Urs Peter Schneider

from Wikipedia, the free encyclopedia

Urs Peter Schneider (born February 14, 1939 in Bern ) is a Swiss composer .

Live and act

His studies took him to 1966 with Walter Lang and Bruno Seidlhofer (piano) as well as with Sándor Veress and Karlheinz Stockhausen , Henri Pousseur , Frederic Rzewski (composition) - to Bern , Cologne and Vienna . In 1968 he founded the Ensemble Neue Horizonte Bern .

Schneider wrote over one hundred and fifty compositions in all genres, with a preference for chamber music with over two thousand performances worldwide.

Since 1973 Schneider has also appeared as a free improvising musician. a. with Pierre Favre , Léon Francioli , Irène Schweizer , Maggie Nichols , John Zorn , Philippe Micol , with his trios and as a soloist.

Until 2002 he was a full-time professor at the Bern University of Music . Since his retirement he has devoted himself to language performance with increased interest.

His complete works have been published by aart-verlag , Bern, since 2009 .

Schneider lives with his second wife, Marion Leyh, in Biel / Bienne .

Compositions

  • Early Productions (1955–59); aart-Verlag, 2009:

- 6 preludes for piano
- 2 aphorisms for piano and violin
- 1 sonatina movement for piano and violin

  • Talent samples (1960, rev. 1974-79); aart-Verlag, 2009:

- Eloquence for organ with 2 woodwinds and 4 strings
- Eminence for organ with 2 strings
- Efflorescence for organ with resonators
- Distance for piano with preparations
- Dissonance for piano with 2 strings
- Discrepancy for piano with 2 brass and 4 strings

  • Cage (1961-62, rev. 1970 and 1992); Swiss music edition:

- Septet (1961): 18 sequences for 7 instruments in high register (with piano ad lib.)
- Quintet (1961–62): 14 sequences for 5 instruments in medium register (with piano ad lib.)
- Terzett (1962): 10 sequences for 3 instruments in low register (with piano ad lib.)

  • Early pieces (1961–63):

- Actions (1961): Septet for 3 woodwinds, piano, 3 strings
- Reactions (1962): Sextet for soprano, 2 brass, 2 strings, harp
- Contractions (1962): Quintet for 2 brass, harpsichord, 2 strings
- Decontractions ( 1963): Quartet for soprano, 1 woodwind, 1 string, vibraphone

  • Babel (1961–67) for any sound source; Swiss Music Edition (Lucerne / CH)
  • Democratic Models (1968); aart publishing house:

- Right away: Exercise for fifteen
solo strings (and large drum ad lib.) - Possibly: Exercise for ten solo speakers (and large drum ad lib.)

  • Twenty situations (1960–69, rev. 1970): pseudo-composition for ten players on various types of sound generator; aart-Verlag, 2009
  • Evening filling (1966–69): Examples of optical and acoustic realizations (eight performers); aart-Verlag, 2009
  • Karo (1968–70) Four semi-electronic models; aart-Verlag, 2015:

- Commentary (1969) for 1 female voice and 1 assistant
- Dummy (1968) for 2 drumsticks and 1 assistant
- Rentisse (1970) for 1 gramophone and 2 assistants
- Opposit (1969) for 2 double basses and 2 assistants

  • Family I (1970) Three collages; aart-Verlag, 2015:

- Windwerk (1970) for 1 tape-maker
- Handwerk (1970) for 1 piano player
- Mundwerk (1970) for 1 speaker

  • Rarities (1959–71, rev. 1983) for performers; Swiss music edition
  • Kirchweih, Five returns (1964–71, rev. 1972); Mannheimer Musikverlag:

- I: Kreuze (1964–67) after Heinrich Seuse for four instrumentalists
- II: English accessories (1965–66) after Emanuel von Swedenborg for props of church origin
- III: Counters (1966–69) after Bernhard von Clairvaux for a figurine
- IV: Spiritual exercises (1968–71) after Ignatius von Loyola for people of both sexes
- V: Umkehr (1969–70) after Friedrich Weinreb for orchestra with equipment

  • Blumen (1971) for four pianos; Swiss music edition
  • Six roles for soloists (1962–72)

- Kugel (1962) for piano once
- Winkel (1963) for harmonium twice
- Nabel (1965) for piano four times
- Vogel (1969) for soprano three times
- Mantel (1971) for clarinet six times
- Henkel (1972) for harp five times

