Cendrillon (Massenet)

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Work data
Title: Cendrillon
Poster of the premiere

Poster of the premiere

Original language: French
Music: Jules Massenet
Libretto : Henri Cain
Literary source: Cendrillon ou la Petite Pantoufle de verre ( Cinderella or the Little Glass Slipper ) by Charles Perrault
Premiere: May 24, 1899
Place of premiere: Opéra-Comique , Paris
Playing time: approx. 2 ¼ hours
Place and time of the action: historical fairy tale world
people
  • Cendrillon ( soprano )
  • Pandolfe, her father ( bass )
  • Madame de la Haltière, her stepmother ( mezzo-soprano )
  • Dorothée, her stepsister (mezzo-soprano)
  • Noémie, her stepsister (soprano)
  • Le Prince Charmant, the Prince (mezzo-soprano)
  • La Fée, the fairy (soprano)
  • Le Roi, the King ( baritone )
  • Servants, courtiers, doctors, ministers, a dean, event managers, men and women, tailors, hairdressers, hat makers, members of the nobility, ghosts ( choir )

Cendrillon is a fairy tale opera in four acts by Jules Massenet . The libretto is by Henri Cain and is based on the fairy tale Cendrillon ou la Petite Pantoufle de verre ( Cinderella or the little glass shoe ) by Charles Perrault . The world premiere took place on May 24, 1899 at the Opéra-Comique in Paris . The figure of the Cinderella appears in a similar form in Grimm's fairy tales . Other composers have taken on the subject. In particular, Gioachino Rossini's opera La Cenerentola should be mentioned here. Even Walt Disney's animated film Cinderella is based on that content.

action

first act

The king holds a festival to look for a wife for his son, the prince, on this occasion. Pandolfe and his family are also invited. His second wife, Madame de la Haltière, appears with their daughters Dorothée and Noémie. Her stepsister Cendrillon, also called Lucette in French , is not taken to the party. Instead, she has to clean the house. When she falls asleep after work, her secret mentor , a fairy, transforms the sleeping woman into a beautiful princess and guides her to the king's palace. Cendrillon wears an elegant dress and glass shoes and promises to be back at midnight, as the transformation only lasts until then.

Second act

Several girls are introduced to the bored prince in the ballroom, but he doesn't like any of them. Only when Cendrillon enters does he fall in love with the beautiful stranger. During a dance together he tries in vain to find out her name. When leaving the ballroom at midnight, Cendrillon loses one of her glass shoes. The prince wants to follow her, but is prevented from doing so by the fairy.

Third act

After the stepmother and stepsisters return home from the ball, Cendrillon asks how the party is going, but is harshly rejected, whereupon she sadly leaves the house and goes into a lonely moorland. There, arranged by the fairy, she meets the prince. They confess their love, but fall into a slumber without getting any closer.

Fourth act

The father finally finds the sleeping daughter in the moor. She reports about the fairy and the prince, but believes she has dreamed everything. Madame de la Haltière, who suddenly appears, announces that all the girls should appear in the royal palace to try on the glass shoe they have found. Now Cendrillon suspects that she wasn't dreaming. Many girls try in vain to put the shoe on. Cendrillon, on the other hand, fits like a glove. The prince recognizes them immediately. With that, the lovers are finally united and everyone present, including the stepmother, celebrate the young couple.

Performances

The opera premiered very successfully on May 24, 1899 at the Opéra-Comique in Paris . Many other performances followed in the early 20th century , mainly in France . After the end of the Second World War there were performances in Brussels in 1982, Geneva 1998, Strasbourg 2003, New York 2008, Dresden , Montreal and Brisbane in 2010 as well as at the Royal Opera House in London in 2011 and at the Komische Oper in Berlin in 2016. Premiere at the It was Metropolitan Opera New York in 2018. The 2007/2008 production by Johannes Erath in the Stadttheater Bern received the Götz Friedrich Prize .

music

The role of the prince is a trouser role and is written for a mezzo-soprano , but is sometimes sung by a tenor . As usual for the time the opera was written, the work contains a number of ballet scenes .

Recordings (selection)

year People:
(Cendrillon,
The Prince,
Mme. De la Haltière,
Pandolfe)
Conductor
and orchestra
Label
1978 Frederica von Stade ,
Nicolai Gedda ,
Jane Berbié ,
Jules Bastin

Julius Rudel ,
Ambrosian Opera Chorus with the Philharmonia Orchestra

Audio CD: Sony Classical,
Cat: SM2K91178
2011 Joyce DiDonato ,
Alice Coote ,
Ewa Podleś ,
Jean-Philippe Lafont

Bertrand de Billy ,
Orchestra & Chorus of the Royal Opera House

DVD: Virgin Classical,
Cat: 6025099
2018 Kim-Lillian Strebel ,
Anat Czarny ,
Katharina Melnikova,
Anja Jung,
Juan Orozco
Fabrice Bollon ,
Freiburg Philharmonic Orchestra
DVD / Blu Ray: Naxos,
Cat: 2.110563

Individual evidence

  1. Cendrillon first night: pictures and reviews. Information on the 2011 performance at the Royal Opera House
  2. Peter Jungblut : Cinderella without a happy ending. Review of the 2016 performance at the Komische Oper Berlin on BR-Klassik
  3. ^ Cendrillon in the Archives of the Metropolitan Opera New York , accessed on May 1, 2019.
  4. ^ Discography on Cendrillon at Operadis.

Web links

Commons : Cendrillon  - collection of images, videos and audio files