Organs of the Marienbasilika (Kevelaer)

from Wikipedia, the free encyclopedia
Main organ
Fernwerk on the north transept gallery
Choir organ in the south transept

The Marienbasilika in Kevelaer has an organ system which, with its 135 registers, is the largest German-Romantic organ in the world. It consists of the main organ on the west gallery and a remote control on the north transept gallery without its own play area.

history

The organ of the Marienbasilika is largely based on an instrument that was built in the years 1905–1907 by the organ building company Ernst Seifert (then: Cologne). It replaced the first large basilica organ, which was built by the organ builder Wilhelm Rütter (Kevelaer) around 1874 ; the organ work by Rütter was partially transferred to the parish church of Kevela.

Ernst Seifert built a large organ on the west gallery, initially with 104 registers. At the same time he set up an instrument with 18 registers on a manual and pedal on a small gallery in the north transept , which was housed in a swell box. This instrument served as a choir organ ; it had its own play system and was playable via electropneumatic actions as remote control from the fourth manual of the main console of the main organ.

The entire organ system had pneumatic membrane shutters ; they were carried out according to the system invented by Ernst Seifert in 1882. The free-standing gaming table on the west gallery had numerous playing aids. Worth mentioning are the pneumatic cross-acting octave couplings between II / I and III / II; remarkably, the three expression pedals for the remote station, the Hauptschwellwerk were (in addition to the registers of the III. Manual work were in some pedal register) and a Pedalschwellkasten sill tremolo in which a Vox is humana 8 'and a Gedackt 8' were located.

Around 1926 it was decided to enlarge the organ stage so that the choir and orchestra of the basilica could also find space there. In the course of this, the organ was electrified by Ernst Seifert and received a new, mobile console. In addition, the coupling options were expanded (now 27 individual coupling and one melody coupling) and the disposition expanded; u. a. the swell received a French tongue battery, corresponding to the "Récits" by Cavaillé-Coll and Mutin; in addition, new mixtures were installed, as well as a celesta. The number of registers in the organ system increased to a total of 131 registers.

The remote plant was destroyed in a bomb hit in 1945. The main organ survived the war almost undamaged and only suffered immediately after the end of the war, when large parts of the prospectus in particular were removed and burned.

Shortly after the war, the instrument was provisionally restored, with some voices being given up and parts of the instrument being changed. The prospectus was only restored provisionally and simplified. In the course of a comprehensive restoration in the years 1976–1981 by the organ builder Romanus Seifert (Kevelaer), the historical prospectus was reconstructed, including the tin pipes that had to be delivered for armament purposes in the First World War. In addition, the instrument was partially "baroque" by exchanging some mixtures for new ones with sharper intonation. On the occasion of Pope John Paul II's visit in 1987, three horizontal chamade tongues (Tuba magna 16 ', Tuba mirabilis 8' and Cor harmonique 4 ') were installed behind the main housing. These registers are a copy of the Chamade work of the Cavaille-Coll organ in the cross- domed Sacré-Cœur church in Paris . The instrument now had 128 registers.

A fire in the church in 2002, which the instrument survived unscathed, was used as an opportunity to return the instrument to its historical state of 1926. The remote mechanism was also reconstructed, but without its own play system, as another instrument had meanwhile performed the function of a choir organ. The four-manual, free-standing general console on the west gallery was also reconstructed and equipped with an electronic typesetting system. Currently 3 registers are still vacant.

In 2018 the auxiliary work was removed. It had 13 registers (Pommer 16 ', Principal 8', Gedackt 8 ', Salicional 8', Dulziana 8 ', Unda Maris 8', Octave 4 ', Koppelflöte 4', Viola 4 ', Larigot 1 13 ', Cor Anglais 16 ', Hautbois 8', Clairon 4 ').

Disposition

The organ of the basilica today has 149 sounding stops (no transmissions !) On four manuals and pedal. The neo-Gothic prospectus case has a height of 14 meters, a width of 9 meters and a depth of 10 meters.

