Author Production
  • 2009: Here and there , sound compositions, with Kai Fagaschinski, clarinet, and Michael Thieke, clarinet
  • 2008: the last thing you do , scenic composition for the feature 2% God. Dashing heroes in LA
  • 2007 skate continuously. an automatic hour , Westdeutscher Rundfunk, Cologne
  • 2006: Abbreviations and detours , ten “throwing broadcasts”, Deutschlandradio
  • 2006: 3 times weekend 2006 , sound compositions, Bavarian radio
  • 2006: Steam. New York City Earshots , together with Alessandro Bosetti , Westdeutscher Rundfunk Köln
  • 2005: Call me yesterday , text-sound composition from international language courses, author production,
  • 2004: Die counters , original sound composition, Westdeutscher Rundfunk Köln
  • 2003: Neon 2003 , installation in the UDK Berlin
  • 2002: Primfisch, three parts , SWR, director: Robert Matejka
  • 2000: Message from Bastia (Bastia-Ruckzuck-Kawumm), author's production
  • 2000: Daily Soap , radio play based on an exchange of letters from Health magazine, Südwestrundfunk
  • 1999: Prim and Rund , original sound collage, Südwestrundfunk
  • 1996: Be a frog , director: Thomas Leutzbach, Westdeutscher Rundfunk Köln
  • 1996: This way to the Lizzard-King. Impossible interview with Jim Morrison , directed by Ulrich Lampen SWF
  • 1996: Questions in the mock spring. Impossible interview with John Cage , Südwestfunk
  • 1994: Starry sky, 9:26 a.m. , director: Johannes Hertl, Südwestrundfunk

Awards

  • 2020 nomination for the German Music Author Award , category sound art
  • 2018 Special Mention for "buttermilk" at the Canadian competition 60secondsradio
  • 2014: Prize, category Sound Art at CMMAS-Mexico, for The goal
  • 2012: Honorable Mention at the Prix Ars Electronica for Terra Prosodia
  • 2011: ZKM Prize Ferrari recouté for Ferrari entre
  • 2011: HR2 audio book best list for short interviews with nasty men
  • 2008: Nomination for the Prix ​​Italia , 2% God. Dashing heroes on LA Southwest Broadcasting
  • 2007: Honorable mention at the international competition for radiophonic sound art Phonurgia Nova (Arles / France) for rochenuninterrupt. an automatic hour
  • 2005: Prix ​​Ars Acustica (Sound Art Prize from Radio Nacional des Espana) for Call me yesterday
  • 2005: Karl Sczuka Award for Call me yesterday
  • 2001 Radio Play Prize of the Academy of Arts (ARD Radio Play Prize) together with Falk Richter for Nothing Hurts
  • 2000: Media Prize Plopp-Award for message from Bastia
  • 2000: Prix ​​Europa for Daily Soap

Publications

  • 2016: The O-Turn, in: Language. A reading book from A – Z. ed. from the German Hygiene Museum Dresden, 2016.
  • 2014: Terra Prosodia. In: KUNSTMUSIK # 16, 2014, ed. By Marc Sabat. Cologne, world-edition, 2014
  • 2013: Lecture on Terra Prosodia. Sound art with speech melodies, UDK-Sound studies, 2013
  • 2012: Ars sonora. Una experienca de arte sonoro en radio, colccione exploraciones (with excerpt from Call me yesterday)
  • 2012: real-time music, microton, 2012 (on it: cases and incidents). Real-time throat. A little prehistory of the radio play, in: Realtime Music 2012.
  • 2011: ZKM milestones: Luc Ferrari: now or probably this is my everyday life in the confusion of places and moments (with Antje Vowinckel: "Ferrari entre")
  • 2011: self-determination of a scene. wolke-verlag: Berlin 2011.
  • 2010: Tupper-Mozart. About music in the non-music feature. In: History and Aesthetics of the Radio Feature. Contributions to the first Rendsburg Feature Symposium 2010. ISBN 978-3-8482-0385-7 , pp. 110–128.
  • 2010: SWR: Short interviews with nasty men. Radio play / David Foster Wallace. Radio play, direction and sound composition: Antje Vowinckel. With Milan Peschel, Max Hopp, Wanja Mues u. a., Munich 2010, ISBN 978-3-86717-685-9 .
  • 2009: Call me Yesterday. Text-Sound-Composition From International Language Courses, album, CD, 50 min, released on the Charizma label (charizma 0037)
  • 2008: Max. Box.Vox. About electroacoustic music in live situations, radio essay, HR 2008 and lecture for the festival "on / off" in Limburg
  • 2006: Pressplay, the anthology of the independent radio play scene; Neufeind, 2006 (CD, on it: Message from Bastia ), O-Mix. About radio play material, authenticity on the radio and a piece by Hermann Bohlen, in: Material Re Material. Texts and statements from the symposium on the Sonic Arts Lounge. MaerzMusik 2003.
  • 1998: online-offline. Approaches to an interactive radio play. In: Jörg Helbig (Ed.): Intermedialität. Theory and practice of an interdisciplinary research area. Schmidt: Berlin 1998.
  • 1995: Antje Vowinckel: Collages in radio plays. Würzburg 1995. ISBN 3826010159

Discography

  • Tuning Butterflies (Ars Acustica / Composition), Errant bodies records 2019
  • Cases and Incidents (Ars Acustica / Composition), real-time music 2012
  • Terra Prosodia (Ars Acustica / Composition), Gruenrekorder 2014
  • Message from Bastia ( original audio play), pressplay 2000

Web links

Individual evidence

  1. ^ 1st Radio Feature Symposium on the Eider ( Memento from June 6, 2014 in the Internet Archive ), website of the Nordkolleg Rendsburg. Query date: June 6, 2014.
  2. ↑ https://antjevowinckel.de/en/cv/
  3. ↑ https://antjevowinckel.de/werke/
  4. ↑ https://www.musikautorenpreis.de/presse/mitteilungen/deutscher-musikautorenpreis-das-sind-die-nominierten-2020
  5. ↑ https://antjevowinckel.de/en/projekt/the-goal-2/
  6. ↑ https://antjevowinckel.de/werke/
personal data
SURNAME Vowinckel, Antje
BRIEF DESCRIPTION German feature and radio play author and producer
DATE OF BIRTH December 14, 1964
PLACE OF BIRTH Hagen