Rieger organ of the Vierzehnheiligen basilica
The organs in the Vierzehnheiligen basilica near Bad Staffelstein are the main organ from Rieger Orgelbau and the mobile choir organ from Orgelbau Eisenbarth . The Rieger organ from 1999 in a case from 1848 has 68 stops on three manuals and a pedal and the two-manual Eisenbarth organ from 1986 has 13 sounding stops.
history
prehistory
In the 18th century there were two organs in Vierzehnheiligen, one on the gallery above the sacristy , the other, larger one on the west gallery . It is still unclear whether the small organ was later incorporated into the larger one or sold due to secularization. However, this organ was completely destroyed in the church fire on Kunigundentag in 1835.
In the course of extensive renovations after the fire, Augustin Ferdinand Bittner from Nuremberg built a new organ in 1848 , also on the west gallery. It comprised 39 registers on two manuals and a pedal. In 1870, the organ builder Ludwig Weineck from Bayreuth was commissioned with a conversion, but the result was not satisfactory. That is why in 1905 the Steinmeyer company carried out a new technical building with tube pneumatics and expanded the organ to three manuals and 42 registers.
Reconstruction by Steinmeyer in 1951
Altar of grace with organ in the 19th century (from Pierer's Konversationslexikon from 1891)
During a further renovation in 1951, Steinmeyer removed the pipe pneumatics and switched the organ to electrical tone and register control. The work was brightened in the neo-baroque style and expanded to 60 registers. In 1962 the decision was made to lower the two-storey middle section of the organ prospectus to one storey, because the upper structure covered a window behind it. The lower part of the brochure was removed and the part with the clock was lowered. The original situation can be seen in the picture with the altar of grace.
Disposition of the Bittner organ newly built by Steinmeyer (Bittner / Steinmeyer organ, 1951–1998)
I Manual C–
|
Principal |
16 ′
|
Principal |
08th'
|
Gamba |
08th'
|
Gemshorn |
08th'
|
Covered |
08th'
|
Octav |
04 ′
|
Salicet |
04 ′
|
Reed flute |
04 ′
|
Nazard |
02 2 ⁄ 3 ′
|
Octave |
02 ′
|
Schwiegel |
02 ′
|
Mixture IV-VI |
01 1 ⁄ 3 ′
|
Scharff IV – V00
|
01'
|
Trumpet |
16 ′
|
Trumpet |
08th'
|
|
II Manual C–
|
Drone |
16 ′
|
Principal |
08th'
|
Salicional |
08th'
|
Quintad |
08th'
|
Principal |
04 ′
|
Small set |
04 ′
|
Super octave |
02 ′
|
third |
01 3 ⁄ 5 ′
|
Super quint |
01 1 ⁄ 3 ′
|
Little bell |
01'
|
cornet |
08th'
|
Zymbel II |
02 ′
|
Rankett |
16 ′
|
Krummhorn |
08th'
|
Singing shelf00
|
04 ′
|
|
Tremulant
|
|
III Manual C–
|
Tube bare |
16 ′
|
Aeolines |
08th'
|
Violin beat00
|
08th'
|
Wooden flute |
08th'
|
Ital. Principal |
04 ′
|
Coupling flute |
04 ′
|
Quint |
02 2 ⁄ 3 ′
|
Forest flute |
02 ′
|
third |
01 3 ⁄ 5 ′
|
Sif flute |
01'
|
Plein jeu IV – V |
02 2 ⁄ 3 ′
|
Echomixture VI |
02 ′
|
bassoon |
16 ′
|
Bright trumpet |
08th'
|
Clarine |
04 ′
|
|
Tremulant
|
|
Pedal C–
|
Principal bass00
|
16 ′
|
Violon |
16 ′
|
Sub bass |
16 ′
|
Covered bass |
16 ′
|
Quintbass |
10 2 ⁄ 3 ′
|
Octave bass |
08th'
|
Flute bass |
08th'
|
Third bass |
06 2 ⁄ 5 ′
|
Principal bass |
04 ′
|
Pommer |
04 ′
|
Pipe whistle |
02 ′
|
Mixture IV |
02 2 ⁄ 3 ′
|
trombone |
16 ′
|
Trumpet |
08th'
|
English horn |
04 ′
|
|
New building by Rieger in 1999
The organ had been seriously damaged by the dust caused by the church renovation, which was completed in 1993. So the desire for a new building for the western organ was expressed. Originally this should have 90 registers, but neither the space in the listed housing from 1848 nor the finances were sufficient. The Austrian company Rieger Orgelbau manufactured a new organ with 68 sounding stops. In 1998, the basilica organist Georg Hagel bid farewell to the old Bittner / Steinmeyer organ with a final concert. The old organ is currently in the Schloss Valley Organ Museum (near Holzkirchen) - without the Bittner case. This had to be preserved in Vierzehnheiligen for reasons of monument protection. Before the new organ was installed in 1999, two steel girders were placed across the gallery and attached to the two towers that support the instrument, which weighs over 20 tons. The new organ cost over 1,000,000 euros. It represents the concept of the universal organ, which combines various stylistic elements with modern technology.
