Toreutics

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Achilles plate from the silver treasure of Kaiseraugst , an example of late antique toreutics.
Mythological representation of the surrender of the weapons of Achilles , fresco from Pompeii in the National Museum of Naples. In the foreground on the left: Toreut decorating the helmet.

Toreutik (Greek τορευτική, toreutiké , Latin Caelatura) is sculpture in metals in contrast to sculpture (sculptura), work in stone , ceramics and wood . The artists in this work are called goal sluts .

Conceptual

Toreutics is the working of metal with sharp instruments - chasing . Even in ancient times, the technique of knocking out or driving the molds using punches was referred to in the same way, but sometimes also a partial casting in molds. Even in Roman times, work in other materials was sometimes referred to as a Torutic product.

From the end of the 18th century, the Klauersche Kunst-Fabrick Weimar company used the term Toreutica for its artificial bricks, sculptures made from brick mass and fired, and architectural jewelry .

Well-known goal sluts

The names of some ancient gate slides are known, be it from contemporary literature or through their signed works. A compilation of this can be found in the artists' lexicon of antiquity . These include the (fictional?) Alkimedon mentioned by Virgil, Boethos of Kalchedon , Medamus or Zenodoros .

literature

  • Hugo Blümner : Technology and terminology of trade and arts among Greeks and Romans. Fourth volume. Publishing house GB Teubner, Leipzig 1886.

Individual evidence

  1. ^ Duden online: Toreutics
  2. ^ Duden online: Toreut
  3. Blümer p. 232 f.
  4. Blümer p. 233 with a compilation of sources.
  5. List of Toreutica-wares of Klauer's Kunstfabrick to Weimar . Weimar: Verlag des Industrie-Comptoirs, 1792-1800, digitized version of the SUB Göttingen
  6. Rainer Vollkommer (Ed.) Künstlerlexikon der Antike p. 27.