Susanne Rode-Breymann

Susanne Rode-Breymann (2016)

Susanne Rode-Breymann (* 1958 in Roydorf (today: Winsen (Luhe) ) is a German musicologist , elected President of the Hanover University of Music, Drama and Media and publisher and head of the Music and Gender Research Center.

Life

Susanne Rode-Breymann studied in Hamburg early music and music education at the Academy of Music and musicology, art history and literature at the University and in 1988 with a dissertation on Alban Berg and Karl Kraus graduated . She was a research assistant at the Universities of Bayreuth (1988 to 1992) and Bonn (1992 to 1996), did research on Anton Webern as a scholarship holder of the Paul Sacher Foundation in Basel in 1989 and qualified as a professor in 1996 at the Hanover University of Music and Theater with writings on music theater the interwar years. From 1996 to 1999 she taught as a university lecturer at the Hanover University of Music and from 1999 to 2004 she held a chair for historical musicology at the Cologne University of Music (with numerous artistic and scientific projects such as the re-performance of Giovanni Bononcini's Il ritorno di Giulio Cesare under the direction of Konrad Junghänel). She has been Professor of Historical Musicology at the Hanover University of Music and Drama since October 1, 2004, and was Vice President there from July 2006 to July 2008. In addition to extensive expert and committee work, she heads the musicology department at the music academies of the Society for Music Research . In February 2010 she was elected the new president of the university. In 2018 a commemorative publication was published for Susanne Rode-Breymann.

research

Research Center for Music and Gender

Since November 2006, after a two-year planning phase, Susanne Rode-Breymann has headed the Music and Gender Research Center ( fmg ) at the Hanover University of Music and Drama . As a scientific forum, this research facility offers the opportunity to try out new and unfamiliar perspectives on musical cultures in the past and present. In addition to exploring the lives and works of previously unjustifiably neglected composers and interpreters, overall cultural and societal processes are inevitably the focus of attention: The aim is to scientifically penetrate the close intermeshing of musical production, reception, interpretation and socio-cultural To reflect on conditions methodically - and to do so without abandoning the tried and tested tools of musicology. The fmg provides capacities and networking options for this. The fmg is based on a framework agreement between HMTH and the Mariann Steegmann Foundation for the promotion of women in art and music.

The fmg has the task of promoting gender research in musicology. The foundation aims to support musicological and artistic activities, in particular by opening up and deepening academic relationships in the university and college sector, by exchanging research and working materials and by collaborating on suitable projects.

Research work

Rode-Breymann is the editor and author of numerous publications in the fields of gender research, music history of the early modern era , new music and the music of the turn of the century. International symposia have been taking place in Hanover since 2006, which were initiated together with the research group Places of Cultural Action under the direction of Susanne Rode-Breymann.

Fonts (selection)

Brigitta Weber , Carsten Niemann (Red.), Susanne Rode-Breymann: The composer Alma Mahler-Werfel (= prinzenstraße. Hannoversche Hefte zur Theatergeschichte , double booklet 10), with a CD-ROM (with 3 songs by Mahler-Werfel), 1 , Edition, ed. from the Lower Saxony State Theater Hanover, Hanover: Lower Saxony State Theater, 1999m ISBN 3-931266-06-0

with Nina Noeske and Annette Kreutziger-Herr as editors: Yearbook Music and Gender , Volume 3, Gender Studies in Musicology. Quo vadis? Festschrift for Eva Rieger . Olms, Hildesheim 2010, ISBN 978-3-487-14494-8 .

Alma Mahler-Werfel. Muse-wife-widow. CH Beck, Munich 2014, ISBN 978-3-406-66962-0 .

Web links

Commons : Susanne Rode-Breymann - Collection of images, videos and audio files

Remarks

↑ Deviating from this, Rode-Breymann was described as a native of Hamburg, compare Jutta Rinas: Susanne Rode-Breymann becomes the new president of the Musikhochschule , in: Hannoversche Allgemeine Zeitung of February 23, 2010; last accessed on July 10, 2016

Individual evidence

↑ David Assmann, Thierry Chervel, Thekla Dannenberg, Anja Seeliger (ViSd MDStV B): Susanne Rode-Breymann on the perlentaucher.de page , last accessed on July 10, 2016
↑ Jutta Rinas: Susanne Rode-Breymann becomes the new president of the Musikhochschule , in: Hannoversche Allgemeine Zeitung of February 23, 2010, accessed on March 12, 2010
↑ Annette Kreutziger-Herr, Nina Noeske, Nicole K. Strohmann, Antje Tumat, Melanie Unseld, Stefan Weiss (eds.): Ways. Festschrift for Susanne Rode-Breymann . Olms, Hildesheim 2018, ISBN 978-3-487-15677-4 , p. 585 .

personal data
SURNAME	Rode-Breymann, Susanne
ALTERNATIVE NAMES	Rode-Breymann
BRIEF DESCRIPTION	German musicologist, President of HMTM Hannover
DATE OF BIRTH	1958
PLACE OF BIRTH	Roydorf (today: Winsen (Luhe) )

[2] Deviating from this, Rode-Breymann was described as a native of Hamburg, compare Jutta Rinas: Susanne Rode-Breymann becomes the new president of the Musikhochschule , in: Hannoversche Allgemeine Zeitung of February 23, 2010; last accessed on July 10, 2016

[1] David Assmann, Thierry Chervel, Thekla Dannenberg, Anja Seeliger (ViSd MDStV B): Susanne Rode-Breymann on the perlentaucher.de page , last accessed on July 10, 2016

[3] Jutta Rinas: Susanne Rode-Breymann becomes the new president of the Musikhochschule , in: Hannoversche Allgemeine Zeitung of February 23, 2010, accessed on March 12, 2010

[4] Annette Kreutziger-Herr, Nina Noeske, Nicole K. Strohmann, Antje Tumat, Melanie Unseld, Stefan Weiss (eds.): Ways. Festschrift for Susanne Rode-Breymann . Olms, Hildesheim 2018, ISBN 978-3-487-15677-4 , p. 585 .