I main work C – c 4
Principal 16 ′
Drone 16 ′
Gamba 16 ′
Seraphon Principal 0 08th'
Principal 08th'
Seraphon Fugara 08th'
Seraphon flute 08th'
Lull major 08th'
Gamba 08th'
Gemshorn 08th'
Dumped 08th'
violin 08th'
Fifth 05 13
Seraphon Octave 04 ′
Seraphon Fugara 04 ′
Hollow flute 04 ′
Octave 04 ′
Flauto 04 ′
third 03 15
Fifth 02 23
Octave 02 ′
Octavine 01'
Cornett IV
Mixture V
Cymbel V (vacant)
tuba 16 ′
Trumpet 08th'
Euphon 08th'
Clarine 4 '0
II upper structure C – c 4
viola 16 ′
Dumped 16 ′
Principal 08th'
Seraphon Gamba 08th'
Seraphon Gedackt 0 08th'
cello 08th'
Quintatön 08th'
Reed flute 08th'
Dolce 08th'
Slack harmonique 08th'
Vox Angelica 08th'
Octave 04 ′
Reed flute 04 ′
violin 04 ′
Flauto dolce 04 ′
Nasard 02 23
Octave 02 ′
Piccolo 02 ′
third 01 35
Sesquialter II
Progressio III
Mixture IV
Cornett V
bassoon 16 ′
Trumpet 08th'
Clarinet 08th'
III Swell C – c 4
Salicet 16 ′
Lovely Gedackt 16 ′
Seraphon Principal 08th'
Violin principal 08th'
Seraphon concert flute 0 08th'
Seraphon violin 08th'
Salicional 08th'
Dumped 08th'
Amabile slack 08th'
Aeoline 08th'
Vox Coelestis 08th'
Gemshorn 04 ′
Cremona 04 ′
Transverse flute 04 ′
Octave 04 ′
Night horn 04 ′
Fifth flute 02 23
Flautino 02 ′
Third flute 01 35
Harmonia III
Cornett V
Mixture V
Carrillon III
tuba 16 '
horn 08th'
Trumpet 08th'
oboe 08th'
Krummhorn 08th'
Vox humana 08th'
Clairon 04 ′
tremolo
IV Fernwerk C – c 4
Drone 16 ′
Principal 08th'
Seraphon flute 0000 08th'
Dumped 08th'
violin 08th'
Quintatön 08th'
Aeoline 08th'
Vox Coelestis 08th'
Octave 04 ′
Transverse flute 04 ′
Forest flute 02 ′
Sesquialter II
Celesta
Trumpet 08th'
Cor Anglais 08th'
Labial oboe 08th'

Bombard Clavier C – c 4
Tuba magna 16 ′
Tuba mirabilis 08th'
Cor harmonique 04 ′
0
Seraphon Celesta
Cymbelstern
Pedal C – f 1
Double bass 32 ′
Drone 32 ′
Principal bass 16 ′
Octave bass 16 ′
Violon 16 ′
Sub-bass 16 ′
Salicet bass 16 ′
third 12 45
Quintbass 10 23
Principal 08th'
cello 08th'
Bass flute 08th'
Drone 08th'
Dulciana 08th'
Third bass 06 25
Fifth 05 13
Seventh (vacant) 04 47
Seraphon Fugara 0 04 ′
Octave 04 ′
flute 04 ′
Bombard 32 ′
trombone 16 ′
Trumpet (vacant) 16 ′
Trumpet 08th'
bassoon 08th'
Clairon 04 ′
Seraphon Clarino 02 ′

Remote pedal C – f 1
Sub-bass 16 ′
Thought bass 00000 16 ′
Octave bass 08th'
  • Pairing :
    • Normal coupling: II / I, III / I, IV / I; III / II, IV / II; IV / III; I / P, II / P, III / P, IV / P
      • Bombard clavier and seraphone celesta can be linked to any manual and pedal
    • Super octave coupling: I / I, II / I, III / I, IV / I; III / II, IV / II; III / III, IV / III; IV / IV; I / P
    • Sub-octave coupling: II / I, III / I, IV / I; III / II, IV / II; IV / III
    • Special couplings : Melodiekoppel (Sup.Okt.) I / I, Quintkoppel P / P
  • Playing aids :
    • Two free combinations
    • Fixed combinations: principal choir, gamba choir, violin choir, flute choir, Forte I, Forte II, Forte III, hand registers, tutti, fortissimo, forte, mezzoforte, piano, pianissimo, forte Fernwerk, piano Fernwerk
    • Register Crescendo , Automatic Pedal III, Automatic Pedal IV,
    • On / Off: Manual pipe works off, Manual pipe works closed, Seraphone closed, Crescendo off, Crescendo off remote unit, From main organ, From remote unit

Organists

From 1983 to 2000 Wolfgang Seifen, best known as an improviser, was organist at the Marienbasilika. His successor is Elmar Lehnen .

literature

Individual evidence

  1. ↑ In detail on the history of the organ: Gregor Klein, Geldern: The great Seifert organ of the Marienbasilika in Kevelaer , in: Ars Organi , Volume 29, Issue 3, September 1984
  2. For the history of restoration after the Second World War, see Karl-Heinz Göttert: The large Seifert organ in the Kevelaer Marienbasilika , in Ars Organi , 55th year, volume 3; Cologne: September 2007
  3. To the disposition of the auxiliary work on the website of Orgelbau Seifert
  4. For disposition on the website of Orgelbau Seifert