Oleg Konstantinowitsch Ejges

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Oleg Konstantinovič Ejges ( Russian Олег Константинович Эйгес , scientific transliteration Oleg Konstantinovič Ėjges , spelling of the last name also Eiges or Eyges ; * April 30th July / May 13th  1905 greg. In Moscow ; †  January 6, 1992 ibid.) Was a Russian greg. In Moscow Composer and pianist .

Life

Ejges came from a family of musicians, his father, Konstantin Romanowitsch Ejges (1875–1950), was a composer, pianist and teacher. After studying the piano, Oleg Ejges began performing as a pianist in 1927 and received further training from Egon Petri at the Berlin University of Music . He worked at the Bolshoi Theater and studied composition at the Moscow Conservatory with Heinrich Litinski, Vissarion Schebalin , Anatoli Alexandrow and Nikolai Schiljajew . After military service in the Red Army (1933-1935) and an apprenticeship at the Moscow Conservatory, he became a university teacher himself and taught at the conservatories in what was then Sverdlovsk (1939-1948) and Gorky (1949-1958) and at the Gnessin Institute in Moscow (1959) -1974).

In 1948 he was targeted by the state campaign against formalism , in the course of which the composers Shostakovich , Prokofiev , Chatschaturjan , Schebalin and Gavriil Popov were denounced for their formalistic and anti-progressive tendencies. The campaign also claimed victims away from the metropolises. Ejges was branded a formalist because of his 10th symphony and was temporarily no longer allowed to teach. In the newspaper Uralsky Rabotschij it was said: The meeting of the composers' association Sverdlovsk had found Ejges to be “guilty” of having remained “in a formalistic position alien to Soviet art”. Later symphonies found their way to a larger audience and were performed at the Moscow Autumn . However, there are very few surviving recordings of Ejges; Boris Yoffe counts him among those who were muted in the Soviet era of Socialist Realism .

Ejges composed an opera, 15 symphonies (1930–1980), 5 symphonic poems, concerts, chamber music and numerous works for piano. His music ties in with the tradition of late Romanticism , has traits of the fantastic and shows stylistic influences from Nikolai Medtner and Alexander Scriabin .

literature

Web links

Individual evidence

  1. Christoph Flamm:  Ėjges, Konstantin Romanovič. In: MGG Online (subscription required).
  2. Christoph Flamm:  Ėjges, Oleg Konstantinovič. In: MGG Online (subscription required).
  3. data at dic.academic.ru (Russian)
  4. Uralskij Rabotschij, September 2, 1948, quoted from: Boris Yoffe : Im Fluss des Symphonischen . Wolke, Hofheim 2014, ISBN 978-3-95593-059-2 , pp. 207 .
  5. Boris Yoffe : In the flow of the symphonic . Wolke, Hofheim 2014, ISBN 978-3-95593-059-2 , pp. 195 .
  6. Extensive catalog raisonné (Russian)