Today's organ by Rieger
The present Rieger organ from 1999 comprising the Subtitles main unit (I), positive (II), a French Swell (III) and a Chamadewerk (Bombardwerk, IV). The arrangement was drawn up by the basilica organist and regional cantor Georg Hagel and master organ builder Christoph Glatter-Götz. The action mechanism is mechanical, the stop action is electrical.
Directly in the middle above the play cupboard are the wind chests and pipes of the main work, enclosed by the two pedal towers. Behind the main work the large swell box of the Récit stands expressively. The special thing about it is that the thresholds and swell boxes are not made of solid wood as is usually the case, but are filled with quartz sand to achieve a higher level of clay containment. It is a typically French swell, richly filled with lingual registers. To top it off, the entire bombing plant was built on top of the swell box: the horizontal chamades 16 ′, 8 ′ and 4 ′ are directly aligned with the high altar opposite, including the hand-cast brass bells of the carillon. Behind the pedal towers are the swell boxes of the divided positive, the smallest pipe of the organ, the high c of the sifflet 1 ′ is just five millimeters long.
To the left and right of the swell are the large, partly cranked pipes of the base 32 'and the double bombarde 32' (the deepest pipes are over five meters long and reach the lower hearing limit at around 16 Hertz). In addition to the swell, there is also the split swell box of the positive, which is also swellable. The organ's prospectus is the old one, but the case and all the technology have been completely re-installed. The earlier blower sucked in moist and cold air from the north tower, which contributed to the fact that the material of the old organ could no longer be used. To avoid this with the new organ, a fan with over 12 kilowatts of power was installed under the Récit. The fan is so well insulated that you cannot hear it except when starting.
The console has a total of 89 stop slides (68 for the registers, 3 for tremulants and glockenspiel and 18 slides for the electrical coupling). You can also connect a second gaming table with magnetic couplings.
The organ has the following disposition in detail:
I main work C – c 4
|
Principal |
16 ′
|
Drone |
16 ′
|
Principal |
08th'
|
Drone |
08th'
|
Gamba |
08th'
|
Flûte harmonique 00
|
08th'
|
Octav |
04 ′
|
flute |
04 ′
|
Fifth |
02 2 ⁄ 3 ′
|
Super octave |
02 ′
|
Mixture major V |
02 ′
|
Mixture minor IV |
01 1 ⁄ 3 ′
|
Cornet V |
08th'
|
Trumpet |
16 ′
|
Trumpet |
08th'
|
Trumpet |
04 ′
|
|
II Positive C-c 4
|
Principal |
08th'
|
Dumped |
08th'
|
Salicional |
08th'
|
Unda maris |
08th'
|
Octav |
04 ′
|
recorder |
04 ′
|
Nasat |
02 2 ⁄ 3 ′
|
Super octave |
02 ′
|
flute |
