Marlis Albrecht

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Marlis Albrecht (born October 23, 1956 in Ludwigsburg , Baden-Württemberg ) is a German painter.

Life

Albrecht was born in Poppenweiler (today a district of Ludwigsburg). She spent the first 6 years of her life with her family in the grandfather's nursery outside the village near the forest. As a child she drew heads. After finishing school, she completed an apprenticeship and worked for a few years. In 1984, after a long trip through Cuba and Mexico, she decided to devote herself entirely to her artistic activity. She began distance learning and in 1987/88 she went on to study at the free art school in Stuttgart. Then she began to autonomously develop her own visual language.

Marlis Albrecht is the mother of two children and lives in Möglingen near Stuttgart .

She is a member of the Association of Visual Artists of Württemberg.

plant

After years of experimentation in which large groups of works, such as B. Concrete mixers or villages, cities, places emerged, she discovered in beeswax the material that determines her current work.

Marlis Albrechts' work is characterized by her special material beeswax, with which she has been working and experimenting since 1994. She colors the wax with pigments and applies it to wooden panels with a brush or spatula . By scraping and scratching as well as by adding cold wax tempera and superimposing different layers, complex sculptures with partly relief-like surfaces are created. This technique enables a special kind of color, the intensity of which is determined by the composition and density of the pigment in the liquid wax. According to Albrecht, the wax lies “as a 'living material' on the picture carrier, without being burned in”, which is why the term encaustic is too short for her. It is "rather a painting out of the wax".

The creative use of the material wax opens up artistic possibilities for her in the interplay with the “inside and outside of the human face, of the surface and the inside, which is at the same time also a game with the ambiguous or the ambivalent. Marlis Albrecht succeeds in this double play of the paradox between the visualization of the thought and the felt behind the facade of the face. "

Until 2011 her only topic was people. Since 2011, Albrecht has been concentrating on a second major theme, the forest, in addition to figurative representations. Her series Walden calls for "contemplative or vitally vibrating landscapes". “Similar to the Romantics and Neo-Romantics, the topography is always overlaid with a soul landscape. [...] The idea of ​​the symbolism of the forest, which has to stand above the atmospheric image, gives the position view of the forest motif the contemporary. "

Her works are in public and private collections.

Public collections

Exhibitions

Solo exhibitions (selection)

  • 1989: House of Representatives in Stuttgart
  • 1995: "From the mouth to the source", Dätzingen Castle , Grafenau
  • 1996: "MALBRECHT - Werkschau 1996", gallery in the Dreigiebelhaus, Besigheim
  • 1997: Customs house in Ludwigshafen
  • 1998: "WACHS AM SEIN", Illertissen Bee Museum
  • 1999: Stuttgart Ministry of Social Affairs
  • 2000: "People", Municipal Gallery, Ostfildern
  • 2002: "Ich Du Er Sie Es", Galerie Hell, Munich
  • 2003: “With wood and hair”, CasArte Gallery, Aschaffenburg
  • 2004: “In the best company”, with Rosa Baum, Stadttheater Fürth
  • 2006: Galerie kunstück, Oldenburg
  • 2007: “Questions of attitude”, Schortgen Gallery, Luxembourg
  • 2007: "Helle depth dark light", Amthof Feldkirchen, Austria
  • 2008: CasArte Gallery, Aschaffenburg
  • 2010: “Wax soft and bone hard”, Gallery at the Cathedral, Wetzlar
  • 2011: Galerie De Cuyper, Brussels, Belgium
  • 2013: "Poetry", Museum of Fine Arts in the Neu-Ulm district
  • 2014: Galerie Christine Colon, Liège
  • 2014: Galerie Schortgen, Luxembourg
  • 2015: Anagama Gallery, Versailles
  • 2015: Gallery Art District in the Gustav Siegle House, Stuttgart
  • 2016: Museum in the Kleihues building , Kornwestheim

Participation in exhibitions (selection)

  • 1991–1996: Annual exhibition of the Kunstverein Ludwigsburg
  • 1996: Women's art fair, Women's Museum (Bonn)
  • 1997: “The little happiness - the great longing”, HEAG-Halle, Darmstadt
  • 1999: Courant d'Art Gallery, Mulhouse
  • 2000: Art Prize of the Kreissparkasse Esslingen-Nürtingen (2nd prize)
  • 2000: "Art Form Human", Alpirsbacher Gallery
  • 2001: "blauäugig", Eva-Maria Hill Gallery, Remseck
  • 2002: "ZÄHNE ZEIGEN", Museum of Fine Arts in the Neu-Ulm district
  • 2002: "Ich Du Er Sie Es", Galerie Hell, Munich
  • 2003: “With wood and hair”, CasArte Gallery, Aschaffenburg
  • 2004: "Start" art fair, Strasbourg
  • 2004: “In the best company”, with Rosa Baum, Stadttheater Fürth
  • 2005: Knobelsdorf Gallery, Hamburg
  • 2006: Galerie kunstück, Oldenburg
  • 2007: “Questions of attitude”, Schortgen Gallery, Luxembourg
  • 2008: Art Association Villa Streccius, Landau
  • 2009: "art bodensee", Dornbirn
  • 2011: Galerie Moeejen Daag, Tegelen, Netherlands with Sjaak Smetsers
  • 2011: Lucas Cranach Prize , Rosenberg Fortress, Kronach
  • 2011: Galerie Frederiek van der Vliest, Leiden, Netherlands, with Sjaak Smetsers
  • 2011: Kunstverein Kirchheim / Teck
  • 2012: Art fair "art Karlsruhe"

literature

  • Atmos, Wasmuth Verlag, Tübingen, 2016, ISBN 978-3-8030-3386-4
  • “People grow”. Hackenberg, Horb am Neckar, 2012, ISBN 978-3-937280-28-8
  • something about us, Luxembourg: Galerie Schortgen 2004
  • Ich Du Er Sie Es, Munich: Galerie Hell 2002
  • Marlis Albrecht, retrospective 2000
  • Marlis Albrecht, retrospective 1996

Web links

Individual evidence

  1. The dream of freedom has come true. Article in the Stuttgarter Zeitung on Marlis Albrecht. Retrieved November 20, 2016.
  2. ^ Marlis Albrecht - Marlis Albrecht in the artist file. Retrieved on November 20, 2016. Entry in the VBKW artist file.
  3. Marlis Albrecht: People grow in wax - De la cire et des gents , Horb am Neckar, 2012
  4. Marlis Albrecht, ed. Irmgard Sedler, text by Hermann Mildenberger: Atmos , Tübingen, 2016, p. 13
  5. Marlis Albrecht, ed. Irmgard Sedler, text by Irmgard Sedler: Atmos , Tübingen, 2016, p. 6
  6. Marlis Albrecht, ed. Irmgard Sedler, text by Irmgard Sedler: Atmos , Tübingen, 2016, p. 7
  7. Marlis Albrecht - Schortgen Gallery. Marlis Albrecht in the artist file of Galerie Schortgen. Retrieved November 20, 2016.
  8. Marlis Albrecht - Anagama Gallery. Marlis Albrecht in the directory of Galerie Anagama with reference to exhibitions. Retrieved November 20, 2016.