  • Motto (1973) based on a text by Robert Walser (aside): for four musicians (voice, piano, speaking voice, large drum); aart-Verlag, 2009
  • Muspilli I to V (1974, rev. 2008); aart-Verlag, 2009:

- Numbers: for 4 percussionists, in 3 parts
- Texts: for 1 speaker, in 3x5 parts
- Pictures: for 3 singers, in 5 parts
- Notes: for 5 strings, in 5x7 parts
- Striçe: for 2 synthesizers, in 7 parts

  • Vier Duelle (1973 and 1975) Scenic Chamber Pieces; aart publishing house:

- In this part, Chriemhilde is also gripped by her infidelity! after Uhland, for four performers
- Why does Germany not yet have a large public seaside resort? to Lichtenberg, for two performers
- The majority of people really suffer from creeping brandy poisoning! to Hufeland, for five performers
- Shouldn't each town be given its own political constitution? after Möser, for three performers

  • Sacred music I (1974-75):

- Fischnetz (1974) for toys and electronic processing
- Senfkorn (1975) for singing voice (soprano) and electronic processing based on a text by Meister Eckhart
- Feigenbaum (1974) for percussion and electronic processing
- Sauerteig (1975) for speaking voice (baritone) and electronic processing of a text from Sister Mechthild

  • Meridian, six durations (1973–76, rev. 1986) according to Paul Celan; aart-Verlag, 2009:

- Atemwende: for nine strings
- Sprachgitter: for two timpani
- Fadensonnen: for four singers
- Snow part: for a horn player
- No man's rose: for six guitarists
- Lichtzwang: for eight pianists

  • Zeithöft (1976, rev. 1996) based on Paul Celan: A concept for two pianos
  • Family II (1975–77) Three arrangements; aart-Verlag, 2015:

- Wienerlied (1975) for 1 voice and instruments
- Kölnerlied (1976) for 2 voices and instruments
- Bernerlied (1977) for 1 voice and instruments

  • Four Little Mysteries (1976–77) after Rudolf Steiner; aart-Verlag, 2009:

- Eternal snow: for 1 clarinet (bass) and piano with tape
- Wolkenlos Himmel: for 2 strings (Vl, Vc) and piano with tape
- Dürres Gras: for 3 strings (Vl, Vla, Vc) and piano with tape
- Corrosive Burning: for 4 clarinets (Eb, 2 Bb, bass) and piano with tape

  • Period (1977): for any quartet instrumentation;
  • Sacred Music II (1977-78):

- Silberlinge, Reflections on Judas (1977) for orchestra (31 performers)
- Coal fire, Reflections on Petrus (1978) for small orchestra (15 performers)
- Earthquake, Reflections on Jesus (1977) for ensemble (7 performers)
- Wounds, reflections about Thomas (1978) for small ensemble (3 performers)

  • Cover and Fulness I to III (1978): for large / medium / small choir and trumpet / horn / trombone; aart-Verlag, 2009
  • To Do (1979): 78 encouragements
  • Keyboard exercise (1971–79, rev. 1988): Eighty-one keyboard instrument pieces
  • Wooden Heaven (1976–79) Three pieces of fairy tale for children:

- catchy tune (1976–79): concept for strings
- clockwork (1976–79): concept for percussionists
- word of honor (1976–79): concept for speakers

  • Mindfulness I (1978, rev. 1997 and 2009): Concentration for 22 instruments in 5 increasing cadences; aart-Verlag, 2009
  • Mindfulness II (1978–79, rev. 1997 and 2009): Meditation for 10 instruments in 11 increasing cadences; aart-Verlag, 2009
  • Mindfulness III (1979, rev. 1997 and 2009): contemplation for 4 instruments in 23 increasing cadences; aart-Verlag, 2009
  • A run of the year (1976–80): Twenty-four rounds through all keys for piano; aart-Verlag, 2009
  • Organs I and II (1980): for low and high wind quintet; aart-Verlag, 2009
  • Urbilder (1978–81) Six experimental chamber music; aart-Verlag, 2015:

- Grail I to III (1978–79) for max. 8 performers
- Zwerg I and II (1979) for 6 performers
- Tor I to IIII (1978–80) for 7 performers
- Orplid I and II (1979–80) for 5 performers
- Delphin I to III (1980) for 3 performers
- Tamil I to III (1979-81) for min. 4 performers