02 ′
|
third |
01 3 ⁄ 5 ′
|
Fifth |
01 1 ⁄ 3 ′
|
Sifflet |
01'
|
Scharff III – IV 00
|
01'
|
Basset horn |
16 ′
|
Cromorne |
08th'
|
Clarinet |
08th'
|
|
Tremulant
|
|
III Swell C – c 4
|
Bourdon |
16 ′
|
Flûte traversière |
08th'
|
Cor de nuit |
08th'
|
Eolienne |
08th'
|
Viol |
08th'
|
Voix céleste |
08th'
|
Viole |
04 '
|
Flûte octaviante |
04 ′
|
Nazard harmonique |
02 2 ⁄ 3 ′
|
Octavine |
02 ′
|
Tierce harmonique |
01 3 ⁄ 5 ′
|
Plein Jeu V |
02 2 ⁄ 3 ′
|
Bombard |
16 ′
|
Trompette harmonique 00
|
08th'
|
Hautbois |
08th'
|
Clairon harmonique |
04 ′
|
Voix humaine |
08th'
|
|
Tremblant
|
|
IV Bombard factory C – c 4
|
Chamade |
16 ′
|
Chamade |
08th'
|
Chamade |
04 ′
|
Glockenspiel (C – c 2 ) 0
|
04 '
|
|
Pedal C – g 1
|
Pedestal |
32 ′
|
Principal |
16 ′
|
Sub-bass |
16 ′
|
Violon |
16 ′
|
Fifth |
10 2 ⁄ 3 ′
|
Octav |
08th'
|
Bass flute |
08th'
|
flute |
04 ′
|
Octav |
04 ′
|
Jubal flute |
02 ′
|
Mixture V |
02 2 ⁄ 3 ′
|
Counter bombardment 00
|
32 ′
|
Bombard |
16 ′
|
bassoon |
16 ′
|
trombone |
08th'
|
Clairon |
04 ′
|
|
-
Pairing :
-
Mechanical: II / I, III / I, IV / I, III / II, I / P, II / P, III / P, IV / P
-
Electrical: II / I, III / I, IV / I, III / II, I / P, II / P, III / P, IV / P, IV / III, IV / II, III / III 16 ′, III / II 16 ′, III / I 16 ′, I / I 16 ′, III / III 4 ′, III / II 4 ′, III / I 4 ′, III / P
-
Playing aids : Combination system with 96 × 8 storage options, sequencer forwards-backwards; 4 crescendos (adjustable); Card storage.
Choir organ
Choir organ in the fourteen saints basilica
In addition, there is a mobile choir organ from Orgelbau Eisenbarth from 1986 in the south transept of the basilica . The slider-drawer instrument has 19 stops, including 6 transmissions on two manuals and a pedal. The playing and stop actions are mechanical.
I Hauptwerk C – g 3
|
1. |
Principal |
8th'
|
2. |
Flute traverse00
|
8th'
|
3. |
Dumped |
8th'
|
4th |
octave |
4 ′
|
5. |
Reed flute |
4 ′
|
6th |
Nasat |
2 2 ⁄ 3 ′
|
7th |
octave |
2 ′
|
8th. |
Flageolet |
2 ′
|
9. |
third |
1 3 ⁄ 5 ′
|
10. |
Mixture IV |
1 1 ⁄ 3 ′
|
11. |
Trumpet |
8th'
|
|
tremolo
|
|
II Positive C-g 3
|
12. |
Gedackt (= No. 3) |
8th'
|
13. |
Reed flute (= No. 5) |
4 ′
|
14th |
Nasat (= No. 6) |
2 2 ⁄ 3 ′
|
15th |
Flageolet (= No. 8)00
|
2 ′
|
16. |
Third (= No. 9) |
1 3 ⁄ 5 ′
|
|
Pedal C – f 1
|
17th |
Sub-bass |
16 ′
|
18th |
Principal 00
|
08th'
|
19th |
bassoon |
16 '
|
|
literature
- Günter Dippold and Andreas Bornschlegel: Basilica Vierzehnheiligen. Bad Staffelstein 1992, ISBN 3-9801257-4-2 .
- Christoph Glatter-Götz among other things: The organ of the Basilica Vierzehnheiligen. ISBN 3-9804630-5-2 .
Web links
Individual evidence
-
↑ Information on the choir organ
50.115555555556 11.054444444444Coordinates: 50 ° 6 ′ 56 ″ N , 11 ° 3 ′ 16 ″ E