De duodecim abusivis saeculi

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De duodecim abusivis saeculi ("About the twelve grievances of the world") is an anonymously transmitted Latin work of the 7th century on morality , ethics and legally correct behavior within society.

History of origin

Irish missionaries transmitted knowledge of the work to continental Europe in the 8th century. In the Middle Ages , the widely read work was attributed to Saints Patrick of Ireland , Augustine of Hippo and Cyprian of Carthage . In fact, as Siegmund Hellmann was the first to discover in 1909, it was written in the 7th century in southern Ireland by an unknown author who is also known as pseudo-Cyprian in scientific discourse. Foundations were among other sources, the seventh chapter of the Benedictine Rule ( "Rule of Benedict") and the commentary of Jerome on Matthew . Principles of original Irish law can also be found, particularly in the section on the justice of the king ( fír flathemon ).

The twelve grievances

Without further introduction, the author immediately cites the twelve grievances as headings with brief explanations and then deals with them individually. The influence of the Benedictine Rule can also be seen in this structure, because, as there, each section begins with a definition of the topic to be treated. Based on more moral theological considerations (the wise man without good works, the old man without religion, ...), worldly things are also addressed (the unjust king, the lawless people, ...). The corresponding virtue is then held against the grievance.

Abusive Grievance
sapiens sine operibus the wise man without good works
senex sine religione the old man with no religion
adolescens sine oboedientia the young man without obedience
dives sine elemosyna the rich man without charity
femina sine pudicitia the woman without modesty
dominus sine virtute the nobleman without virtue
Christianius contentiosus the contentious Christian
pauper superbus the proud poor man
rex iniquus the unjust king
episcopus neglegens the neglected bishop
plebs sine disciplina the community without order
populus sine lege the people without law

reception

The work, particularly popular in England in the 10th century, continued into the Renaissance and influenced, for example, the unfinished prince mirror (“Institutiones principales”) by Michael Marullus .

See also

literature

Web link