  • Eighteen stations (1979–81) Rudi Dutschke in memoriam; aart-Verlag, 2009:

- Short waltz: 2 stations for
string quartet (Vl, Vla, Vc) - Short march: 4 stations for string quintet (2 Vl, Vla, 2 Vc)
- Long waltz: 5 stations for wind quartet (Kl, 2 Hrn, Fg)
- Long March: 7 stations for wind sextet (2 Kl, 2 Hr n, 2 Fg)

  • A little extra music by six angels (1981) based on Gottfried Keller: for six instrumentalists (also choral); aart-Verlag, 2009
  • The four books (1955–82); aart-Verlag, 2009:

- Songbook (1955–79): 35 songs on 10 texts by German poets (1075–1975) for 1 voice and piano
- Choir book (1966–77): 12 songs on 12 texts by Robert Walser (1925) for 8 voices
- Ceremonial book ( 1960–82): 25 ceremonies on 6 texts by German poets (1475–1975) for 1 woodwind instrument
- orchestral book (1974–81): 8 ceremonies on 8 texts by Robert Walser (1925) for 8 woodwinds and strings

  • Rainbow (1973–82, rev. 1987–89) for one to five wind instruments
  • Augenhöhe (1982, rev. 2013) after Friedrich Hebbel: Zwiezieler on the twenty-four tones for Hammond organ (or piano); aart-Verlag, 2009
  • Duplicates (1961-83, rev. 1990) for performers
  • Writings (1975–76 and 1982–83) based on Martin Buber; aart-Verlag, 2009:

- High songs: Project for 5–9 improvisations, for 1 voice (soprano) and 1 times 5–7 (wind / string) instruments
- You who sit in the hiding place of the highest: 16 monodies for 1 horn player (any mood)
- Same sayings: Project for 11–15 extrapolations, for 2 speaking voices (baritone) and 2 times 11–13 (plucked / percussed) instruments
- O luck for you who are simple: 22 psalmodies for 2 pianists (four-handed piano)

  • Heresy (1983–84): for two hundred solo recorders (100 S, 60 A, 30 T, 10 B); aart-Verlag, 2009
  • Peace on Earth (1984): An orchestral piece
  • Fifty-five variations (1982–85) based on Adalbert Stifter: for hoboe and harpsichord (or two other, different instruments); aart-Verlag, 2009
  • Seventy-two variants (1986): for 2 to 144 speaking voices; aart-Verlag, 2009
  • Ninety-one variations (1982–85) after Adalbert Stifter: for violin and piano (or two other, different instruments); aart-Verlag, 2009
  • Sternstunde (1985–86) after Friedrich Hebbel: Opera in six pictures; aart-Verlag, 2009
  • Vom Turm her (1983–85) Friedrich Hölderlin Trilogy 1; aart-Verlag, 2009:

- The lines of life: experience for two to eleven musicians
- With subservience: lifelines for voice and accompaniment
- The lines of life: relief for two to eleven players

  • With Pindar (1984–86) Friedrich Hölderlin Trilogy 2; aart-Verlag, 2009:

- Lines of death: for violoncello or another suitable instrument (with drone ad lib.)
- With kindness: for five to seven speakers
- Life dances: for viola or another suitable instrument (with drone ad lib.)

  • Towards the wall (1985–87) Friedrich Hölderlin Trilogy 3; aart-Verlag, 2009:

- The Dances of Death: Delimitation for three to four players
- With subservience: Death dances for groups of percussionists
- The Dances of Death: Revitalization for three to four musicians

  • Twelve Fantasies (1986-87); aart-Verlag, 2009:

- Five Fantasies for String Instruments;
- Seven fantasies: for string instruments

  • Viel Kies (1961–88, rev. 2006): Twelve neglected pieces in 1 to 24 sequences for 1 to 8 instruments; aart-Verlag, 2009:

- Brief (1961): 1 sequence for 2x pianoforte
- Biest (1965): 3 sequences for 1x oboe
- Fieps (1966): 12 sequences for 5x harpsichord
- Fries (1970): 18 sequences for 7x violin
- Pieps (1971): 2 sequences for 1x Traverso
- Fiest (1973): 21 sequences for 8x guitar
- Pieks (1976): 4 sequences for 4x flute
- Bries (1977): 24 sequences for 5x violoncello
- Fried (1981): 15 sequences for 5x harp
- Grief (1982): 6 sequences for 3x Melodica
- Kieks (1983): 5 sequences for 1x trumpet
- Pried (1988): 9 sequences for 6x viola

