Sylvia Geist

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Sylvia Geist, Erlanger Poetenfest 2018

Sylvia Geist (* 1963 in Berlin ) is a German writer . She has been a member of the PEN Center Germany since 2017 .

Sylvia Geist studied chemistry , German and art history at the TU Berlin and moved to Hanover in 1989. Today she lives in the Uckermark and Vancouver.

Individual publications

  • Morning blue animal. Poems. to Klampen Verlag Springe, 1997, ISBN 978-3-933156-38-9 .
  • Non-Euclidean journey. Poems. Bonsai-type Art Verlag , 1998.
  • The area around the eye. Poems. musilmuseum-literatour Druckwerk Nr. 1, 2004.
  • Read book No. 67. Poems. Aphaia Publishing House, 2006.
  • The peacock. Novella. Luftschacht Verlag, 2008, ISBN 978-3-902373-30-4 .
  • Before the weather. Poems. Luftschacht Verlag, 2009, ISBN 978-3-902373-42-7 .
  • Last friends. Stories. Luftschacht Verlag, 2011, ISBN 978-3-902373-67-0 .
  • Gordian paradise. Poems. Hanser Berlin Verlag, 2014, ISBN 978-3-446-24501-3
  • reversed destruction. 15 merzette. With collages v. Arne Rautenberg. Carl-Walter Kottnik (ed.), Hamburg 2015
  • Ráno modré zviera a iné básne . (Translated by Martina Straková) Edition Ars Poetica, Bratislava 2017, ISBN 978-80-89283-88-0
  • Foreign skins . Poems. Hanser Berlin Verlag, 2018, ISBN 978-3-446-25851-8

Editions

  • (Ed.) Textura. Series for Eastern European Literature, Hanover, 1992–1994.
  • (Ed.) Between the lines. A Polish anthology. Postscript publisher, 1996.
  • (Ed., Together with Ursula Macht) In the garden of words. Places and objects of Slovak literature . die hear, no.208 (2002)

translation

Awards (selection)

Quote

  • "In Sylvia Geist's poetry, linguistic styles permeate one another: the exactness of scientific designation, the vagueness of colloquial language and, last but not least, the extreme condensation of poetic speech. Language reflection that remains legible is at a high level, that is introspection that does not primarily focus on the dissecting knife leaves." (Tim Schomacker)
  • "With her poems, Sylvia Geist reinforces the movement that lies in the already wobbly systems of science; she breathes intimacy into them, destroys them, questions them." Non-Euclidean journey "is the name and program of her last volume of poetry; the common notion the room only serves as a projection surface for lustful negation. " (Arne Rautenberg)
  • "Reading the poems of Sylvia Geist means immersing yourself in a highly sensitive sensorium. Extreme tension in reaching into it. Dissecting and separating flesh and nerve cords, muscle fibers: the poem works from the inside out. The wounds: invisible on the skin, barbs, tugging at synapses. "(Christine Marendon)
  • "Sylvia Geist's poetry is about dissolution and dematerialization. Her language work is confident, unpretentious, light, delicate and quiet." (Kurt Drawert)

Web links