Milo Pablo Momm

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Milo Pablo Momm (born August 29, 1977 in Aachen ) is a German opera director , dancer and choreographer .

Life

Momm was born in Aachen as the son of the sculptor, painter and mixed media artist Dietmar Momm and an architect. After graduating from the Einhard-Gymnasium , he studied theater, music and literature at the University of Bayreuth , the Free University of Berlin and the University of Paris VIII . During his studies he worked as a dancer, choreographer, teacher and dance researcher in the field of renaissance and baroque dance. Since 2011 he has been working primarily as an opera director, a. a. at the Ekhof-Theater in Gotha, at the Wilhelma-Theater in Stuttgart, at the State Theater Mainz and at the Theater Lübeck . Momm lives in Berlin.

In 2018 he was runner-up in the directing competition of the Nationaltheater Mannheim .

In June 2020, in the midst of the Corona crisis at Theater Lübeck, the music theater piece Alive.Saisonende-20 , which Momm developed as a collective work together with directors Jochen Biganzoli and Tom Reyser and the American choreographer Lillian Stillwell, will be performed live in the theater for 20 viewers and shown on the Internet as an online version.

In addition to his work as an opera director and choreographer, he is also active as a writer and published in various literary magazines. In 2008 he was a finalist in the Open Mike literary competition .

Productions (selection)

Publications

  • Rothenfels Congress
  • 13 poems, Open Mike
  • master thesis

Web links

Individual evidence

  1. https://www.thueringer-allgemeine.de/leben/vermischtes/barocktanz-und-traversfloete-id223621505.html
  2. https://www.alphabet-oper.de/2017/07/update-regie-wettbewerb/
  3. https://www.theaterluebeck.de/seiten/alivesaisonschluss-20.html
  4. http://geest-verlag.de/news/die-finalisten-im-open-mike
  5. https://books.google.de/books?id=H-xEDwAAQBAJ&pg=PA420&lpg=PA420&dq=Milo+Pablo+Momm+Sardanapalus+Concerto&source=bl&ots=YpspMCDWIZ&sig=ACfU3U2lbDpIRGh00CCl2Ts5RnBP4iyxRQ&hl=de&sa=X&ved=2ahUKEwjVs7f0_cvpAhXBjqQKHXyYDK0Q6AEwAnoECAoQAQ#v=onepage&q=Milo % 20Pablo% 20Momm% 20Sardanapalus% 20Concerto & f = false
  6. https://www.wilhelma-theater.de/de/veranstaltungen/daten/2014-03-01/veranstaltung/christian-ludwig-boxberg-sardanapalus-1/ansicht/details/
  7. https://www.thueringer-allgemeine.de/kultur/buehne/grosser-applaus-fuer-barockoper-sardanapalus-in-gotha-id218772029.html https://www.tlz.de/kultur/buehne/barock- opera-sardanapalus-hat-zum-ekhof-festival-premiere-id218775075.html
  8. https://kaernten.orf.at/v2/tv/stories/2545173/
  9. https://www.tlz.de/kultur/pablo-momm-eroeffnet-gueldenen-herbst-in-weimar-id221220709.html
  10. https://www.tlz.de/kultur/musik/begegnung-zweier-musikstile-id221222677.html
  11. https://klassik-begeistert.de/johann-adolph-hasse-marc-antonio-e-cleopatra-ekhof-theater-schloss-friedenstein-gotha/
  12. FAZ: “There's a catchy tune in the white ermine”, review in FAZ, July 2018
  13. https://www.ndr.de/kultur/musik/Premiere-fuer-Christophe-Colomb-am-Theater-Luebeck,luebeck1662.html
  14. https://www.die-deutsche-buehne.de/kritiken/die-apotheose-des-christoph-kolumbus
  15. https://www.kn-online.de/Nachrichten/Kultur/Christophe-Colomb-Spektakulaere-Opernpremiere-in-Luebeck
  16. FAZ: "How Noah's Taube ended a mutiny", criticism by Jürgen Kesting in FAZ, October 2019
  17. https://www.theaterluebeck.de/seiten/alivesaisonschluss-20.html
  18. "Jaques Dezais' Premier Livre de Contre-Dances (1726) - A new dance collection as a 'missing link' in the 18th century?", In: Uwe Schlottermüller / Howald Weiner and Maria Richter (eds.): "From the shepherd's idyll to the revolution - European dance culture in the 18th century ”(conference proceedings), Freiburg i. B. 2008, pp. 147-173. ISBN 978-3-931344-06-1
  19. 13 poems in: “16. Open Mike. International competition for young German-language prose and poetry ”, pp. 78–86. Allitera Verlag, Munich 2008. ISBN 978-3-86906-000-2
  20. The Burgundian-French Bassedanse. Genre convergence and cultural transfer in Europe in the 15th century . Master thesis. FU Berlin 2008