  • Robert Walser Trilogy 1 (1987-88):

- Die Schöne Frau von Thun (1987): Six life pictures for three pairs of (wind and / or string) instruments
- Tobold (1987-88): Scenes of humility for choir voices and orchestral groups
- The girl with beautiful eyes (1988 ): Two album sheets for oboe and trumpet (or two other, but slightly different instruments)

  • A little extra report about the crucified Jesus (1991) after Johann Scheffler for four vocalists (also choral); aart publishing house
  • 1100 studies (1955–94) for diverse, also multimedia performances
  • Manna (1995) based on a text by Martin Buber (Verwahr) for four musicians (voice, piano, speaking voice, large drum); aart publishing house
  • Assumption about Agis I and II (1995, rev. 2002): Spartan monody for low or high instrument (can also be performed together); aart publishing house
  • Robert Walser Trilogy 2 (1995–96):

- Studje zwej (1995) for speaker or saxophone solo
- Study about the nobility (1995–96) for four performers
- Studje drej (1996) for speaker or harp solo

  • A dance poem (1998) based on Doctor Faust by Heinrich Heine for any quartet (ad lib. With piano or similar); aart-Verlag, 2015
  • Inner Voice (2001): A three-part concert étude for piano in any tuning (possibly also for 2 or 3 instruments); aart-Verlag, 2015
  • Androgyn I to III (1997–2002): slogans and sonatas for literary and / or musical performances; aart-Verlag, 2015
  • Eine Idylle (2002) after Friedrich Hölderlin: Eight image details for fourteen solo recorders; aart publishing house
  • Elements (2003) for bassoon solo (with 1 player on 2 cymbals ad lib.); aart publishing house
  • Tetralogy of Conjectures (2003); aart publishing house:

- Pale track: ritual for six performers
- White track: ritual for eight performers
- Krasse track: ritual for ten performers
- Hot track: ritual for twelve performers

  • 36 Existences (2003); aart publishing house:

- 17 existences: three-part sacred dances for five instruments in the high register
- 19 existences: four-part profane dances for seven instruments in the lower register

  • Jericho (2000-04) for any sound source
  • Robert Walser Trilogy 3 (2003-04):

- Love in easy words (2003): Two album sheets for fiddle and viol (or two other, but slightly different instruments)
- Kanal (2003-04): Scenes of Grace for speaking voice and chamber ensemble
- The easy end in Bern (2004 ): Six life pictures for three pairs of (plucked and / or percussion) instruments

  • Kar I and II (2003–04): Sacred music for oboe / baritone oboe or clarinet / bass clarinet (1 player); aart publishing house
  • Title Pages (2005): Concepts for Mobile People; aart publishing house
  • Solipsistic Ceremonials (2005); aart publishing house:

- Upcoming: Fifteen or more exercises for solo speaker (and ensemble ad lib.)
- Without further ado: Ten or more exercises for tuba player solo (and ensemble ad lib.)

  • Family III (2005) Three Potpourris; aart publishing house:

- Peeps, with text (2005) for 1 speaking voice and playback devices
- Thanks, with text (2005) for 2 speaking voices and playback devices
- Locks, with text (2005) for 1 speaking voice and playback devices

  • Telex (2006): A composition concept for the creation of small four-part pieces for one two-part and two single-part instruments; aart publishing house
  • Seitab (2006) on Robert Walser's fiftieth anniversary of death for celestas (one to six players); aart publishing house
  • Cake I (2007) Sandor Veress on 01.II.07; 1 × 100 singing parts (100 performers); aart publishing house
  • Sterntaler I (2007) based on texts by the Brothers Grimm; Fairy tale machines for voice and / or string trio; aart publishing house
  • Towards the Number (2004–06) Peter Sauschneider Trilogy 1; aart publishing house:

- The parts of the day I: relaxation for melodica (with accompaniment ad lib.)
- With personal hand I:
parts of the day for two flutists - The parts of the day II: delimitation for fortepiano (with accompaniment ad lib.)

  • With Haydn (2005–07) Peter Sauschneider Trilogy 2; aart publishing house:

- Essence parts for piano solo (or piano and string instrument)
- With
depth for two times fifteen instruments and the sounds of paper - Day weighing for organ solo (or organ and percussion instruments)

  • Vom Pulsher (2006-08) Peter Sauschneider Trilogy 3; aart publishing house:

- The cradles of the being I: Relief for Hammond organ (with accompaniment ad lib.)
- By hand II:
The cradles of the being for two bassoonists - The cradles of the being II: Experience for bandoneon (with accompaniment ad lib.)

  • Late Productions (2004-08); aart publishing house:

- 1 set of secondary notes (2004) for oboe and ud
- 3 euphemisms (2004–05) for oboe and ud
- 8 postludes (2005–08) for oboe

  • Lilienzeit I to IIII (2008) after Jakob Böhme; Chamber pieces for four instruments each; aart publishing house:

- From earlier for a brass instrument (freely assignable), horn, trombone, violone
- Until earlier for trumpet, a (freely assignable) brass instrument, violoncello, tuba
- From later for flute, viola, woodwind instrument (freely assignable), bassoon
- Bis later for violin, oboe, clarinet, a (freely assignable) woodwind instrument

  • Cake II (2008) Karlheinz Stockhausen on the 22.VIII.08; 2 × 40 drum sounds (1–10 performers); aart publishing house
  • Cake III (2008) to the Ensemble Neue Horizonte Bern on April 14, 2008; 4 × 10 toy sounds (40 performers); aart publishing house
  • Würste (2000 and 2008): Punch and Judy Theater in collaboration with Marion Leyh, for eight performers; aart publishing house
  • Dies I (2008): One-part music for 2 × 1 individuals to a text by Thomas Aquinas; aart publishing house
  • Dies II (2008): four-part music for 4 × 4 individuals to a text from the Benediktbeuern monastery; aart publishing house
  • Dies III (2008): nine-part music for 6 × 9 individuals to a text by Thomas von Celano; aart publishing house
  • Natural Language (2007-09) based on Jakob Böhme; A composition concept for generating pitch gradients for one or more high instruments (declamation ad lib.); aart publishing house
  • With Kanons auf die Tauben (2009) based on Joseph Haydn's Ten Commandments of Art; One to ten experimental canons in four parts (e.g. piano, oboe, violin, ud); aart publishing house
  • Cake IIII (2009) of the project group Neue Musik Bremen on the 35th of October 2009; 5 × 4 chat parties (1–4 performers); aart publishing house
  • Manners I and II (2009-10) for a homogeneous quintet line-up; aart publishing house
  • Same (2009-10): Four Pieces for Carrillo Pianos; aart publishing house
  • Sterntaler II (2010) based on texts by the Brothers Grimm; Fairy tale machines for speaking voice and / or percussion trio; aart publishing house
  • Hiking trails through a wilderness area I to V (2010); for 1–5 instruments and piano; aart publishing house
  • Prescriptions (2010–11): 1–100 prescriptions for 1–10 performers; aart publishing house
  • World premiere (2010–11): A concept for you alone; aart publishing house
  • Nachvollzug (2011) for duo casts; aart publishing house
  • Mechanismen (2011) after Franz Josef Czernin for organ; aart publishing house
  • Family IIII (2010–12) Three contact points; aart publishing house:

- Recently, with music (2010) for 1
speaking quartet
- Höchst, with music (2011) for 1 key quartet - Longest , with music (2012) for 1 percussion quartet

  • Outside (2012): 25 sensitivities for three performers with a variety of sound options; aart publishing house
  • Late Pieces (2011–13); aart publishing house:

- Duktionen (2011): Septet for 3 woodwinds, harpsichord, 3 strings
- Reductions (2012): Sextet for harpsichord, 2 brass instruments, 2 strings, harp
- Constructions (2012): Quintet for 2 brass instruments, piano, 2 strings
- Deconstructions ( 2013): Quartet for piano, 1 woodwind, 1 string, vibraphone

  • Heile Welt (2011–13) Operetta in sixteen still images based on texts from various libretti; aart publishing house
  • Amen I to IIII (2013) for sixteen instruments each; aart publishing house
  • Endliches Gelingen (2005–14): 20 transformations for 1, 2, 4, 5 instruments; aart publishing house
  • Controversy (2014) for twenty-five solo traverses; aart publishing house
  • So Beseelte (2014) for (prepared) piano; Swiss music edition
  • From the depths (2013–15): Eight impositions for piano; aart publishing house
  • Oh yes (2015): A dark conversation for 2 speakers; aart publishing house
  • Weisse Dunkelheit (2015): Ein Schwanengesang for piano solo or four hands (recitation ad lib.); aart publishing house
  • Pond with Two Swans (2016): A tender farewell for piano trio; aart publishing house
  • Black Brightness (2017): A swan song for piano solo or four hands (recitation ad lib.); aart publishing house
  • Extrakt (2016): speaking text for a performance by Marion Leyh; Swiss music edition
  • You (2014–17): Six gestalt formations
  • Currency (2014–15): an elegy for solo viola (and ensemble ad lib.); aart publishing house
  • Getrost (2015): A farewell for 1–4 delicate instruments (voices); aart publishing house
  • Fügung (2015–16): A sacrifice for a large orchestra without percussion; aart publishing house
  • Hörrt (2016): A prayer for 5 two-part drummers; aart publishing house
  • Rundung (2016–17): A waiver for solo piano (and ensemble ad lib.); aart publishing house
  • Bedacht (2017): A study for 1–4 tender singing voices (instruments); aart publishing house
  • Empor (2016–17) for 1 to 3 strings with or without piano; aart publishing house
  • Leerer Schein (2017) for 6 instruments (2 bassoons, harp, timpani, 2 trombones); aart publishing house
  • Arithmomanie II (2017, rev. 2018) for clarinet, organ, bass clarinet; aart publishing house
  • Nightingale Competition (2017): A first and last symphony for 84 singing, playing, speaking, beating performers; aart publishing house
  • Three melodramas (2017–18) for speakers, pianist and pianist; aart publishing house
  • Furien und Eilfen (2018): Chamber music for 2, 4, 6, 8, 10 instruments with variable instrumentation; aart publishing house

Books

Fonts

  • Various about Hermann Meier , in: Dissonanz 108 (2009), pp. 6–9.
  • Various by Hermann Meier , in: Dissonanz 108 (2009), pp. 9–12.
  • Texts as for with to the music (without C) , in: Dissonanz 50 (1996), pp. 15-17.
  • Texts as for with to the music (without D) , in: Kaspar Hauser / Individualität 28 (1990), pp. 41–55.
  • All music that interests me is avant-garde , in: Kulturmagazin (September / October 1986) (1986), pp. 31–33.
  • Being a musician - In Switzerland , in: Kaspar Hauser / Individuality 5 (1984), pp. 99-105.
  • Music in space - listening exercises, food for thought , in: Zwillingsphänomene der Architektur 2 (1981), pp. 39–50.
  • Sheet music - musical typefaces and their execution , Kunsthalle, Bern 1974.

Movie

Prices

Discography

  • Compositions 1973-1986 : Contains Zeithöft (1976), Sternstunde (1985-86), Meridian (1973-76), Augenhöhe (1982); Edition Wandelweiser Records EWR 1402/03, Haan 2014
  • Urs Peter Schneider - Grammont Portrait No. 34-2 : Babel (1961–67), choir book (1966–1977), studies , orchestral book (1974–1981); Grammont CTS-P 34-2, 1991
  • Grammont Sélection 5 : u. a. Urs Peter Schneider: Same (2009–2010); Musiques Suisses No. MGB CTS-M 137, 2012
  • Grammont Sélection 3 - Créations de l'année 2009 en Suisse : u. a. Urs Peter Schneider: Dies III (2008); Grammont MGB No. CTS-M 125, 2010
  • Tempus loquendi : u. a. Urs Peter Schneider: Ceremonies Book (1960–1982); Hans Balmer - Flute, Fontastix, 2008
  • Robert Walser and Swiss Music : u. a. Urs Peter Schneider: Beiseit I & II , Robert Walser Trilogy II ; Musiques Suisses MGB 6226; 2005
  • Ensemble Neue Horizonte Bern: historical recordings 1968-1998 : u. a. Urs Peter Schneider: rarities for interpreters (1959–1971 / 1983), with thanks to Mendelssohn (1981); Musiques Suisses MGB CTS-M 76, 2002
  • 10 Wim Pern : u. a. Urs Peter Schneider: Study (1992); Unit Records, 1992

Web links

Individual evidence

  1. ↑ Description of the work at artfilm.ch , accessed on June 24, 2013.
personal data
SURNAME Schneider, Urs Peter
BRIEF DESCRIPTION Swiss composer
DATE OF BIRTH February 14, 1939
PLACE OF BIRTH Bern